2013's House of Cards, starring Kevin Spacey as a ruthless politician on his way to the top, was based upon 1990's House of Cards, starring Ian Richardson as a ruthless politician on his way to the top. They are both brilliant shows (catch a scene from the earlier version above), and an excellent illustration of the differences between American and British politics, drama and humor.
The comparison between the U.S. and U.K. versions of this program shows something about why I feel so profoundly American (rather than British), but also why the Brits excel at just this kind of thing. There are lots of tough breaks in Kevin Spacey's House of Cards, but in the end there is a jauntiness to it. People kill themselves; politicians lie and traduce; no one can be trusted -- and still, somewhere deep it has a kind of American optimism. That's us (and me). USA! USA! It's different in the UK version. Richardson's Francis Urquhart reminds us that his is the nation whose imagination produced Iago, and Uriah Heep, and Kingsley Amis's "Lucky Jim" Dixon. This comedy here is truly cruel -- and, one layer down, even bleaker and more squalid than it seems at first.
Both editions are on Netflix—the UK one is only a four-hour miniseries, too.
“Quid pro quo – I tell you things, you tell me things.” Edited by Jon Tomlinson; Narration: Andy Geller; Executive Producer: Dustin McLean (CineFix)
Disney is contemplating opening a luxury Star Wars themed resort next to the Hollywood Studios park at Disney World, which could feature multi-day live-action role-playing games that run overnight, with guests staying all night in the park to interact with costumed characters and automated elements (droids, etc) to game out scenarios.
”Enjoy one of the most beautiful Star Wars films to date—that feels like the world’s biggest budget fan film.”
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