This week on HOME: Stories From L.A.:
It looks like a Hopper painting plunked incongruously down on a busy commercial street in West Los Angeles — The Apple Pan, home to freshly-baked pies and what hamburger aficionado George Motz says may be the best burger in America. But the affection Angelenos have for The Apple Pan only starts with the food. It’s an oasis, a rock, a spot out of time, essentially unchanged since the day it opened in 1947. It may not be the kind of place where everybody knows your name, but if you’ve been going there for a long time, as it seems like most of its customers have, it is the kind of place where the countermen most likely know your order. Warmth, familiarity, stability in a rapidly-changing landscape… aren’t these some of the things that make a place a home?
With this episode HOME wraps up its second season. We'll be back in June with an all-new season; subscribe now and you won't miss a thing.
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The crowning paradox of the touring comic's life may be this: You have to leave home to make a name, but without the grounding and security of home you may not have anything to say. This week on HOME: Stories From L.A., three experienced comedians on striking the tricky balance between the road and home.
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Thanks to Cathy Ladman, whose one-woman show, "Does This Show Make Me Look Fat?", opens soon; Brad Upton, whose upcoming tour schedule is available here; and Jackie Kashian, who can be heard on The Dork Forest and The Jackie and Laurie Show. Read the rest
How far would you go to rescue the remains of a bygone world you've loved since you were a kid? Peter Knego went to Alang, India, and then did it again and again, to save what he could of the great ocean liners being scrapped there. But he didn't just want to save the ships. He wanted to live in one. And to a remarkable degree he's succeeded, filling his home in Oceanside, CA with a breathtaking array of maritime memorabilia.
This week on HOME: Stories From L.A., one man's mission to recreate, in landlocked miniature, the great days of the oceangoing ships.
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Suppose you wanted to design a home away from home. What would you put in? What would you leave out? What kind of seating would you have? (Soft? Hard? Low? High?) What kind of tables — big working slabs or intimate little two-tops?
A good “third place” may seem casually homey, but its design is the end result of a million tiny decisions. This week on HOME: Stories From L.A., it’s a conversation with Kambiz Hemati, who oversaw store design at Starbucks for two years and now owns Love Coffee Bar in Santa Monica, where he gets to think hard — and think small — about what makes a place feel like home.
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Up in the manicured hills of Los Feliz, a neighborhood that boasts at least three famous murder houses, the one with the weirdest history may be the Perelson house... where, deep in the night of December 6, 1959, a husband and father of three lost his fragile grip and went terribly, shockingly crazy. But the story only starts there.
Why did Harold Perelson snap? What does it mean when, without warning, the safety of a family home is shattered from within? And how do you explain what's happened to the house since?
This week on HOME: Stories From L.A., a mystery that's endured for almost 60 years, and the crime that set it in motion.
Thanks for listening. And if you like what you hear, please subscribe. Read the rest
[I'm a huge fan of Bill Barol's podcast, HOME: Stories From L.A. It's the first podcast Bill has produced, and he knocked it right out of the park. HOME is one of the best narrative podcasts I've ever listened to. If you haven't listened to the six episodes from the first season yet, you are in for a treat. I'm very excited that for its second season, HOME has found a home in the Boing Boing podcast network. Thanks for sharing your work with Boing Boing's audience, Bill! – Mark]
HOME: Stories From L.A. asks the questions: What do we mean when we talk about home? And what does it mean to be at home on the edge of the American continent? In Season 1 we looked at the midcentury house on a hill where a forgotten genius from Hollywood's Golden Age lived out his last years; the empty spot on a Hawthorne street where Brian Wilson first dreamed of the harmonies that would make The Beach Boys great; the chicken magnate who's trying to keep a desert town on the old Route 66 from vanishing; the wandering that led an ex-Buddhist monk to the tech sector of Venice Beach; what it means, and what it meant, to grow up in the San Fernando Valley; and the fight to keep a venerable old Hollywood apartment building weird.
This week, to kick off Season 2:
When an elderly parent dies after a long life of lovingly acquiring things, she leaves behind more than memories for her kids. Read the rest
I've never publicly shared my story about The Worst Meeting In The History Of Show Business, but this seems like an appropriate time, for reasons I'll get to in a minute.
In the late '90s I was working as a sitcom writer, and in the spring of 1998 I was between jobs and needed one. My agent lined up a meeting for me with Al Franken, who was then running a show called "Lateline," a behind-the-scenes comedy about a TV news program. Franken wanted to meet me, my agent told me, because I had a news background, having been a writer for Newsweek before I moved to Los Angeles. My recollection is that "Lateline" was produced out of New York; Franken would fly out to Los Angeles to hold a few days' meetings with prospective hires at a hotel in West Hollywood. And so the meeting got set, for breakfast a week or so later. I arrived a little early and found Franken in the hotel restaurant, where he was meeting with another writer. He asked me if I'd mind waiting for a few minutes, so I took a seat in the lobby.
After a few moments the telephone rang at the host's station, which sat in the lobby, a few feet outside the dining room entrance, and about 20 feet from where I was sitting. The host answered the call, listened for a moment, then went inside and came back with Franken. The writer with whom Franken had just met, their meeting now concluded, continued through the lobby and left. Read the rest
Recently, Boing Boing presented a series of essays about movies that have had a profound effect on our invited essayists. We are extending the series. See all the essays in the Mind Blowing Movies series. -- Mark
Mind Blowing Movies: Funny Bones, by Bill Barol
[Video Link] 1995’s Funny Bones, by the British writer/director Peter Chelsom, is either a comedy about dark things, like betrayal and manslaughter, or a drama about funny people, like a pair of retired vaudevillians who are winding down their days scaring children in the spook house on the Blackpool amusement pier. I’ve seen the movie, conservatively, two dozen times and I still don’t quite know how to describe it. I’ve never shown it to anybody who didn’t turn to me at least once with an incredulous look in their eyes, a look that says: “What the hell is this?”
This is exactly what I love about Funny Bones -- it is sui generis, and impossible to boil down. I can tell you the broad outlines: Failed standup Tommy Fawkes, the son of revered funnyman George Fawkes, flees Las Vegas and returns to the tattered seaside town of Blackpool where he grew up, in search of the indefinable substance that makes people funny. Once there he discovers that he has a half-brother he never knew, and that this odd, shy sibling is the unwilling recipient of the comedy genes, the funny bones, that Tommy so desperately desires. But those few quick strokes really -- you have to believe me -- they really don’t do justice to this odd, dark, deeply funny and witheringly sad story, or to the faded netherworld of fringe show business in which Tommy finds himself, casting frantically about for something to keep him from going under. Read the rest
Boing Boing recently presented a series of essays about movies that have had a profound effect on our invited essayists. We are extending the series for several additional days. See all the essays in the Mind Blowing Movies series. -- Mark
Andy Griffith: Before Mayberry, A Movie Monster, by Bill Barol
[Video Link] If for any reason you doubt the power of television, consider the long career of Andy Griffith, who died this week at 86. Griffith had one TV role that was merely successful and one that was almost archetypical. That’s a pretty good run for any actor. But TV didn’t just give to Griffith. It also took away, and it’s here that the medium shows its muscle in a really astounding way. Griffith’s long TV career effectively effaced a film debut that, fifty years later, is so vivid and visceral that it startles with every viewing. The facts that Griffith played a bad guy in his first film role, and that both the performance and the movie, Elia Kazan’s 1957 A Face In The Crowd, are largely overlooked today -- these are testaments to TV’s power to swamp any cultural phenomena that have the poor judgment to get in its way.
Hang on, there’s more. What’s doubly delicious about this is, A Face In The Crowd is a cautionary tale about the power of -- Anyone? Anyone? Yes: Television. Griffith, who came from nightclubs and the stage and had no resume as a dramatic actor in 1957, plays Lonesome Rhodes, a drifter who stumbles into national prominence thanks to the demagogic power of the then-young medium. Read the rest
[I am reading Bill's novel now and really enjoying it. Look for a review from me soon -- Mark]
When John F. Kennedy was asked how he became a war hero, he’s supposed to have replied: “It was involuntary. They sank my boat.” That’s how I became a self-published novelist: A large number of New York publishers rejected Thanks for Killing Me, my spiky little crime novel about the aftermath of a con gone wrong. They did so for an exquisitely heterogeneous variety of reasons. One liked the plot but not the characters; another liked the characters but not the plot. A couple thought it moved too fast, and a couple found it too leisurely. About the only consensus was that none of them felt optimistic about their chances of selling a caper novel, and a first novel at that, in a declining publishing market. Being the self-starter that I am, I took these rejections in stride and leapt into action, throwing the manuscript into a drawer and sulking for eighteen months. Read the rest
Photo by Ged Carroll. Creative Commons Attribution 2.0 Generic license.
A recent article
in the Journal of Experimental Social Psychology makes a case that height makes right. That is, it cites four separate studies showing that people who were physically elevated (up on a raised platform, for example) behaved in a more humane and altruistic fashion than those below. As Scientific American notes
today, "height is often used as a metaphor for virtue: moral high ground, God on high, looking up to good people, etc." The journal article, by Larry Sanna and associates at the University of North Carolina, suggests that height's value may be more than symbolic. What if, as one of the studies posits, escalators actually elevate good intentions: "Twice as many mall shoppers who had just ridden an up escalator contributed to the Salvation Army than shoppers who had just ridden the down escalator."
That said, escalators aren't all good
. Read the rest
It's one of those ideas that sounds less nuts the more you think about it: "The Wire" imagined as a 19th-century serialized novel. After all, David Simon's great multi-season drama had all the muckraking moral outrage of Charles Dickens (Google the reviews and try to count the number of times you see the word "Dickensian"), and its shifting viewpoint over five seasons gave it a similar historical sweep and reportorial authority. The real kick of "When It's Not Your Turn,"
though, is its obsessive attention to detail. You have to admire the dedication of creators Joy Delyria and Sean Michael Robinson, who seemingly cram every arcane bit of the show's rich mythology into a fake lit-crit essay. The illustrations, ostensibly by Baxter "Bubz" Black, just add to the goofy verisimilitude of the thing. It's a fabulous fraud. Read the rest
It's hard to to top the phrase "pole dancing for Jesus" -- I dare you to even try -- because it satisfies so many absolutely awful contemporary needs in just four words. It's the perfect bogus local-news trend story. (I first saw it on Wonkette
, but it was picked up from the Fox affiliate in Houston.) It's an SEO bonanza. And it's an awesome
name for the next band you never heard of that's suddenly appearing on "Saturday Night Live" for some reason. The fact that it's an actual thing -- there's a class in it at a dance studio in Spring, TX, a northern suburb of Houston, and the newsbabe somberly assures the anchordude that "you have to bring your church program with you in order to get into the class' -- only makes it better. Or worse. Or something. "Tune in," newsbabe tells anchordude, promising him in this teaser segment that she herself will take a few twirls for Jesus in the nine o'clock hour. "We will," anchordude replies, a glittery mix of prurience and ratings-lust in his eyes. Or is that just good old-fashioned religious fervor? it's getting so hard to tell. Read the rest
You might know Joshua Allen from the Twitter, where he posts hilariously (and not often enough) under the handle Fireland. Allen is one of the three or four people who make it seem possible that Twitter can spawn something like art. (Others? Tim Siedell, Adam Lisagor and Christian A. Dumais, the guy behind Drunk Hulk. That's my list. I'm sure you have yours.) Now, just to rub it in, he has a new project: Ten Sexy Ladies, in which he rates "everything ever, on a scale from one to ten sexy ladies." And when Allen says "everything ever," you better believe that's exactly what he means. Here he is on "This Thing of ChapStick":
Come closer, mon petit chou. I have generously applied deodorant that smells like a lumberjack fresh out of a clear mountain stream. I have swished mouthwash until it burned my gums like a sexual fire. I didn't floss because come on, really? But I did shave. Everywhere. And I got in there real good with a Q-tip. I am ready to receive your makeouts. (Rating: Two sexy ladies.)
Allen, who in real life is a writer living in Denver, is so prolifically funny that he makes me feel a little ashamed. The only comfort I can take is that sometimes his ratings are, like, way
off. I mean, a mere "One sexy ladies" for pennies
, which are so fantastically useful as to stagger the mind, as Allen himself admits?
Got chewed out by the boss? Read the rest
Dear Bill: You know that picture of the terrified giant panda clinging to a policeman's leg
after the Japan earthquake? The one that, in the terrible early hours of this awful disaster, rocketed all over the Internet, landed on your screen and induced all sorts of anthropomorphic empathy on your part? It's not a fake, exactly; the image is real
, but it's five years old, and was taken at a panda research center, and not in Japan but in China, and the guy isn't a policeman, he's a keeper, and it was feeding time, and the panda wasn't terrified but hungry. As you're contemplating the still-unfolding disaster, reserve a little brainpower to ponder on who puts this sort of misinformation out there at a time like this, and why. And try not to let it make you feel worse about this moment in history than you already do. Read the rest
My name is Bill, and I'm bad at GTD.
Many, many factors account for this -- let's call it a character flaw. But the biggest is probably this one: My utter inability (or maybe it's just an unwilingness) to see beyond what's right in front of me. This one failing has knocked the pins right out from under every GTD implementation I've ever looked at, and I've looked at 'em all. You know in the cartoons, when somebody's confused and words start circling his head? That's me with a new GTD app. Projects? Next tasks? Near-term goals? Far
-term goals? Why, you're just talking gibberish!
This may be why I've embraced Do It (Tomorrow)
, a dead-simple to-do app for iOS. (Free for the iPhone; a $1.99 universal version adds cloud sync.) Do It (Tomorrow) builds on -- or maybe it takes away from -- the work done by earlier apps like Put Things Off, a simplified sort-of-GTD client that allows you to schedule tasks for today or shove them off indefinitely. The trouble is, even that feels like too much work to someone like me. Here's the uncomplicated beauty of Do It (Tomorrow): It offers two choices: Do it today, or put it off for tomorrow. That's it. In reducing the vista of available time, it allows me to focus on only those things that really need doing right now, or close to it. Do It (Tomorrow) embraces the functioning part of my brain, which can see about 36 hours ahead, and doesn't bother with the rest. Read the rest
"The next time you're in a museum, keep a sharp eye out for skull cups," Gadling advises
brightly today, following up on a BBC report
about the discovery of three ancient skulls that were carved into drinking cups. And you can bet your life I will, Gadling, because skull cups can be beautiful, like the one above (apparently Chinese, although its provenance is a little murky) but mostly because they are SKULLS carved into CUPS and ancient people DRANK OUT OF THEM, and if that doesn't give you nightmares, take another good look at the less aesthetic and more terrifying model
whose picture accompanies the BBC story and remind yourself that once upon a time it was the repository for SOME GUY'S BRAINS. Read the rest