When I was a teen in the 1970s, I lived for foosball. In the tiny town of Chester, VA where I grew up, the Family Circus Foosball Parlor, which had taken over the old turn-of-the-century pharmacy building in the center of town, was where all of the freaks, geeks, pool hustlers, and drug dealers hung out.
I smoked my first weed behind the hedgerow beside Family Circus, squatting among discarded Family Circus napkins and french fry cups, and spent condoms. Led Zeppelin, Black Sabbath, and Jethro Tull enjoyed constant rotation on the Family Circus jukebox. The degree of your coolness was determined by the width (and amount of hem fray) of your bell bottom jeans. And the viciousness of your shot-wrist.
I got pretty good at foosball. But other players were scary-good. I still remember playing a two-on-two game with a friend where our opponents, the two real stars of the Circus, turned away and covered their eyes each time they took their goal shots. Blindfolded, they still beat us. For the rest of my life, I will always count the sound of definitively sinking a foosball, with a dramatic snap of the wrist, to be one of the most satisfying sounds (and feelings) there is — that bell-like ring of the cork ball as it pings off of the metal backstop of the goal.
Comedian Kelsey Cook knows and loves that sound and feeling, too. Besides being a stand-up comic, Cook is a professional foosball player (as are her mom and dad). In her new All Things Comedy (ATC) show, Wrists of Fury, she takes on fellow comedians as they play the dozens, talking smack and the crazy lives of stand-up comedians. There are only a few episodes available to date. I look forward to more.