Mark Dery is guest blogger du jour until August 17. He is the author of Culture Jamming, Flame Wars, Escape Velocity, and The Pyrotechnic Insanitarium. He's at work on The Pathological Sublime, a philosophical investigation into the paradox of horrible beauty and the politics of "just looking."
So, what is this thing, the Pathological Sublime? Many, if not most, Boing Boing readers who have done the grad-school death march will be familiar with the sublime, a durable philosophical meme that, arguably, dates back to the Greeks but is more typically associated, in academic circles, with Edmund Burke, David Hume, and Immanuel Kant. The invaluable Columbia Dictionary of Modern Literary and Cultural Criticism helpfully defines the sublime as:
a sense of wonder or awe (colored by fear, according to English theorists), which is created by the experience of grandness or 'vastness'; and in some cases writing on the sublime comes close to being nothing more than a list of objects said to produce the effect in question: mountains, oceans, Milton, an angry deity, etc. At its most sophisticated, however, 18th-century reflection on the sublime shows a new interest in aesthetic psychology, with attention shifting away from the sublime object and onto the response of the reading or perceiving subject.
The Dictionary goes on to note that this tactical interest in the psychological reverberations of the sublime was in some ways a reaction against neo-classical virtues such as order, symmetry, and The Beautiful, with which it (the sublime) is often counterpoised.
(This cultural dynamic replayed itself in the postmodern era, when critics such as Jean-Francois Lyotard rebooted the sublime as a corrective to the instrumental rationalism of modernism. Read the rest