"mutter museum"

Boing Boing presents: Skeleton Boy, a moving short documentary about the life, death and afterlife of Harry Eastlack, star of the Mutter Museum

Philadelphia's Mutter Museum (previously) is one of my favorite museums in the world: built from the private collection of pathologist Dr Thomas Dent (who aggregated the collections of many other pathologists), it is a solemn and moving place to see the incredible breadth of human physiognomy and pathology. Read the rest

X-Men: Grand Design: Busting up the Nazis

Welcome Ed Piskor back to Boing Boing (previously), where he'll be offering an annotated page-by-page look at the first part of X-Men: Grand Design, his epic retelling of how Marvel comics' pantheon of heroes came to be. Here's page 4; read the rest first — Eds.

Director’s commentary

If this were an Avengers comic, Captain America wouldn't worry about protocol or mission objectives in order to save the kid being menaced by nazis. This is an X-Men book so Wolverine gets to be the antsy guy ready to pounce. It’s immaterial regardless because Magneto handles his own business.

This page is inspired by the classic standalone issue 268 of Uncanny X-Men by Chris Claremont and Jim Lee set in 1941 with a young Captain America meeting Wolvie for the first time. There was also a great episode of the classic ‘90s X-Men cartoon called Old Soldiers (written by Wolverine co-creator Len Wein) that featured this dynamic duo. Both, the comic and the cartoon are equally awesome and you should check them out at any cost.

The splash panel with Cap’s shield busting up the nazis is a good formal use of comics which couldn’t exactly translate into other media. I don’t often include sound effects but I wanted to slow the reader down enough to communicate that each smack from the shield was its own unit of time. When you look at that image as a whole, time is traveling at the speed of that star-spangled shield.

When I do use sound effects I like them to look the way Wally Wood drew them (for those keeping score at home). Read the rest

"Monster Imagery Taught Me I Was a Monster": Riva Lehrer on Beauty, Deformity, Disability

Standing in the Mütter Museum of medical oddities, contemplating a neat row of  jars, each containing a malformed fetus with spina bifida, Riva Lehrer realized just how easily she, too, could have ended up a specimen in a bottle, an object of curiosity, pathos, and, yes, revulsion. "Their spinal column failed to fuse all the way around their spinal cord, leaving holes (called lesions) in their spine," she writes, in a New York Times essay so scarifyingly honest it feels like self-anatomization. "Some extrude a bulging sac containing a section of the cord. These balloons make the fetuses appear as if they’re about to explode. This condition is called spina bifida. I stand in front of these tiny humans and try not to pass out. I have never seen what I looked like on the day I was born."

Born with Spina bifida, the survivor of scores of surgeries, Lehrer is "less than five feet tall." She writes, "I have a curved spine. I wear huge, clunky orthopedic boots." Yet as she notes in her Times essay, she no longer winces at her own reflection. Through her stunning, photorealistic portraits of people with disabilities—people like Mat Fraser, a.k.a. Sealo the Seal Boy from American Horror Story; Nomy Lamm, born with one leg smaller than the other; Lynn Manning, a blind actor and 1990 World Champion in Blind Judo shown brandishing his white cane like a katana—she has come to see "disabled bodies as unexpected and charming and exciting. Read the rest

Death, Science, Sexology: Joanna Ebenstein of the Morbid Anatomy Museum

Mark Dery shines a light into the literary unconscious of Joanna Ebenstein, director of the Morbid Anatomy Museum.

Dr. Mütter's Marvels: intrigue and innovation at the dawn of modern medicine

Specializing in performing reconstructive surgery on the severely deformed in a time before anesthesia, Thomas Dent Mütter was one of the first American pioneers of plastic surgery. In the new book, Dr Mütter's Marvels: A True Tale of Intrigue and Innovation at the Dawn of Modern Medicine, author Cristin O'Keefe Aptowicz explores the life and times of this idiosyncratic doctor and American original.

The physical toll of war in a new Mutter Museum exhibit

You know the Mutter Museum for its deformed fetuses and misshapen skulls, but they have a new exhibit dedicated to chronicling the injuries suffered by Civil War soldiers and (because this is the Mutter Museum, after all) the often gruesome medicine used to fix them. Read the rest

Adopt a skull to help the Mutter Museum

The Mutter Museum — a freaky fantastic collection of medical curiosities — is trying to restore and preserve a collection of 139 skulls that were once used to debunk the pseudoscience of phrenology. You can help by adopting a skull for $200. Read the rest

How to: Make a unicorn

At Popperfont, the great David Ng discusses the biological and/or evolutionary steps necessary to produce a theoretical real-life unicorn. I find it delightfully ironic that his first possible route involves something that, if I were to show you pictures of it*, you would probably request a unicorn chaser.

Basically, some kinds of tumors can produce little horn-like protrusions from the surface of the skin. (Sometimes these tumors are malignant, sometimes not.) If the tumor formed right in the middle of a horse's forehead ... et voila! You've got a unicorn.

This is not as unlikely as it sounds, by the way. The Mutter Museum has a wax model of the head of a French woman, Madame Dimanche, who had one of these tumor horns removed from the middle of her forehead when she was 82 years old. This happened sometime around the beginning of the 19th century. At the time of removal, the horn was 9.8 inches long.

And, yes, this would be roughly the same way that you get a jackalope.

Read David Ng's full discussion of several possible ways to produce a real-life unicorn

*Needless to say, all links shall be followed at the viewer's own risk. I am not responsible for lost appetites.

Image: Unicorn, a Creative Commons Attribution (2.0) image from robboudon's photostream

Read the rest

High-rez scan of Einstein's brain slide from Philadelphia's Mütter Museum

Last week, I toured Philadelphia's Mütter Museum -- the Philadelphia College of Surgeons' astounding collection of pathological oddities -- and was treated to a sneak peak at the museum's latest acquisition: 46 microscope slides from Albert Einstein's brain. They were donated by Dr. Lucy Rorke-Adams, one of the College's trustees. Mütter curator Anna Dhody was kind enough to scan one of the slides at high resolution for us, and you can click through the image above to get it at full rez. The slides are now part of the Mütter's permanent collection, and are just another reason to visit this remarkable collection.

The slides were prepared in 1955 in the pathology lab of Dr. William Ehrich, Chief of Pathology at the Philadelphia General Hospital and the Graduate School of Medicine of the University of Pennsylvania. Five sets of slides were prepared in the lab, one set was given to Dr. Ehrich by Thomas Harvey, MD, the physician who performed the post-mortem exam on Einstein at Princeton Hospital.

After Dr. Ehrich died in 1967, his widow gave them to Allen Steinberg, MD. Dr. Steinberg gave them to Lucy Rorke-Adams, MD, Senior Neuropathologist, The Children's Hospital of Philadelphia and Clinical Professor of Pathology, Neurology and Pediatrics at the University of Pennsylvania, and a longtime Fellow of The College of Physicians of Philadelphia.

Mütter Museum Read the rest

Syphilis and gonorreah from posters the early days of antibiotics

From How to Be a Retronaut, a fine gallery of scanned syphilis/gonorreah posters from the last days of each disease's reign of terror, before widespread use of antibiotics. If you're ever in Philadelphia and want to get a sense of how scary syphilis must have been in its day, head on over to the Mutter Museum, an exhibit of pathological curiosities, and have a gander at the cases of syphilitic skulls. I still get nightmares.

Syphilis Posters, 1940s Read the rest

Live-size sleeping woman candle

This wax sculpture of a sleeping woman was made with several wicks, turning her into a giant candle (not to be mistaken for the soap woman of the Mutter Museum). It was sculptded for the Arnhem Mode Biennale 2011 by A.F. Vandevorst.

production A.F. VANDEVORST installation for Arnhem Mode Biennale 2011

(via Neatorama) Read the rest

Weird things people swallow

In the 19th and 20th centuries, laryngologist Chevalier Jackson pioneered new methods to remove weird things that people swallowed, from safety pins, buttons, cigarette butts, and even a toy dog (seen here in the esophagus of the 3-year-old who gulped it down). Jackson developed quite a collection of the objects and eventually donated them to the fantastic Mutter Museum of the College of Physicians of Philadelphia. Jackson's story is told in English professor Mary Cappello's curious new book, "Swallow: Foreign Bodies, Their Ingestion, Inspiration, and the Curious Doctor Who Extracted Them." From AOL News:

Take, for example, the 1923 case of a baby boy, Joseph B. According to his account, Jackson removed 32 foreign bodies from within the child, including buttons, closed safety pins, bent straight pins, cigarette butts and burnt matches.

Joseph's mother had ignored signs at home, dismissing evidence -- such as a button found in her son's stool -- by assuming it fell off his clothing. Buried inside the case study, Cappello found wha

t she considered a "throwaway line" offering an explanation:

"According to a statement made by both the father and the mother, the child was cared for by a friend on May 28, and they believe that she deliberately fed these many articles to the child." The question of why this caretaker would have done such a thing is not discussed.

"Jackson wasn't really interested in human psychology," Cappello said. "He was trying to master the foreign body. But he had to leave certain things out of his inquiry.

Read the rest

Did John Wilkes Booth get away?

On April 26, 1865, Sergeant Boston Corbett shot and killed John Wilkes Booth, Lincoln's assassin who was hiding out in the barn of a tobacco barn in Caroline County, Virginia. Or did he? Some historians have suggested that the man in the barn wasn't Booth, and that he lived for several more decades under assumed names before committing suicide. Now, Booth's descendants have authorized the exhumation of John Wilkes Booth's brother, Shakespearean actor Edwin Booth, to get a DNA sample and close the books on the case. The DNA will be compared with a sample from vertebrae of the man killed in the barn. The body itself is buried but bone samples are in the collection of the National Museum of Medicine and the (incredible) Mutter Museum in Philadelphia. From CNN:

“I just feel we have a right to know who’s buried there,’’ said Lois Trebisacci, 60, who told The Boston Globe she is Edwin Booth's great-great-great granddaughter.

In 1995, the family tried to exhume the body inside the family plot that contains the man shot in the barn, but a judge denied the request.

“The family was as much interested in disproving [the escape] theory as they were in proving it,’’ Mark Zaid, an attorney for Trebisacci, told the Globe...

A spokesman told The Inquirer that the National Museum of Health and Medicine was concerned about damage to the precious piece of history, just for the sake of trying to debunk a myth. But Jan Herman, chief historian for the Navy Medical Department and special assistant to the Navy surgeon general in Washington, said since only a small drill would be used, the sample wouldn't be damaged.

Read the rest

Brothers Quay documentary about the Mutter Museum

The Brothers Quay, creators of phantasmagorical stop-motion animation, are shooting a documentary film about the College of Physicians of Philadelphia's Mutter Museum, the incredible wunderkammer of antique wax anatomical models, pathological specimens, and antique medical instruments. (If you can't make it to the museum in person, the gorgeous Mutter Museum coffee table book and Mutter Museum 2011 Calendar are the next best things.) the From the New York Times:

The brothers were touring the Mütter Museum, a 19th-century repository of curiosa at the College of Physicians of Philadelphia, garbed somewhat disappointingly in chinos and sweaters. They were filming manikins, anatomical anomalies and bizarre surgical instruments for an as-yet-untitled documentary on the museum and its adjoining 340,000-volume library. Next fall the short will be screened as part of a symposia at the Mütter, the Museum of Modern Art in New York and, in Los Angeles, at the uncategorizable Museum of Jurassic Technology. Bankrolled by a $287,000 grant from the Pew Center for Arts & Heritage, the project is the latest attempt by a museum to expand its audience by enlisting artists to interpret its collection...

Timothy (Quay) hinted that the film’s framing device would be the tale of Harry Eastlack, whose skeleton is on display at the Mütter. He died at 39 of a rare, progressive, inflammatory disease that turned the connective tissue in his body to bone. During his final days he became a kind of living statue. After his death, in 1973, his sister often dropped by the museum to see his exhibit.

Read the rest

Obscura Day, March 20: visits to wondrous, curious, and esoteric places

Hi everyone! Pleased to be back on Boing Boing again. Last time I was here with Dylan Thuras we announced the launch of the Atlas Obscura, a user-generated compendium of the world's "wondrous, curious, and esoteric" places.

Dylan and I are excited to let everyone know about the upcoming real-world manifestation of the Atlas: International Obscura Day, taking place on Saturday, March 20th, 2010. More than just cataloging the world's curious, uncelebrated spots, we want to encourage folks to actually go out and explore them. That's what we're going to be doing en masse, all over the world, on March 20th.

So far we've seeded Obscura Day with events in almost 40 cities and towns around the world. We're getting access to private collections and museum back rooms, exploring hidden treasures, and leading expeditions to places that aren't normally open to the public.

We hope to have Obscura Day happenings taking place in dozens more cities on every continent. But we can't do it alone. Please consider volunteering to help organize an Obscura Day event in your own hometown. If you want to get involved, email us at info@atlasobscura.com and we'll help you make it happen.

Why are we doing this, you ask? Well, because we think it will be a lot of fun. We love these sorts of places, and we think they deserve to be celebrated. We believe you don't have to go to the Grand Canyon to experience wonder, or to the Smithsonian to indulge your sense of curiosity. Read the rest

Skull-a-Day meets Mutter pathology museum

Noah from the wonderful Skull-a-Day site got interviewed by Robert Hicks, PhD, Director of the Mütter Museum (Philadelphia's astounding pathology musuem). The Mutter is one of the most astounding, humbling, beautiful places I've ever been.

No Bones About It! Featuring Noah Scalin

(Thanks, Noah!

Previously: Secret photo archives of the Mutter Museum: haunting book of ... The Mutter Museum in color photos - Boing Boing Curator of human oddities museum remembered - Boing Boing Anatomical museum photographs - Boing Boing Boing Boing's Holiday Gift Guide part five: Nonfiction - Boing Boing Skull-a-Day gallery show - Boing Boing SKULLS: the skull-a-day book - Boing Boing Skull font, free from Skull-A-Day - Boing Boing Skull-a-Day: A new mixed media skull every day - Boing Boing Papercraft skull with moving jaw - Boing Boing Yarn painting skull - Boing Boing Flowchart: skull - Boing Boing Read the rest

A Young Person's Guide to the Pathological Sublime

Mark Dery is guest blogger du jour until August 17. He is the author of Culture Jamming, Flame Wars, Escape Velocity, and The Pyrotechnic Insanitarium. He's at work on The Pathological Sublime, a philosophical investigation into the paradox of horrible beauty and the politics of "just looking."

So, what is this thing, the Pathological Sublime? Many, if not most, Boing Boing readers who have done the grad-school death march will be familiar with the sublime, a durable philosophical meme that, arguably, dates back to the Greeks but is more typically associated, in academic circles, with Edmund Burke, David Hume, and Immanuel Kant. The invaluable Columbia Dictionary of Modern Literary and Cultural Criticism helpfully defines the sublime as:

a sense of wonder or awe (colored by fear, according to English theorists), which is created by the experience of grandness or 'vastness'; and in some cases writing on the sublime comes close to being nothing more than a list of objects said to produce the effect in question: mountains, oceans, Milton, an angry deity, etc. At its most sophisticated, however, 18th-century reflection on the sublime shows a new interest in aesthetic psychology, with attention shifting away from the sublime object and onto the response of the reading or perceiving subject.

The Dictionary goes on to note that this tactical interest in the psychological reverberations of the sublime was in some ways a reaction against neo-classical virtues such as order, symmetry, and The Beautiful, with which it (the sublime) is often counterpoised.

(This cultural dynamic replayed itself in the postmodern era, when critics such as Jean-Francois Lyotard rebooted the sublime as a corrective to the instrumental rationalism of modernism. Read the rest

Next page

:)