IO9's got a great interview up with William Gibson -- not the same questions everyone else asks him, either. I like what he has to say about dystopias:
I don't think a writer can hit the dystopic key without being misanthropic. I'm actually not misanthropic. I think people are capable of wonderful things. I'm quite fond of them and enjoy their company. I can't do Jonathan Swift. I don't have it in me to do that. I also don't have it in me to say to reader, “This is all real.” I'm enough of a postmodernist that I go in and out of believing in my own narrative. The happy endings, such as they, are are actually a function of that. They're the "that's all folks” at the end, waving the big three-fingered glove. I want to remind people that they're reading a novel about an imaginary future. If I had my way, I'd even be reminding people about the whole culture of reminding people.
The Philip K Dick Award is given to the best paperback original each year (past winners include Tim Powers’ Anubis Gates, Rudy Rucker’s Wetware, William Gibson’s Neuromancer and Meg Elison’s The Book of the Unnamed Midwife).
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