As the final volume of Brian Wood's brilliant anti-war graphic novel DMZ nears publication, Dominic Umile looks back on the series' 72 issue run of political allegory and all the ways that it used the device of fiction to make trenchant comic on the real world. DMZ is a story about the "State of Exception" that the American establishment declared after 9/11, a period when human rights, civil liberty, economic sanity, and the constitution all play second-fiddle to the all-consuming war on terror. Like the best allegories, it works first and best as a story in its own right, but it is also an important comment on the world we live in.
In DMZ #8, Matty Roth reviews a series of New York Times newspapers to reconstruct a timeline of the book’s war. Burchielli’s panels are nearly blacked-out. It’s as if Roth is squatting on a darkened stage: Nothing behind him is discernible outside of more yellowed newspapers, each slugged with copy that’s painfully close to our own real-life headlines. Brian Wood’s chief character is despondent and sounds like many of us do today in the era of Occupy Wall Street, hostilities in Afghanistan, the Obama administration’s drone campaign, and rampant corruption plaguing state and federal government, all amid an ever-theatric run-up to another presidential election.
Even as DMZ had another 64 issues and more than five years to go, Roth’s thoughts are rendered with an undeniable degree of both prescience and finality: “I never paid attention to politics. Never seemed to be a point. Politics happened the way it happened regardless of what anyone thought or did. So why bother?”
A "System" of Torture?: 'DMZ's' Argument Through Comment, and Comics
In the wake of the Paris attacks, the French National Assembly has declared a state of emergency with sweeping powers, without any substantial debate. Included in the bill are the power to order the nation’s ISPs to block websites without any judicial review or court order, and for authorities to seize and search electronic devices […]
The $825,000 Z Backscatter Vans the NYPD drives around the city look like regular police vans, but are equipped with powerful X-rays that can see through walls and vehicles. US Customs uses these things to scan cars and freight-containers, but only after they’re sure there are no people around.
“The End of the Internet Dream,” cyberlawyer Jennifer Granick’s keynote at Black Hat, was all anyone could talk about at this year’s Defcon — Black Hat being the grown-up, buttoned-down, military-industrial cousin to Defcon’s wild and exuberant anarchy.
Carrying this EDC card is like slinging around a handheld toolbox wherever you go. Its minimal design is small enough to fit in your wallet’s billfold, and it’s TSA-compliant so you’ll never leave it behind. It’s got hex wrenches, metric and imperial rulers, flathead and Phillip’s screwdrivers, and a bottle opener so that you’re ready […]
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