Mark Dery has a new essay -- "equal parts philosophical investigation (of memory, time, and museum vitrines) and memoir (mem-noir?)" -- up at the Thought Catalog. He says: "Why do passing encounters with the inconsequential lodge themselves in our long-term memory, sometimes forever? What makes seemingly throwaway images get stuck in the hippocampus and stay there, for a lifetime? Castle of the Living Dead (1964) is, by universal consensus, not high art. An especially forgettable example of the spaghetti-gothic thrillers turned out by Italian moviemakers in the '60s, it's a low-budget affair, badly dubbed, creaky with clichés, marred by hammy performances. Yet, for all its staginess, the film settled to the bottom of my unconscious the day I saw it, at the age of eight or nine, and has lain there ever since, submerged but still visible, like the drowned death car in Night of the Hunter."