Mark Dery has a new essay -- "equal parts philosophical investigation (of memory, time, and museum vitrines) and memoir (mem-noir?)" -- up at the Thought Catalog. He says: "Why do passing encounters with the inconsequential lodge themselves in our long-term memory, sometimes forever? What makes seemingly throwaway images get stuck in the hippocampus and stay there, for a lifetime? Castle of the Living Dead (1964) is, by universal consensus, not high art. An especially forgettable example of the spaghetti-gothic thrillers turned out by Italian moviemakers in the '60s, it's a low-budget affair, badly dubbed, creaky with clichés, marred by hammy performances. Yet, for all its staginess, the film settled to the bottom of my unconscious the day I saw it, at the age of eight or nine, and has lain there ever since, submerged but still visible, like the drowned death car in Night of the Hunter."
Castle Of The Living Dead: Time, Embalmed
Mur Lafferty, an amazing author and podcaster, had her mainstream publishing debt in 2013 with the wonderful Shambling Guide to New York City, about a travel writer who gets tapped to write a guidebook for spooks, haints, vampires and werewolves.
“Color Psychology” by Lilly Mtz-Seara (Vimeo) -MUSIC- Antonio Vivaldi – The Four Seasons "Summer" III.Presto -LIST OF FILMS- Maleficent (2014), Robert Stromberg My Girl (1991), Howard Zieff Boyhood (2014), Richard Linklater Marie Antoinette (2006), Sofia Coppola Grease (1978), Randal Kleiser The Grand Budapest Hotel (2014), Wes Anderson Chicago (2002), Rob Marshall Mean Girls (2004), Mark […]
Jerry Lewis called his unreleased 1972 movie “The Day the Clown Cried,” about a clown in Auschwitz who convinces children to go to their deaths, an “embarass[ing] poor work” and said it would never be released.
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