Middle-class Kenyan teens are inventing a local version of goth subculture, and are at the center of a moral panic about kids-gone-wild -- according to an article in Think Africa Press. The article is shy on details or photographic evidence, but I hope its true about the subculture (and not about the moral panic). Anyone have more evidence of this?
The negative public image of the goth scene also extends beyond the general public and is apparent in the attitudes of local authorities, at times with dramatic consequences. David used to have long hair, another way to stand out in a country where men tend to wear it very short. A couple of weeks before I met him, he was walking in town at dusk, waiting for the bus back to Nakuru, when a police car pulled over in front of him. The police approached him and asked to see his passport, which he was not carrying, before they accused him of looking like ‘an al-Shabaab’ – a Somali militant Islamist group responsible for several terrorist attacks in the region.
David denied this, stating that he was a Kenyan. The police then challenged him as to why he had untidy hair and facial piercings, preposterously claiming that these are hallmarks of Somali terrorists. They put him in their car and drove him to a nearby barber where they forced him to shave his head. They said that this would "stop confusing them", and they told him to "dress like a decent person" in future.
When I first met David one of the first things I asked was whether he wore his preferred clothes all the time. I asked most of the goths this question and generally they admitted to travelling incognito, blending into the crowd. David, however, looked vaguely insulted at my question before replying, simply, “Me, I even wear this in Church”.
A Day in the Life of a Kenyan Goth [Rowan Emslie/Think Africa Press]
(via Christian Science Monitor)
I’m making the final(ish*) stop of my Walkaway tour at Defcon this weekend in Las Vegas, giving a speech on Saturday in Track 2 at 10AM called $BIGNUM steps forward, $TRUMPNUM steps back: how can we tell if we’re winning?, followed by a book-signing at the No Starch Press table in the exhibitors’ hall.
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