This week is Copyright Week, and every day this week, the Electronic Frontier Foundation and its allies in the fight for a fair, balanced copyright will be posting new article explaining how to fix copyright. The week is organized around six principles: transparency, a robust public domain, open access, "you bought it, you own it," fair use and balance. They're asking for you to sign onto the principles and support the campaign. Here's the kick-off post:
It's no longer the case that copyright is only a concern if you run the kind of company that has its own theme parks. Instead, copyright policy can have an effect on any user posting to her favorite sites, sharing videos she's captured or photos she's taken. It can affect your basic freedom to tinker, make, and repair your stuff. And it gives content owners, and governments, a powerful censorship tool, with far too little oversight.
Copyright is supposed to embody a balanced incentive system, encourage authors and inventors to create new things by helping them receive some compensation for that investment. At the same time, copyright law puts limits on authors, such as fair use and limited terms of protection, to help make sure that IP rights don’t unfairly inhibit new creativity. When the system works, it can be an engine for creativity, innovation and consumer protection. When it doesn’t, IP rights have the opposite effect, giving IP owners a veto on innovation and free speech.
Copyright Week: Taking Copyright Back
Amanda Rousseau’s self-learning materials for her Malware Unicorn workshop are a fantastic introduction to understanding and analyzing malware, covering the techniques used by malware authors, reverse-engineering tools, and three kinds of analysis: triage, static and dynamic.
The Do-It-Yourself Monster Make-Up Handbook is a 1965 classic: Famous Monsters of Filmland founder Forrest Ackerman tapped movie makeup legend Dick Smith to create guides for turning yourself into any of three Martians, two kinds of werewolf, a “weird-oh,” a “derelict,” a ghoul, a mummy, Frankenstein’s monster, Quasimodo, Mr Hyde, “split face,” and more.
These Japanese robots’ performance of “Robot’s Delight” — an extended, braggadocios riff on the state of AI learning-through-imitation research, with break-dancing — won Best Video at the 2017 ACM/IEEE International Conference on Human Robot Interaction. (via 4 Short Links)
Thread count isn’t like one of those deceiving metrics like camera megapixels or Facebook friends—more threads are always better if you can afford them. If price was no object, we would all be snoozing soundly bundled up in 1.8 kilo-thread sheets every single night. Guess what? Price doesn’t have to be an object with this […]
Maybe it’s entirely because of podcast ads, but drag-and-drop tools like Squarespace have gotten immensely popular in recent years. While it’s definitely a great tool for any non-coders who want to get a small website up and running quickly, managing content with a primarily visual interface can become a pain once you have more than […]
When you can’t wait for the world’s longest meeting to end, the mindless leg bouncing makes your boredom obvious and just annoys everybody else. Everyone knows the TPS reports need the damn cover sheet, but some sadistic colleague keeps forgetting, probably on purpose just to eat into your lunch hour. Enough is enough!While serving a […]