Molly Crabapple writes, "For My latest piece for Vice, I spoke with the men paid $200/month to build the Louvre and the Guggenheim Abu Dhabi."
Ibrahim lives in one of Abu Dhabi’s labor camps, in a low-rise building set among row after row of identical blocks. Like most camps, it is hidden deep in the desert, far from central Abu Dhabi. Forty thousand men can live in a single camp. They are Nepali, Bangladeshi, Pakistani, Indian—and work for a variety of companies. Often, since they don’t speak English, they won’t know what project they’re building
Corporate buses ferry workers to job sites. Even these are no respite from the heat. Despite laws to the contrary, many buses have no air conditioning. Commutes last up to two hours, and the temperatures often reach more than 100 degrees Fahrenheit.
Ibrahim showed me a cell-phone video of the windowless dorm he shares with ten men. Outside, he has only a mosque, a hypermarket, and the sun.
On his one day off, Ibrahim told me, he would like to stroll Abu Dhabi’s corniche. But there’s no public transit. He is a virtual prisoner in the workers’ city.
Besides a few cashiers, the camps contain no women—just as the UAE, flush with laborers, is two-thirds male. Men save up for occasional visits to Ethiopian prostitutes. They too are migrants, often former maids who ran away from abusive employers. Because of their dark skin, Ethiopian prostitutes aren’t favored by the country’s Emirati elite and have to charge prices that even laborers can afford.
Slaves of Happiness Island
What happens if you allow a group of onlookers to do anything they want to you for six hours? Marina Abramovich found out in 1974 when she laid out dozens of items on a table, including a gun with one bullet, and allowed strangers to use the items on her however they saw fit.
Etsy seller Chet Phillips sells his amazing science-fiction/vintage Japanese matchbox art remixes as 5″x7″ signed prints with mats and backing boards at $12 each. (via Kadrey)
Fantastic work from Italian street art collective Collettivo FX.
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