Drew Friedman is one of the best portrait artists alive. I once had the opportunity to see a few pieces of his original art and was surprised to see how small they were. The originals are smaller than the printed version. This is the opposite of how most illustrators work. The usual route is to create work that's larger than it appears in print. I don't know how Drew is able to include so much detail in his drawings. He must have excellent eyesight and a steady hand.
So, if you are going to see Drew's Old Jewish Comedians exhibit at The Society of Illustrators in New York (March 05, 2014 - May 03, 2014), bring a pair of strong reading glasses. That way you'll be able to appreciate every one of Drew's lovingly applied liver spots. If you can't make it to the show, I highly recommend Drew's three Old Jewish Comedians books, published by Fantagraphics.
Project Loon's consumer-side antenna — i.e. the thing that bolts onto users' houses to receive an Internet signal from balloons in the stratosphere
Working at Google X is a dream job for makers and designers. It's the "moonshot factory" where the self-driving car, Glass, Project Loon, and other futuristic technologies are being developed. Mason Currey of Core77 got an invitation to visit X and he reported on what he learned there.
Artist Marion Peck and her husband, Mark Ryden at Pixit book signing at the Taschen bookstore in the Los Angeles Farmers' Market on 21 December 2013 (Photo: Mark Frauenfelder).
"Fuzzy bunnies, big-eyed girls, meat, magic, and mystery." That's Taschen Books' capsule description of the things that artist Mark Ryden often includes in his surreal, cotton-candy-colored paintings. They did't include "Abraham Lincoln, snow, and candy," but that's OK. You'll figure that out on your own when you see the masterfully-rendered paintings in the pages of his latest book, Pinxit, which came out in April.
Arie van't Riet was an x-ray physicist who worked in hospitals in the Netherlands. A few years ago, he turned his skill with x-rays to art, creating some really beautiful and far-out images of animals, insects, and flowers. You can see some of his art at the My Modern Met blog, and watch van't Riet explain how he creates these images in a TEDx talk.
Tolkien, perhaps rightly in marketing terms, though with the insistent literalism that makes writers writers (which is to say: not artists), demanded, of Barbara Remington's cover art for Lord of the Rings, "What has it got to do with the story? Where is this place? Why a Lion and emus? And what is the thing in the foreground with the pink bulbs?"
Gweek is a podcast where the editors and friends of Boing Boing talk about comic books, science fiction and fantasy, video games, board games, TV shows, music, movies, tools, gadgets, apps, and other neat stuff.
My guest today Chip Kidd. For more 26 years Kidd has designed over 1000 iconic award-winning book covers that have revolutionized and inspired jacket design. He’s the author of The Cheese Monkeys, The Learners, the graphic novel Batman: Death by Design, and many other books about comics and design. Hailed by USA Today as "the closest thing to a rock star" in graphic design you can find him online at ChipKidd.com.
Drawn & Quarterly has reprinted cartoonist Chris Ware's Acme Novelty Datebook Volume One, which came out in 2003. It's a terrific look at the "loose" work of one of the world's best living illustrators.
Acclaimed cartoonist Chris Ware (Building Stories) reveals the outtakes of his genius in these intimate, imaginative, and whimsical sketches collected from the years during which he completed his award-winning graphic novel Jimmy Corrigan: The Smartest Kid on Earth (Pantheon). Acme Datebook Volume One is as much a companion volume to Jimmy Corrigan as a tremendous art collection from of one of America’s most interesting and popular graphic artists. Chris Ware has a passion for drawing that is infectiously wide-ranging in style and subject. Acme Datebook Volume One surprises the reader on every page with its spontaneity, its mordant humor, and its excellent draftsmanship. Architectural drawings from Chicago and interplanetary robot comics collide with cruelly doodled human figures, quietly troubling figure studies, and innumerable notes to self detailing artistic doubts and ideas.
In 1910, Walter Goodacre published a map of the Moon, created over the course of several decades using nothing more high-tech than a good quality backyard telescope. Goodacre was an amateur astronomer. He didn't have access to top-of-the-line observatory. But he did have a knack for detail and willingness to painstakingly record his observations of the Moon with pen and paper, eventually producing a map that's accurate to a few kilometers. (In contrast, the high-definition images that we get today from lunar orbiters show details at a scale of a few meters.)
Adrian Tomine's New Yorker cover is called "Crossroads." He was interviewed about it on the New Yorker's website.
When asked how being a father affects New York living, he says, “We live in a notoriously kid-centric neighborhood, so it’s not like I’m walking around, gritting my teeth, and thinking, Oh, the sacrifices I make for this kid! Most of the things that become difficult or impossible when you have kids, I was never really into anyway.” As for the teeth-gritting moments? “You can definitely drive yourself crazy thinking about the cost of living here, but I try to remind myself that the monthly check I send off is giving me access to a lot of great things beyond our apartment.
There's a theory that seeing something over and over and over will increase your acceptance of that thing. Applied to art, the idea suggests that what we think of as "good art" is actually just the stuff that we've seen a bunch of times. Which is sort of depressing. But here's some good news: There's evidence that this theory isn't true (at least, not always). A recent study found that people exposed to Thomas Kinkade paintings liked his work less and less the more often they saw it.