In 1936, Ludwig Bemelmans painted scenes of the Twin Cities to illustrate an article in Fortune magazine. If the style looks at all familiar, it's probably because you're remembering Bemelmans' most famous creation — a Parisian schoolgirl named Madeline.
In this painting, you can see the Cathedral of St. Paul and what I am pretty certain is the James J. Hill House — a massive, red sandstone mansion that is actually across the street and down a half block from the Cathedral. Bonus fact: The Hill House was built by the railroad magnate behind what is now Amtrak's Empire Builder route from Seattle to Minneapolis. In fact, that was his nickname. James "The Empire Builder" Hill. I'm not kidding. The house is open for tours and it's pretty fantastic. Plus, you get to watch a nice video which assures you that while James J. Hill was, technically, a union-busting robber baron, he also really liked kittens. Again, not kidding.
Check out the Nokohaha blog for more of these paintings
Thanks Andrew! Read the rest
At Neatorama, librarian John Farrier helpfully points out some places where fictional pony librarian Twilight Sparkle could stand to improve her professional practice. It is simultaneously a dedicated bit of pony fandom and an interesting overview of the many responsibilities of a real-world librarian.
Conducting a reference interview is the act of translating a patron’s request into terms that are congruent with the library’s resources. It may surprise non-librarians to learn this, but yes: reference interviewing is a skill. And it is one that Twilight should develop.
A good reference interview begins with the librarian conducting him/herself in a manner that is welcoming. Helping the patron is the first priority of a librarian working the reference desk. The patron is not a distraction or an annoyance. In the first reference interview in the series, Twilight interacts with her patron, Rainbow Dash. “Can I help you?” is a good beginning. But her tone and body language suggests that she would rather not.
... Twilight has some good reference interviewing sense. One pitfall that rookie librarians fall into is to give professional advice instead of information—especially medical and legal advice. In “Cutie Pox,” Applejack and Applebloom visit the library and asking for medical advice. Twilight, aware that doing so could expose the library and herself to liability, deftly avoids doing so and refers Applejack and Applebloom to Zecora, a qualified medical professional.
Read the rest of the story at Neatorama Read the rest
And now, let us pay tribute to the 1992 winner of the Ig Nobel Award in the category of Art
: Jim Knowlton's informative poster "Penises of the Animal Kingdom". (Bonus: The U.S. National Endowment for the Arts shared the award with Mr. Knowlton, for suggesting that he continue his work in pop-up book form.) (Via Josh Rosenau) Read the rest
Well, it's been a quiet week in Minneapolis, Minnesota, my hometown. The heatwave broke. There was a giant tomato fight downtown. And the Gonzo Group Theater is performing Aristophanes in the middle of the lightrail construction zone. But out on the Internet, everybody is talking about the fact that Minneapolis will, on August 30, play host an Internet cat video film festival.
Yes, a film festival of Internet cat videos. Curator Katie Czarniecki Hill is accepting nominations through July 30, so you should totally submit your favorite.
But I also wanted to talk briefly about the context of this, because it's awesome, and you should know about it. Czarniecki's Cat Video Film Festival is part of a summer-long program at the Walker Art Center (our fabulous modern art museum) called Open Field. If you're not familiar with Minneapolis, the Walker sits at the base of a big hill. Part of the lot is covered with art museum, and part of it is given over to a broad, grassy slope*.
That's where Open Field happens. What's Open Field? Partly it's just a reminder that this big public greenspace exists behind the Walker and, hey, maybe you should come hang out there. But it's also sort of an ad-hoc, crowd-sourced, summer-long festival space, where both Walker artists-in-residence and average folks can stage unique community events, skill-shares, workshops, and projects. Today, for instance, you could go down to Open Field and team up with a group of knitters and fiber artists who are building an interactive fabric installation; join the band Dear Data for a low-key acoustic campfire sing-a-long; watch your own (and other people's) old, film-based home movies and learn about film preservation; and participate in an interactive workshop about the history and future of print-letter writing and the post office. Read the rest
I've been live-tweeting today from the Aspen Environmental Forums. But in a session this morning, I noticed that my friend Rachel Weidinger—director for the ocean advocacy group Upwell—had a far niftier way of taking notes and communicating what she was learning. While I opened up my iPad, Rachel opened up a full set of watercolor paints.
What she produced was something more akin to illuminated manuscripts than paintings—collections of short quotes and key ideas, done up in vibrant colors and surrounded by thematic doodles. It's great stuff, and a really interesting way to process and present information.
Rachel was kind enough to let me post her notes here. This page comes from the panel we attended this morning, all about climate change and the long-term impacts those changes are likely to have on regional weather. Check out more of her illuminated notes at Flickr. Read the rest
On Tuesday June 26, 2012, Heritage Auctions is hosting a reception and preview of its upcoming illustration art auction featuring The Jerry Weist Collection of
science fiction and fantasy art, pin-up, pulp and paperback art, and classic golden age/mainstream illustration art. Above: Gil Elvgren's "Skirting the Issue" (1956). Below: Wally Wood's "Mars is Heaven!" complete 8-page story, Weird Science #18 (EC Comics) (1953).
Read the rest
Artist Peter Madden builds these cool collages out of photos he cuts from back issues of National Geographic, vintage encyclopedias, and old nature books. They're really lovely!
Via Thisiscollossal, thanks to Steve Silberman Read the rest
I'm amused and charmed by this theoretical public art project proposed by Minneapolis' Carmichael Lynch Creative. Urban Plant Tags explain the care, placement, and proper feeding of inanimate objects like benches, streetlights, and fire hydrants.
You can go to the website to read those plant tags more clearly. But I love the care instructions for this bench: "Apply Real Estate Ads Annually — Occasionally Wipe Clean — Keep Warm With Butt."
Side note: Perhaps you are confused by the fact that this fire hydrant appears to be on a stilt. That's because it snows so much up here in Minnesota that they have to build the fire hydrants tall enough to clear the winter snow cover. An amusing regionalism.
See the whole set of urban plant tags
Via Andrew Balfour Read the rest
During a photo shoot, photographers working with Art+Auction
magazine picked up an irreplaceable 2600-year-old terra cotta statue from Nigeria's Nok culture so they could move it into a better line for a shot. Yada yada yada ... they're now being sued for negligence
. (Via Dr. Rubidium) Read the rest
If you're in the Twin Cities area on Saturday, April 28th, I recommend going to check out artist and science geek Lynn Fellman talk about the Neanderthal contribution to the modern human genome, and how art can help people understand complicated science. "Your Inner Neanderthal" is part of the Hennepin County Library's DNA Days events. It's free, but you need to register. Read the rest
Science is about facts. But how you convey those facts matters almost as much as the facts themselves. After all, if people can't understand what you're talking about enough to apply the information, it doesn't really matter much how good your data is. This is particularly true when you're talking about stuff like climate change. If you can't connect with people in a visceral, emotional way, will they remember or listen to what you're trying to tell them?
Science journalist Eli Kintisch is trying to address that problem by using public art to help people better understand the science and the risks surround climate change. Earlier this year, he organized To Extremes, a contest and exhibition of proposals for large-scale public art projects centered around the theme of climate science.
If you're in the Boston area, you can check out the proposals at an exhibition that runs April 20th through April 29th in MIT's Maseeh Hall dormitory. There's an official reception for the even April 23rd at 7:00 pm.
The image above comes from the winning proposal submitted by UK artist Sam Jury. Called "All Things Being Equal" it involves a series of commissioned films about the personal impacts of extreme climate events. The videos are paired with an algorithm that chooses which clips to play based on real-time weather data from around the globe. Plans are currently underway to install "All Things Being Equal" at a public site.
Get more information on the To Extremes exhibition and upcoming events. Read the rest
This is what the wind over the United States looked like on March 27th, 5:00 pm Eastern Daylight Time. It's beautiful. And it's even better if you go to the project page, where you can watch real-time wind currents move around the map.
The National Digital Forecast Database is a weather forecasting system that provides open access to weather data collected all over the United States. The National Weather Service has field centers all across the country, that collect information about things like wind speed/direction, precipitation, and barometric pressure. They combine this data with big-picture satellite tracking and algorithms that are based on what we know about how weather patterns work, and that's how you get the kind of daily forecast we rely on to plan our days.
In the process, the National Weather Service generates a lot of data—data that has not, traditionally, been accessible to just anybody. We saw the forecasts, but it wasn't as easy to see the measurements the forecasts were based on. The NDFD changes that. It's a really great example of publicly funded research being made available to the people who help provide the funding.
And when that happens, you get cool projects like this one, where data on wind direction and speed are used to create truly amazing art. The information on current conditions, and predictions for the future, are updated hourly. When you look at the animated version of this map, what you see is the most recent forecast playing out. Read the rest
I really dig creative work that turns a sense of place into art. That's why I'm really getting a kick out of WoodcutMaps.com, which uses Google Maps to create really great geometric art—some clearly map-like, others much more abstract.
It all depends on what view of the map you choose to have turned into a woodcut. You can do a tight crop, or wide pull-out. Basically, you choose the view that matters to you. They make it art. Above is what my neighborhood in Minneapolis would look like as a woodcut.
At $100 for an 8x8 square, this isn't cheap. But it is very cool and strikes me as something that would make a nice housewarming gift for a special friend, or an anniversary gift for parents who've lived in the same place for decades.
Via Flowingdata and Ryan Sager. Read the rest
Last week, while I was on a train, researchers at CERN announced that neutrinos are probably not traveling faster than the speed of light. Last year, as you'll recall, the OPERA experiment clocked the neutrinos breaking that speed limit. Unfortunately, it looks like those measurements were probably caused by one or more problems with the GPS system used to synchronize clocks between the neutrinos' point of origin and where they were speeding off to.
That's disappointing news. To make up for it, I offer you this art chaser—a gallery of beautiful quilts inspired by CERN's Large Hadron Collider.
The quilts are the work of artist Kate Findlay, and they're completely amazing. The one pictured here is called "Inner Eye." It's based on ATLAS, one of the major detectors built to encircle the Large Hadron Collider and collect information on what's going on inside it. Comparing the photo with the quilt makes both images doubly awesome.
See the rest of the quilts at Symmetry Magazine
Via Alexandra Witze Read the rest
The Blast Lab at Imperial College, London, is a place where scientists study how explosions affect the human skeleton, and try to find ways to mitigate some of those effects. As you can imagine, this involves blowing stuff up fairly regularly and The Blast Lab is a pretty loud place.
But the team of students behind PLoS' Inside Knowledge blog noticed something cool about that. The sounds in The Blast Lab weren't just loud noises, they were loud notes. Edit them together, and you could reproduce a whole song, using nothing but sounds recorded in a working scientific laboratory.
In this video, the Inside Knowledge crew plays The White Stripes' "Seven Nation Army" on the Imperial College Blast Lab. In case you're curious, here's the breakdown showing what lab equipment the team used to replicate the sound of which instruments.
Bass Guitar: Main sensor output cable
Bass Drum: Blast Rig
Toms: Hammer & Storm Case
Hi-Hat: Oil Spray
Cymbal: Blast Plate
'Vocals': Laces to contain dummy leg during blast
'Guitar': Accelerometer cable & Fastening Strings
Submitterated by Ben Good Read the rest