This image, taken by artist David Liittschwager shows the plants and animals collected in a square meter of South African public park over the course of 24 hours.
This image, from National Public Radio, illustrates the plants and animals found over the course of two nights and three days in an Iowa cornfield.
Robert Krulwich has a fascinating piece about the ways food systems affect ecological systems. How efficient is too efficient?
Via On Earth Read the rest
After you drink some Scotch, there's usually a thin film of the liquor left clinging to the bottom and sides of the glass. If you leave it out overnight, it'll dry and be a pain to wash off in the morning. But the same dried booze leavings can also be the beginnings of some really lovely art.
Ernie Button takes photos of the waving, swirling patterns left behind on Scotch glasses. This one — part of a series called Vanishing Spirits — is a picture of glass that once held a nice measure of Balvenie.
Read the rest
The idea for this project occurred while putting a used Scotch glass into the dishwasher. I noted a film on the bottom of a glass and when I inspected closer, I noted these fine, lacey lines filling the bottom. What I found through some experimentation is that these patterns and images that can be seen are created with the small amount of Single-Malt Scotch left in a glass after most of it has been consumed. It only takes a very thin layer of Scotch to create; the alcohol dries and leaves the sediment in various patterns. It’s a little like snowflakes in that every time the Scotch dries, the glass yields different patterns and results. I have used different colored lights to add 'life' to the bottom of the glass, creating the illusion of landscape, terrestrial or extraterrestrial.
Interestingly, there was a recent article that was published in the Journal of Nature (I think) by Dr.
Is it too early to talk about how much I like these? I hope not.
Please note these are not actual bacteria, but watercolor paintings sealed in resin inside real petri dishes.
Check out the full collection at Etsy Read the rest
A cool opportunity to set science to sound.
Proteins are made up of chains of amino acids, folded and twisted in on themselves to make incredibly complex shapes.
The human brain, it has been said, is kind of a pattern-finding machine — prone to spotting faces on the moon, fat bunnies in the clouds, and Jesus on slices of toast.
When the two meet, you get Protein Art. May K., a Russian-born artist who lives in Germany, takes actual protein structures, sees the other things those structures seem to look an awful lot like, and then draws cartoons based on the resulting apophenia.
For instance, take a look at the protein structure above. After the jump, you can see the picture that May K. saw in its folds. Read the rest
One of the booths at New York Comic Con that caught my eye was the one above, by artist Issa Ibrahim, who specializes in (sometimes risqué) pieces featuring comic book characters. "Love Among the Ruins" is not only a take on one of my favorite pictures ever, "The Kiss" by Alfred Eisenstaedt, it brings together two "warring factions" of pop culture -- Marvel and DC. If there's anything we need in our deeply divided country right now, it's seeing a Marvel character (Captain America) passionately kissing a DC character (Wonder Woman).
What the world needs now is love, superhuman love... Read the rest
In 1936, Ludwig Bemelmans painted scenes of the Twin Cities to illustrate an article in Fortune magazine. If the style looks at all familiar, it's probably because you're remembering Bemelmans' most famous creation — a Parisian schoolgirl named Madeline.
In this painting, you can see the Cathedral of St. Paul and what I am pretty certain is the James J. Hill House — a massive, red sandstone mansion that is actually across the street and down a half block from the Cathedral. Bonus fact: The Hill House was built by the railroad magnate behind what is now Amtrak's Empire Builder route from Seattle to Minneapolis. In fact, that was his nickname. James "The Empire Builder" Hill. I'm not kidding. The house is open for tours and it's pretty fantastic. Plus, you get to watch a nice video which assures you that while James J. Hill was, technically, a union-busting robber baron, he also really liked kittens. Again, not kidding.
Check out the Nokohaha blog for more of these paintings
Thanks Andrew! Read the rest
At Neatorama, librarian John Farrier helpfully points out some places where fictional pony librarian Twilight Sparkle could stand to improve her professional practice. It is simultaneously a dedicated bit of pony fandom and an interesting overview of the many responsibilities of a real-world librarian.
Conducting a reference interview is the act of translating a patron’s request into terms that are congruent with the library’s resources. It may surprise non-librarians to learn this, but yes: reference interviewing is a skill. And it is one that Twilight should develop.
A good reference interview begins with the librarian conducting him/herself in a manner that is welcoming. Helping the patron is the first priority of a librarian working the reference desk. The patron is not a distraction or an annoyance. In the first reference interview in the series, Twilight interacts with her patron, Rainbow Dash. “Can I help you?” is a good beginning. But her tone and body language suggests that she would rather not.
... Twilight has some good reference interviewing sense. One pitfall that rookie librarians fall into is to give professional advice instead of information—especially medical and legal advice. In “Cutie Pox,” Applejack and Applebloom visit the library and asking for medical advice. Twilight, aware that doing so could expose the library and herself to liability, deftly avoids doing so and refers Applejack and Applebloom to Zecora, a qualified medical professional.
Read the rest of the story at Neatorama Read the rest
A friend pointed me today toward the awesome work of Surly Amy (aka Amy Davis Roth), who makes really neat ceramic jewelry with science/skeptic themes. Some of her pieces are really simple and not super artsy—a pendant that says "This is what an atheist looks like", for instance. That's fine, but it's not the stuff I'm super excited about.
Instead, I really dig Roth's work that focuses on archaeology and paleontology—like a necklace printed with the silhouette of an archaeopteryx fossil on a crackled background that makes me think of broken stone; earrings decorated with ammonites; and a kick-ass bracelet that manages to make trilobites look just a little punk rock.
I also enjoyed reading Roth's bio on her Etsy page. It's long, but the two key takeaways are great:
1. I'm not as surly as I used to be.
2. Life is hard and it often sucks but sometimes, if you keep trying, things will get better!
Surly-Ramics wearable art Read the rest
And now, let us pay tribute to the 1992 winner of the Ig Nobel Award in the category of Art
: Jim Knowlton's informative poster "Penises of the Animal Kingdom". (Bonus: The U.S. National Endowment for the Arts shared the award with Mr. Knowlton, for suggesting that he continue his work in pop-up book form.) (Via Josh Rosenau) Read the rest
Well, it's been a quiet week in Minneapolis, Minnesota, my hometown. The heatwave broke. There was a giant tomato fight downtown. And the Gonzo Group Theater is performing Aristophanes in the middle of the lightrail construction zone. But out on the Internet, everybody is talking about the fact that Minneapolis will, on August 30, play host an Internet cat video film festival.
Yes, a film festival of Internet cat videos. Curator Katie Czarniecki Hill is accepting nominations through July 30, so you should totally submit your favorite.
But I also wanted to talk briefly about the context of this, because it's awesome, and you should know about it. Czarniecki's Cat Video Film Festival is part of a summer-long program at the Walker Art Center (our fabulous modern art museum) called Open Field. If you're not familiar with Minneapolis, the Walker sits at the base of a big hill. Part of the lot is covered with art museum, and part of it is given over to a broad, grassy slope*.
That's where Open Field happens. What's Open Field? Partly it's just a reminder that this big public greenspace exists behind the Walker and, hey, maybe you should come hang out there. But it's also sort of an ad-hoc, crowd-sourced, summer-long festival space, where both Walker artists-in-residence and average folks can stage unique community events, skill-shares, workshops, and projects. Today, for instance, you could go down to Open Field and team up with a group of knitters and fiber artists who are building an interactive fabric installation; join the band Dear Data for a low-key acoustic campfire sing-a-long; watch your own (and other people's) old, film-based home movies and learn about film preservation; and participate in an interactive workshop about the history and future of print-letter writing and the post office. Read the rest
I've been live-tweeting today from the Aspen Environmental Forums. But in a session this morning, I noticed that my friend Rachel Weidinger—director for the ocean advocacy group Upwell—had a far niftier way of taking notes and communicating what she was learning. While I opened up my iPad, Rachel opened up a full set of watercolor paints.
What she produced was something more akin to illuminated manuscripts than paintings—collections of short quotes and key ideas, done up in vibrant colors and surrounded by thematic doodles. It's great stuff, and a really interesting way to process and present information.
Rachel was kind enough to let me post her notes here. This page comes from the panel we attended this morning, all about climate change and the long-term impacts those changes are likely to have on regional weather. Check out more of her illuminated notes at Flickr. Read the rest
On Tuesday June 26, 2012, Heritage Auctions is hosting a reception and preview of its upcoming illustration art auction featuring The Jerry Weist Collection of
science fiction and fantasy art, pin-up, pulp and paperback art, and classic golden age/mainstream illustration art. Above: Gil Elvgren's "Skirting the Issue" (1956). Below: Wally Wood's "Mars is Heaven!" complete 8-page story, Weird Science #18 (EC Comics) (1953).
Read the rest
Artist Peter Madden builds these cool collages out of photos he cuts from back issues of National Geographic, vintage encyclopedias, and old nature books. They're really lovely!
Via Thisiscollossal, thanks to Steve Silberman Read the rest
I had no idea that neurons came in such a beautiful diversity of shapes. Each of these neurons has a different function, too: A. Purkinje cell B. Granule cell C. Motor neuron D. Tripolar neuron E. Pyramidal Cell F. Chandelier cell G. Spindle neuron H. Stellate cell.
The image, drawn by science journalist Ferris Jabr, comes from a post of his on the Brainwaves blog, explaining the discovery of the neuron—and the first realizations that not all neurons looked the same. It's the first part of a new series he's working on called "Know Your Neuron".
Read the rest
When the leading anatomists of the 19th century examined fragile nervous tissue with the best microscopes available to them, they identified cell bodies that sprouted many tangled projections. German histologist Joseph Gerlach’s observations convinced him that the fibers emerging from different cell bodies fused to form a continuous network, a seamless web known as the “reticulum.” His ideas were popular. Many researchers accepted that, unlike the heart or liver, the brain and nervous system could not be split up into distinct structural units.
In 1873, Italian physician Camillo Golgi discovered a chemical reaction that allowed him to examine nervous tissue in much greater detail than ever before. For some reason, hardening a piece of brain in potassium dichromate, and subsequently dousing it with silver nitrate, dyed only a few cell bodies and their respective projections in the tissue sample, revealing their complete structures and exact arrangement within the unstained tissue. If the reaction had stained all the neurons in a sample, Golgi would have been left with an unfathomable black blotch, as though someone had spilled a bottle of ink.
I'm amused and charmed by this theoretical public art project proposed by Minneapolis' Carmichael Lynch Creative. Urban Plant Tags explain the care, placement, and proper feeding of inanimate objects like benches, streetlights, and fire hydrants.
You can go to the website to read those plant tags more clearly. But I love the care instructions for this bench: "Apply Real Estate Ads Annually — Occasionally Wipe Clean — Keep Warm With Butt."
Side note: Perhaps you are confused by the fact that this fire hydrant appears to be on a stilt. That's because it snows so much up here in Minnesota that they have to build the fire hydrants tall enough to clear the winter snow cover. An amusing regionalism.
See the whole set of urban plant tags
Via Andrew Balfour Read the rest
During a photo shoot, photographers working with Art+Auction
magazine picked up an irreplaceable 2600-year-old terra cotta statue from Nigeria's Nok culture so they could move it into a better line for a shot. Yada yada yada ... they're now being sued for negligence
. (Via Dr. Rubidium) Read the rest