In 2012 American journalist Michael Scott Moore (who wrote a great history of surfing, Sweetness and Blood) was kidnapped by Somali pirates and held for $20 million ransom. As soon as I started reading his enthralling account of the 977-day ordeal, my heart began to race.
One night in late February, a month after my capture, the guards hauled me in a Land Rover, alone, to a remote part of the bush to meet the pirate kingpin. I had heard of Garfanji but never seen a picture. He was a powerful criminal, with a reputation for cruelty as well as kindness to his own men.
The person I met in the bush that night seemed groggy and dull-witted; he sat cross-legged in the dust and spoke in a high, almost childish voice. He dialled a private American negotiator on his softly glowing smartphone.
The negotiator said, “The man who just handed you the phone is Mohammed Garfanji,” and my blood felt just like ice water. “They aren’t beating you or anything like that, are they?” he asked.
“No,” I said, although one boss, Ali Duulaay, had beaten me several times. “Not systematically,” is what I meant.
Two key domains must be nabbed, according to a court ruling by a Swedish court, including their "most famous" thepiratebay.se domain. But the site's operators informed TorrentFreak that they have plenty more in reserve.
Filed against Punkt SE, the organization responsible for Sweden’s top level .SE domain, the case reasoned that since The Pirate Bay is an illegal operation, its domains are tools used by the site to infringe copyright. Noting that Punkt SE supplies and controls the domains and is therefore liable for their (mis)use, the domains should be dealt with in the same way that other criminal tools would be, Ingblad argued.
Punkt SE, on the other hand, took the position that holding a registry responsible for infringement has no basis in law. Furthermore, disabling domains is an ineffective way to deal with infringement.
Attempting to hit thepiratebay.se already redirects to other TLDs, replete with a picture of a hydra.
In a crowded field of talented practitioners, MPAA piracy figures are standout examples of misleading, silly, outright BS. No wonder then, that the MPAA has asked a judge to exclude any data on losses due to piracy from its lawsuit against Isohunt.
Since 2003, Waxy.org's Andy Baio has been documenting evidence of pirated/leaked Oscars screeners— in other words, copies of nominated films sent to Academy Awards voters which then make their way on to filesharing networks. The 2013 edition of his spreadsheet is out. He'll post analysis tomorrow. "Most shocking find so far," he tweets, "The Les Misérables screener hasn't leaked online yet. Everyone knows pirates love musicals!"
The following was submitted for publication by a reader who asked to remain anonymous — Rob
I just finished Pirate Cinema and felt the need to write something about it, because it concerns a cause that's near to my heart. I saw myself in protagonist Trent McCauley, who makes new movies by chopping up footage from popular films, despite the consequences of getting his Internet taken away or being fined or imprisoned in the book's near-future scenario.
This is because I do the same thing. I'm one of those people who remixes different media and posts the finished pieces online. I combine Japanese television dramas, films, PVs, and clips from variety shows with mostly American songs, however, because I like the contrast of Japanese visual media with American music.
It’s clear to me, in retrospect, that my piracy was mostly mere collecting, and like the most fetishistic of collectors, it was conducted with mindless voracity. A good collection is supposed to be made up of relics, items that conjure up memories, feelings and ideas for the owner so strongly that he gets pleasure in simply being in close contact with them. A tended garden. My collection was nothing like this: it was just a red weed, swallowing up and corroding anything I did care about within its indiscriminating mass.
tl;dr newer streaming/subscription services, such as Spotify and Rdio, have nailed it.
He is one of the world's most prolific movie bootleggers, and has shipped hundreds of thousands of discs to US troops stationed overseas, at great personal expense. The man doesn't exactly fit the MPAA's pirate stereotype, in age, appearance, or motivation. Better still, who helped him distribute the copied DVDs to soldiers? Army chaplains.
... the company expects that most of its users will slowly migrate to the subscription service over time. In Adobe’s view, this gives users more flexibility to use apps when they need them ... while Morris stressed that the subscription service shouldn’t be seen solely as a way to combat piracy, he did acknowledge that it has the potential to help Adobe with its piracy problem.
If we have to ruin our product to stop people pirating it, by God we will do just that. [Frederic Lardinois at TechCrunch]
No British citizen has ever been extradited to the United States for a copyright offense. But Richard O'Dwyer, the 23-year-old college student who ran TV Shack, may become the first.
As I understand it, the charges aren't that his (very popular) site actually hosted the copyrighted content, but that it served as a directory of links to other servers online where those downloads could be found.