The following was submitted for publication by a reader who asked to remain anonymous — Rob

I just finished Pirate Cinema and felt the need to write something about it, because it concerns a cause that's near to my heart. I saw myself in protagonist Trent McCauley, who makes new movies by chopping up footage from popular films, despite the consequences of getting his Internet taken away or being fined or imprisoned in the book's near-future scenario.

This is because I do the same thing. I'm one of those people who remixes different media and posts the finished pieces online. I combine Japanese television dramas, films, PVs, and clips from variety shows with mostly American songs, however, because I like the contrast of Japanese visual media with American music.

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John Brownlee on why he stopped pirating music:

It’s clear to me, in retrospect, that my piracy was mostly mere collecting, and like the most fetishistic of collectors, it was conducted with mindless voracity. A good collection is supposed to be made up of relics, items that conjure up memories, feelings and ideas for the owner so strongly that he gets pleasure in simply being in close contact with them. A tended garden. My collection was nothing like this: it was just a red weed, swallowing up and corroding anything I did care about within its indiscriminating mass.

tl;dr newer streaming/subscription services, such as Spotify and Rdio, have nailed it.

photo: Todd Heisler/The New York Times

The New York Times has a profile of Long Island resident Hyman Strachman, "a 92-year-old, 5-foot-5 World War II veteran trying to stay busy after the death of his wife."

He is one of the world's most prolific movie bootleggers, and has shipped hundreds of thousands of discs to US troops stationed overseas, at great personal expense. The man doesn't exactly fit the MPAA's pirate stereotype, in age, appearance, or motivation. Better still, who helped him distribute the copied DVDs to soldiers? Army chaplains.

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Adobe's Creative Suite is to become an $80-a-month subscription service, with discounts for people who accept annual contracts: just like cellphones! Thankfully, you can still buy the retail version of the suite in various pre-set bundles: just like cable television!

... the company expects that most of its users will slowly migrate to the subscription service over time. In Adobe’s view, this gives users more flexibility to use apps when they need them ... while Morris stressed that the subscription service shouldn’t be seen solely as a way to combat piracy, he did acknowledge that it has the potential to help Adobe with its piracy problem.

If we have to ruin our product to stop people pirating it, by God we will do just that. [Frederic Lardinois at TechCrunch]