The screenwriter claims that cuts make the film “better and richer and fairer," but emails exposed by hackers show studio lawyers altered the film to avoid tangling with the National Football League.
The New York Times:
When Sony Pictures Entertainment decided to make a movie focusing on the death and dementia professional football players have endured from repeated hits to the head — and the N.F.L.’s efforts toward a cover-up — it signed Will Smith to star as one of the first scientists to disclose the problem. It named the film bluntly, “Concussion.”
In the end even Sony, which unlike most other major studios in Hollywood has no significant business ties to the N.F.L., found itself softening some points it might have made against the multibillion-dollar sports enterprise that controls the nation’s most-watched game.
In dozens of studio emails unearthed by hackers, Sony executives; the director, Peter Landesman; and representatives of Mr. Smith discussed how to avoid antagonizing the N.F.L. by altering the script and marketing the film more as a whistle-blower story, rather than a condemnation of football or the league …
Another email on Aug. 1, 2014, said some “unflattering moments for the N.F.L.” were deleted or changed, while in another note on July 30, 2014, a top Sony lawyer is said to have taken “most of the bite” out of the film “for legal reasons with the N.F.L. and that it was not a balance issue.” Other emails in September 2014 discuss an aborted effort to reach out to the N.F.L.
What's funny about this is that had it not come out, the N.F.L would doubtless have put on a big angry performance anyway attacking the movie. We'd have had no idea they'd already taken a degree of editorial influence over it, and we've have been left to assume that the filmmakers had stuck to their guns.
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Parasite director Bong Joon-ho drew out beautiful storyboards before rolling film. He’s combined his drawings and all of the movie’s dialogue into Parasite: A Graphic Novel in Storyboards coming out in May. In the videos above and below, Through the Viewfinder compared the storyboards and the scenes from the actual film. (via Kottke)
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