Zach Smothers hand-colored all 1,300 frames from the opening credit roll of The Munsters, doing a beautiful job that balances the palette of the later color episodes and the classic EC/Haunted Mansion horror-colors.
He was inspired by this hand-colorized Addams Family credit roll.
I spent a day or two thinking of how I was going to approach colorizing hundreds upon hundreds of individual images and I finally streamlined a process. After importing all 1,317 frames of the 44-second opening, I broke them down into scenes. Each scene consists of an establishing shot of the character, followed by a quick zoom into a closeup. The establishing shots and close ups would be easy enough, but the zooms seemed like a challenge when coloring frame by frame. Using the same color palette for both parts of the shot did not work well, so I had to color each section (establishing and close-up) separately and find a way to transition the colors during the zoom.
BRINGING THE MUNSTERS BACK FROM THE GRAVE
Neil Gaiman says Edgar Allan Poe should be read aloud, and he's right: he recorded this video of him reading "The Raven" in 2016 as part of Pat Rothfuss's Worldbuilders charity drive. It's Poe's birthday today, and I can think of no better way to celebrate it than to listen to it again.
The next installment in the SFinSF reading series features Kim Stanley Robinson, Howard Hendrix, and Cecelia Holland; it's this Sunday, Jan 20, doors at 6, event at 6:30, $10 (no one turned away for lack of funds), at the The American Bookbinders Museum (355 Clementina).
On March 19, Tor Books will release my next book, Radicalized, whose four novellas are the angry, hopeful stories I wrote as part of my attempt to make sense of life in our current moment.
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