"What I saw before the darkness" shows a human face created by a generative adversarial network, next to the neural memory map representing it. Neurons are removed, and as they go the face loses detail, becomes vague, and finally decays to something that may speak ill of the machine and the mankind that made it.

Memories disappear unwitnessed. Images gradually fade away Until one day there is nothing left But a vague feeling of loss…

Here's the project page: AI Told Me.

Vice's Samantha Cole:

"The inspiration behind the project is rooted in contemplation of human perception," the creator said. "Everything we see is the brain’s interpretation of the surrounding world. A person has no access to the outside reality except for this constructed image."

She compared this to how Claude Monet's paintings shifted to blurred, muddled greens and yellows as he aged: Our eyes and brains and the networks that connect them undergo changes and deterioration that we might barely notice as it’s happening.

Datagrid says, "We have succeeded in generating high-resolution (1024×1024) images of whole-body who don't exist using Generative Adversarial Networks (GANs). We use these images as virtual models for advertising and fashion." Read the rest

Generative Adversarial Networks use a pair of machine-learning models to create things that seem very realistic: one of the models, the "generator," uses its training data to make new things; and the other, the "discerner," checks the generator's output to see if it conforms to the model. Read the rest

Mike Solomon, creative director at Hearst Digital Media, created Judge Fake People. Here's what he wrote about it on his website, The Cleverest:

Like many internet addicts, I was blown away by NVIDEO’s demo using style-based Generative Adversarial Networks to generate faces. They seem to have crossed a threshold for generating artificial images that can genuinely fool our brains.

Flash forward to last week when I saw Philip Wang’s amazing single-serving website thispersondoesosxist.com.

It was fascinating to see a photo-realistic face of someone that doesn’t exist. Philip’s writeup does a great job explaining his motivations and this implications behind this groundbreaking technology.

But I just wanted to turn it into hot or not.

So I wrote a script to download an image from thispersondoesnotexist.com every 5 seconds and built up a collection of around two thousand fake people. Then I made a voting system with php/MySQL and some filters to show the highest and lowest rated faces. And I enabled comments just for fun.

First, take this quiz to see how good you are at distinguishing between real faces and fake ones made with generative adversarial networks (GANs). Then, read this article that teaches you how to spot the fakes. In a few years AI will be able to generate images that don't have recognizable tells. Read the rest

Ganbreeder uses a machine learning technique called Generative Adversarial Networks (GANs) to generate images that seem like photos, at least a first glance. Read the rest

Researchers at NYU and U Michigan have published a paper explaining how they used a pair of machine-learning systems to develop a "universal fingerprint" that can fool the lowest-security fingerprint sensors 76% of the time (it is less effective against higher-security sensors). Read the rest

Jason Antic's DeOldify is a Self-Attention Generative Adversarial Network-based machine learning system that colorizes and restores old images. It's only in the early stages but it's already producing really impressive results, and the pipeline includes a "defade" model that is "just training the same model to reconstruct images that augmented with ridiculous contrast/brightness adjustments, as a simulation of fading photos and photos taken with old/bad equipment." Read the rest

This blurry portrait of a man may not look like much but it just sold at auction for $432,500, nearly 45 times its high estimate. What makes it so special? The Portrait of Edmond Belamy is the work of Artificial Intelligence and it's the first of its kind to sell at a major auction house.

Christie's:

This portrait, however, is not the product of a human mind. It was created by an artificial intelligence, an algorithm defined by that algebraic formula with its many parentheses. And when it went under the hammer in the Prints & Multiples sale at Christie’s on 23-25 October, Portrait of Edmond Belamy sold for an incredible $432,500, signalling the arrival of AI art on the world auction stage.

The painting, if that is the right term, is one of a group of portraits of the fictional Belamy family created by Obvious, a Paris-based collective consisting of Hugo Caselles-Dupré, Pierre Fautrel and Gauthier Vernier. They are engaged in exploring the interface between art and artificial intelligence, and their method goes by the acronym GAN, which stands for ‘generative adversarial network’.

‘The algorithm is composed of two parts,’ says Caselles-Dupré. ‘On one side is the Generator, on the other the Discriminator. We fed the system with a data set of 15,000 portraits painted between the 14th century to the 20th. The Generator makes a new image based on the set, then the Discriminator tries to spot the difference between a human-made image and one created by the Generator.

A team of researchers from Twitter have published a paper detailing a machine learning technique that uses a generative adversarial network to make shrewd guesses about how to up-res small images by up to 400%, into crisp, large images, with eye-popping results. Read the rest

A generative adversarial network (GAN) combines two neural networks engaged in a zero-sum competition. The result is a form of unsupervised machine learning that can produce imaginary celebrities like the ones shown in this one-hour video. Read the rest