I'm inspired by my imagination. (And the imaginations of others) I have hundreds of ideas which I want to make materialize. The best way for me, is to draw them. The process of drawing stimulates my imagination. I draw almost every day. These drawings are affected by my moods. These are very basic drawings put out in a sort of "shorthand."
Of the hundreds of my shorthand ideas there will be a few that grab my attention, and inspire me. These will get a secondary treatment. If the second drawing pleases me, I will do another, and perhaps another and another. Every time I draw this picture, it changes and evolves. In fact, the third or forth generation drawing may look nothing at all like the original.
In this way I bring forth many pictures from my subconscious. Eventually, they may wind up as a painting, or part of a painting.
About the 5 UNDERWORLD paintings (the painting above, and the four that follow):
The thoughts that I have while painting these works are of the tiny worlds that live beyond our sight. The tiny microscopic worlds were creatures exist so alien to us that they seem to be fictional. The microcosms of the 'UNDERWORLDS.'
When I use the word "underworld" I am referring to many tiny worlds that exist all around us, and even upon and within us. I am interested in the flora and fauna that live in these tiny worlds "under" our normal field of vision. The things that one must hunt for in the grass, in the pools of water, with a microscope, or in ones own imagination. The small worlds of life that exist in abundance, but which we ignore in our self consuming, superficial "life styles."
My mind often drifts, and I wonder about the diminutive worlds that theoretically may exist deep in the sub-atomic materials that make up the universes. Might there not exist creatures so small that we have not yet discovered them? And if that's possible, could there be intelligence of some sort?
I seek to explore my imagination and the universes within and without me through the illustration of these worlds. I intend to create many paintings in my visual investigations of this subject.
I don't have time to read much. However, I listen to many recorded books while I'm working. Everything from popular novels, non-fiction to classics.
As far as movies, I like futuristic cataclysmic movies, heavy on the special effects. My favorite movie is "ATOMIC CAFE." I have a dark fascination for atomic bombs, and can watch that movie over and over.
One of my favorite websites is BOING BOING! ... I enjoy your mailings, and get LOTS of inspiration form the things you cover.
I don't usually listen to music as I paint. It's either silence, or a recorded book.
I do many small drawings, every day. These images may filter down into one of my paintings, or even become the basis of an entire painting. Before I begin a large painting, I draw up a "to scale" preliminary drawing of the painting for use as a guide. It's not an exact rendition of the painting to be, like I have seen other artists prepare. I prefer to work from a basic "map" of my idea. In this drawing I work out the position of objects, and most of the colors I plan to use. I may use watercolor, ink pens, pencils, chalk, markers, anything I need to get what I want into this preliminary drawing. Nothing is exact in the prelim, and many changes and additions will be made in the final painting.
SPINAL TOTEM, 12" x 24", acrylic on canvas. This is a commission I took on for a tattoo design. It's painted to form along the spine of the collectors back. (Careful measurements were taken) I began at the top and worked my way down to the bottom.
I place the preliminary scale drawing on an easel next to my primary easel, for quick reference. As I make changes, I record them on the prelim drawing. By the end of the project the prelim will be filled with notations, color examples and new drawings. I don't make an exact preliminary because I need surprises on the path from the beginning to the end of a work. Boredom is my greatest enemy.
A.F.S. 01 (ALTERNATIVE FOOD SOURCE 01), 10" x 10", acrylic oon canvas. This small painting is simply my mind's representation of what might come of a machine's idea of how a life form might be bettered.
ANTAGONY, 24" x 48". This is a painting which illustrates a possible vision of the future. It's a painting of antagonism, disaffection and hostility. Enslavement is a by-product of the devaluation of life. I paint that into the painting, along with addiction, sickness, symbols of war, insanity and people watching too much TV!
Mark Frauenfelder is the founder of Boing Boing and the editor-in-chief of MAKE and Cool Tools. Twitter: @frauenfelder. Come and hear Mark speak at the ALA conference in Chicago on July 1.
MORE: Art and Design