London's Tube map is a masterpiece of abstraction, abandoning accuracy to create a more easily-navigated mental map of the city. Designed by Harry Beck in 1931, the diagrammatic format has changed little, even in the stylistic details, since then. Occasionally a designer attempts a more realistic plan, but the results only add confusion proportionate to London's demented geography.
Mark Noad's revision, however, is a weirdly convincing blend. It uses Beck's design fundamentals--the long straight lines and equidistant stations--but gently deforms them to hint at, if not adhere to, the true lay of the land. I dare say that I prefer it. Except the font. That font is wrong.
From Noad's blog:
The debate about the meaning and purpose of design is an important one, in particular the relationship between the ‘product’ and the user and how a graphic (map/diagram/whatever) can help/hinder someone in their decisions. Future updates of the map will add to this debate as we explore ways to access more information through the website and app.
There's something almost sinister about how good it is, like an artifact from a parallel universe where Beck had a nice long early lunch that day.
Stanford computer science student Joshua Browder, whose DoNotPay bot helps you fight parking tickets in London and New York (it’s estimated to have overturned $4M in tickets to date) has a new bot in the offing: a chatbot that helps newly homeless people in the UK create and optimise their applications for benefits.
“Gig economy” scooter drivers for London’s Deliveroo service earn £7/hour plus £1/delivery, and that’s nowhere near a living wage: but rather than giving their a pay rise (£9.40/hour, plus £1/delivery, plus petrol, plus tips), Deliveroo wants to cut them all to zero-hours contracts with no hourly wage and £3.75/delivery and they fired all the drivers […]
London’s Victoria and Albert Museum, one of the world’s great museums devoted to material culture and design, has joined a long line of museums who’ve allowed the owners of loaned items for temporary exhibitions to require them to ban photography and sketching of these items.
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