Biella Coleman is a geek anthropologist, in both senses of the epithet: an anthropologist who studies geeks, and a geek who is an anthropologist. Though she's best known today for her excellent and insightful work on the mechanism and structure underpinning Anonymous and /b/, Coleman is also an expert on the organization, structure, philosophy and struggles of the free software/open source movements. I met Biella while she was doing fieldwork as an intern at the Electronic Frontier Foundation. She's also had deep experience with the Debian project and many other hacker/FLOSS subcultures.
Coleman's has published her dissertation, edited and streamlined, under the title of Coding Freedom: The Ethics and Aesthetics of Hacking, which comes out today from Princeton University Press (Quinn Norton, also well known for her Wired reporting on Anonymous and Occupy, had a hand in the editing). Coding Freedom walks the fine line between popular accessibility and scholarly rigor, and does a very good job of expressing complex ideas without (too much) academic jargon.
Coding Freedom is insightful and fascinating, a superbly observed picture of the motives, divisions and history of the free software and software freedom world. As someone embedded in both those worlds, I found myself surprised by connections I'd never made on my own, but which seemed perfectly right and obvious in hindsight. Coleman's work pulls together a million IRC conversations and mailing list threads and wikiwars and gets to their foundations, the deep discussion evolving through the world of free/open source software.
Coding Freedom: The Ethics and Aesthetics of Hacking
The creator of Hellboy, Mike Mignola, has long been fascinated and inspired by Frankenstein’s monster. In 1991, Mignola illustrated scenes from Bride of Frankenstein for a Topps trading cards of Universal Studios horror films and last year he drew a limited edition Bride of Frankenstein Mondo print.
Randall “XKCD” Munroe’s Thing Explainer: Complicated Stuff in Simple Words arrives in stores today: it combines technical diagrams and wordplay in pure display of everything that makes XKCD brilliant and wonderful in every way.
Craig Thompson’s second graphic novel, the 582-page mammoth Blankets, swept the field’s awards, taking three Harveys, two Eisners, and two Ignatzes. More than a decade later, and buoyed by his later successes (such as 2011’s seminal Habibi), Drawn and Quarterly has produced a beautiful new edition.
Store more on your Mac with this microSD memory card adapter.
Carrying this EDC card is like slinging around a handheld toolbox wherever you go. Its minimal design is small enough to fit in your wallet’s billfold, and it’s TSA-compliant so you’ll never leave it behind. It’s got hex wrenches, metric and imperial rulers, flathead and Phillip’s screwdrivers, and a bottle opener so that you’re ready […]
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