Biella Coleman is a geek anthropologist, in both senses of the epithet: an anthropologist who studies geeks, and a geek who is an anthropologist. Though she's best known today for her excellent and insightful work on the mechanism and structure underpinning Anonymous and /b/, Coleman is also an expert on the organization, structure, philosophy and struggles of the free software/open source movements. I met Biella while she was doing fieldwork as an intern at the Electronic Frontier Foundation. She's also had deep experience with the Debian project and many other hacker/FLOSS subcultures.
Coleman's has published her dissertation, edited and streamlined, under the title of Coding Freedom: The Ethics and Aesthetics of Hacking, which comes out today from Princeton University Press (Quinn Norton, also well known for her Wired reporting on Anonymous and Occupy, had a hand in the editing). Coding Freedom walks the fine line between popular accessibility and scholarly rigor, and does a very good job of expressing complex ideas without (too much) academic jargon.
Coding Freedom is insightful and fascinating, a superbly observed picture of the motives, divisions and history of the free software and software freedom world. As someone embedded in both those worlds, I found myself surprised by connections I'd never made on my own, but which seemed perfectly right and obvious in hindsight. Coleman's work pulls together a million IRC conversations and mailing list threads and wikiwars and gets to their foundations, the deep discussion evolving through the world of free/open source software.
Coding Freedom: The Ethics and Aesthetics of Hacking
Zachary Zmith writes, “A Kickstarter is funding beautifully-designed and illustrated editions of classic stories, with illustrations from Paul Pope, Yuko Shimizu and Bill Sienkiewicz. They have already met their initial goal to fund a version of Algernon Blackwood’s ‘The Willows’ with art by Paul Pope. If they reach $100k, Bill Sienkiewicz will illustrate H.G. Wells’ […]
Asaf Hanuka is a celebrated Israeli cartoonist whose astonishing, surreal illustrations serve as counterpoint to sweet (sometimes too-sweet) depictions of his family life, his complicated existence as a member of a visible minority in Israel, the fear he and his family live with, and his own pleasures and secret shames — a heady, confessional, autobiographical brew that has just been collected into The Realist: Plug and Play, the second volume of Hanuka’s comics.
Stories matter: the recurring narrative of radical Islamic terror in America (a statistical outlier) makes it nearly impossible to avoid equating “terrorist” with “jihadi suicide bomber” — but the real domestic terror threat is white people, the Dominionists, ethno-nationalists, white separatists, white supremacists and sovereign citizens who target (or infiltrate) cops and blow up buildings. That’s what makes Brian Wood’s first Briggs Land collection so timely: a gripping story of far-right terror that is empathic but never sympathetic.
If you are camping during rainy season, or just want a TSA-approved lighter, these plasma torches make perfect travel companions. These gas-free lighters create a small plasma beam that’s safer than butane to use and more environmentally friendly. It creates a super-hot, splashproof flame so you can get a campfire going, or have a smoke […]
If you don’t want to get stuck footing the bill for a hit and run, this dashboard-mounted camera offers up to 2K resolution to make sure you always have a reliable witness, and it’s available in the Boing Boing Store for 30% off it’s usual price.The PapaGo mounts unobtrusively to your windshield to see everything […]
While some people still maintain that everything in Apple’s walled garden “just works” and is immune to the rampant malware of the Windows world, the reality is different. The Mac’s growing market share has made it a much more viable target for malicious actors, and its built-in tools aren’t always enough to fix things. Drive […]