I love Hugo and Nebula-Award winner Jo Walton's science fiction and fantasy novels (previously) and that's why it was such a treat to inaugurate my new gig as an LA Times book reviewer with a review of her latest novel, Lent, a fictionalized retelling of the live of Savonarola, who reformed the Florentine church in the 1490s, opposing a corrupt Pope, who martyred him (except in Walton's book, and unbeknownst to Savonarola himself, Savonarola is a demon who is sent back to Hell when he is martyred, then returned to 1492 Florence to start over again). Read the rest

Back in 2015, the incomparable Ian McDonald (previously) published Luna: New Moon, a kind of cross between Dallas and The Moon is a Harsh Mistress, with warring clans scheme and fighting on a libertopian lunar colony where the only law is private contracts and you're charged for the very air you breathe; McDonald raised the stakes to impossible heights with the 2017 sequel Luna: Wolf Moon, and now, with the final volume, Luna: Moon Rising, McDonald proves that he despite the wild gyrations of his massive cast of characters and their intricate schemes, he never lost control. Read the rest

In 2017, cartoonist Brian Fies lost his northern California home in the Calistoga wildfires; in the days after, working with the cheap art supplies he was able to get from a surviving big box store, he drew A Fire Story, a strip about how he and his wife barely managed to escape their home ahead of the blaze, and about life after everything you own (and everything your neighbors own) is reduced to ash and slag. The strip went viral, and in the months after, Fies adapted it into a deeply moving, beautiful book. Read the rest

Last October, a startup called Helm announced a $500, plug-and-play home email server that was designed to be a secure, decentralized, privacy-oriented alternative to using one of Big Tech's email systems like Gmail, an option that was potentially even more robust than using email from a privacy-oriented provider like Riseup or Protonmail because your metadata would not be stored anywhere except in your home. Read the rest

Artist and writer Jenny Odell (previously) is justifiably beloved for her pieces and installations that make us consider the economics and meanings of garbage, weird markets, and other 21st century plagues; in her first book, How To Do Nothing: Resisting the Attention Economy, Odell draws on art criticism, indigenous practices, "Deep Listening," anti-capitalist theory, and psychology to make the case that the internal chaos we feel is no accident: it's the result of someone's business-model, and until we reject "productivity" in favor of contemplation and deliberation, it will only get worse. Read the rest

South Asia is a hotbed of brilliant science fiction writing, as well as writings in all the related genres capture by the Bengali word "kalpabigyan (encompassing literature that is "science-dependent," "science-based," "science mystery" and "science"), and there have been many brilliant anthologies of science fiction from the region; the latest entry to the field is Gollancz's new Book of South Asian Science Fiction, edited by Tarun K. Saint, the subject of a fascinating review by Gautham Shenoy in Factor Daily. Read the rest

Science writer Leigh Phillips's 2016 book Austerity Ecology and the Collapse-Porn Addicts was one of the most important, angry and inspiring books I read that year, a passionate argument for a high-tech just and sustainable world that celebrated materialism and comfort, rather than calling for a return to a world of three billion people scratching potatoes in the dirt; so when Phillips sent me a manuscript for his new book, The People's Republic of Walmart: How the World's Biggest Corporations are Laying the Foundation for Socialism last year, I dropped everything and read it, and I haven't stopped thinking about it since. Read the rest

Tim Maughan has long been one of the most promising up-and-coming, avante garde UK science fiction writers, whose post-cyberpunk short fiction mixed radical politics with a love of graffiti and a postmodern filmmaker's eye: now, with his debut novel Infinite Detail, Maughan shows that he has what it takes to work at longer lengths, and can sustain a first-rate adventure story that grabs and never lets go, without sacrificing the political and technological insights that give his work depth that will stay with you long after the book is done. Read the rest

Man-Eaters Volume 1 collects the first four issues of the Image comic by Chelsea Cain and Kate Niemczyk (and friends) and it's insanely great: the premise is that America's patriarchy has been given a huge boost by a mutant strait of toxoplasmosis that is benign for most carriers, but turns adolescent girls into unstoppable were-panthers that crave human flesh when they get their first periods. Read the rest

In First Contact, Book 1 of David Marusek’s (previously) science fiction series Upon This Rock, an alien being crash lands in a remote corner of Alaska, not far from a family-cult of preppers for the end times, and the alien exploits the beliefs of the family patriarch by posing as an angel sent to earth to initiate the final conflict. Rooted deeply in contemporary Alaskan landscape and culture, the novel is funny and painful, part satire and part serious exploration of a particularly unfortunate instance of first contact. The novel ends on a cliffhanger, leaving many questions unanswered. Read the rest

Jeff Lemire can do weird-spooky (see, e.g., his Twilight Zonish graphic novel Underwater Welder) and he can do gripping (see his amazing, post-apocalyptic Sweet Tooth), but in his newest graphic novel from Image Comics, Gideon Falls, he shows that he can do spooky-verging-on-terrifying, with a tale of supernatural mystery that combines avant-garde graphic treatments with outstanding writing to create a genuine tale of terror. Read the rest

What Remains of Edith Finch is free this month from the Epic store. I downloaded it last night and couldn't stop playing until I was done. It's a detailed, polished walking simulator that clocks in at 3 hours, so tightly orchestrated it feels like a genuinely interactive movie.

It centers on Edith, a high schooler and the last surviving child of a family "cursed" by generations of tragedy. After her mother's death, she inherits the cosy yet unsettling manse she grew up in and sets out to uncover the family's secrets. She wants to know why so many Finches died young and why her mother didn't want the stories told.

It's obvious from the outset that something is deeply wrong with the family even as it is clearly a family full of love. The wrongness hovers at the margins of reason. It's reflected in the house, normal at the ground level but an alarming mass of ramshackle additions up top. Surely that would be dangerous, you ask yourself.

Some of the family death vignettes really got under my skin. They're all elaborated in the telling to the point of magic realism and beyond, but when you sit and think about what happened they unravel to mundane parenting failures, one after another after another. The elaborations thereby become part of the problem. But now I'm in danger of spoiling the game's secrets.

Edith Finch maintains a tension between modern gothic mystery and the suggestion of a damaged family that mythologizes its subtly self-destructive currents. Read the rest

Hannu Rajaniemi is the Finnish-Scottish mathematician and science fiction writer whose debut, 2012's Quantum Thief was widely celebrated; now, in Summerland, Rajaniemi delivers new kind of supernatural historical spy procedural, set in a 1938 where the afterlife has been discovered, colonized and militarized. Read the rest

In 2002, a mysterious man is arrested for illegally occupying a hotel room: he says his name is Ed Stone, and that he was kidnapped by aliens from the same hotel room in 1931 and has just been returned to Earth, not having aged a day; the aliens have told him that Earth will be destroyed in 12 years and that before then, the entire human race has to put itself in a giant box (presumably for transport to somewhere else, though Ed is a little shaky on the details), and to help Ed with this task, the aliens have given him a ring that makes anyone who touches it fill with overwhelming good feelings for him and a desire to help him. Read the rest

I wish I could wear running shoes, but I shouldn't. When I was a teenager, I tore all of the ligaments in my right ankle. Six weeks of physiotherapy and now, close to 20 years later, I'm still walking around on wobbly scar tissue. My ankle loves to roll out from under me, for any excuse at all. So, for extra support while I'm out strutting around, I wear combat boots. They tend to last longer than comparably priced hiking books and, depending on the boot, can be gussied up for special occasions. The downside to wearing combat boots is that even the lightest among them can still be pretty heavy.

Enter GORUCK's MACV-1. They call it a "Jungle Rucking Boot," but it's not at all dissimilar to the lightweight duty boots from companies like Magnum or 511 Tactical that I used to wear to work. Available in black or coyote brown, they ride just above the ankle and, at 14 ounces each, are one of the lightest pairs of boots I've ever lashed to my footies. Despite their light weight, they seem, so far, to be well made. The majority of the boot is made using full grain leather, which comes out of the box already holding a shine. It didn't take me long to wear the shine down to nothing, but it's the thought that counts.

The rest of the MACV-1 is comprised of 1000D Cordura and, for extra ankle support, a strip of 2" nylon webbing that runs down the back and side of each boot. Read the rest