Shardcore writes, "I've built a new bot to troll/delight hipsters.
It algorithmically creates post-post-ironic t-shirt designs, posts them on twitter and tumblr and offers them for sale. No human is involved in the process at all."
The pleasure in these cognitively dissonant juxtapositions comes from our recognition that they come from the same class of things, but the referent is wrong. One of the most popular examples emerged immediately after the death of Lou Reed, featuring an image of Iggy Pop. It’s delightful because it allows us a moment of smugness as we recognise the ‘mistake’ being made. We wear this pun on a t-shirt as a form of social signaling – ‘Look at this joke I’ve recognised, do you recognise it as well?’ – it allows us to show a particular aspect of our taste to strangers, displaying an glimpse of our inner mental life to the world at large. For this to work, the juxtaposition has to be from the same domain; Lou Reed/Iggy Pop works, but Lou Reed/Katy Perry would not.
If we look closely, there are two distinct outputs to the system – the actual t-shirts (which remain in potentia until someone actually clicks ‘buy’), and the ‘shareable image’ which can be used as a signal of taste inside social networks. You don’t need to actually own the t-shirt to share the joke. The image fulfills much the same function in the ‘online’ world as the actual t-shirt does in the ‘offline’ world.
If you’re a student journalist and want to attend HOPE XI, the Eleventh Hackers on Planet Earth conference (July 22-24, NYC) you can win free admission (and an interview with me!) by submitting an article about any of the topics come up at HOPE conferences! Get writing!
Earlier this month, I gave the afternoon keynote at the Internet Archive’s Decentralized Web Summit, and my talk was about how the people who founded the web with the idea of having an open, decentralized system ended up building a system that is increasingly monopolized by a few companies — and how we can prevent the same things from happening next time.
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