Over at re:form on Medium, Charles Moss gets nostalgic about the mixtape and how it embodies "emotional design" in a physical, tangible time capsule of the moment it was recorded. From re:form:
In the past few years, sort of like vinyl, the cassette mixtape has made a comeback among bands looking for a different way of releasing albums, and 20-something audiophiles trading mixtapes online and through the mail. No one mistakes this revival for a resurrection. Making mixtapes, once a mass phenomenon, is now a twee exercise.
That the practice endures at all tells us something important about art and self-expression. The constraints that once bound the maker to the mixtape have been stripped away from the outside by technology, but they persist on the inside as a kind of epiphenomenal desire.
"The Emotional Design of the Mixtape"
Radiolab’s Jad Abumrad riffs on “The Function of Music” in this spectacular cut-up video by Mac Premo.
When Mike Huckabee played Eye of the Tiger at a rally for a Kentucky county clerk who refused to marry same-sex couples, it cost him big. Sued by the song’s owners, he forked over $25k to settle the lawsuit. The failed Republican presidential candidate got the usual settlement gag clause, but decided to list the […]
Bob Dylan, interviewed in 1962 when he was 20-years-old, playing Manhattan coffee houses, and trying to make enough money to eat. The day he earned $1 and a cheeseburger for a gig was a good day.
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Folks used to rely on alarms to protect their home – and before that, the family dog. Now, anyone looking to guard their homes can choose from some high-tech options, including the Amaryllo iCamPRO FHD Home Security Camera (now just $219 in the Boing Boing Store).In fact, this 2015 CES “Best of Innovation” award-winner boasts so many features, it’s […]