Over at re:form on Medium, Charles Moss gets nostalgic about the mixtape and how it embodies "emotional design" in a physical, tangible time capsule of the moment it was recorded. From re:form:
In the past few years, sort of like vinyl, the cassette mixtape has made a comeback among bands looking for a different way of releasing albums, and 20-something audiophiles trading mixtapes online and through the mail. No one mistakes this revival for a resurrection. Making mixtapes, once a mass phenomenon, is now a twee exercise.
That the practice endures at all tells us something important about art and self-expression. The constraints that once bound the maker to the mixtape have been stripped away from the outside by technology, but they persist on the inside as a kind of epiphenomenal desire.
"The Emotional Design of the Mixtape"
From the Kubo and the Two Strings soundtrack, this hauntingly gorgeous cover of The Beatles’ “While My Guitar Gently Weeps” by Regina Spektor who kindly said the following in an interview a few years back: “I love Boing Boing. It’s cool because the site is filled with curated information all about science, art and culture […]
Train Global says: “I made a song using a weird phone call my friend sent me from his pest control job.” He reports in the comments, “Apparently she only had a few ants in her house.”
The band Shytegeist has released its first video, It’s called “I am Waiting.” Words are by Lawrence Ferlinghetti, and is read by Matt Aston. There’s a lot of hard-hitting celebrity talent joining in.
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The 2016 World Series game 7 will undoubtedly go down in history as one of the greatest baseball games of all time. With endless suspense, a nefariously-timed rain delay, and extra innings, it reminded over 40 million viewers why they love America’s pastime – and why all bets were truly off in 2016. Savor the […]