Over at re:form on Medium, Charles Moss gets nostalgic about the mixtape and how it embodies "emotional design" in a physical, tangible time capsule of the moment it was recorded. From re:form:
In the past few years, sort of like vinyl, the cassette mixtape has made a comeback among bands looking for a different way of releasing albums, and 20-something audiophiles trading mixtapes online and through the mail. No one mistakes this revival for a resurrection. Making mixtapes, once a mass phenomenon, is now a twee exercise.
That the practice endures at all tells us something important about art and self-expression. The constraints that once bound the maker to the mixtape have been stripped away from the outside by technology, but they persist on the inside as a kind of epiphenomenal desire.
"The Emotional Design of the Mixtape"
Mbira musician Patti Broussard treats her fans to a lovely rendition of Hallelujah on an Array mbira.
LA Weekly did a nice piece on the new Front Row Legend Esquire guitars made of reclaimed wood benches from the Hollywood Bowl. They also toured Fender’s Corona factory.
Hailing from near the Pennsylvania shores of Lake Erie, musician Jack Stauber has released a couple of trippy VHS-inspired videos to support his album Pop Food, and if you like interesting outsider music, check it out!
Toaster ovens are the perfect appliance for small things like toasted sandwiches and roasted garlic (try it!), but anything more involved usually requires a full-sized conventional oven.However, despite its small size, the Wolfgang Puck Pressure Oven can handle anything from baked pastries to broiled meats. This kitchen appliance has a minimal countertop footprint, and cooks […]
The Pry.Me Bottle Opener holds tens of thousands of times its own weight, and you can pick one up now from the Boing Boing Store.This remarkable keychain is considerably smaller than any of your keys, but don’t let that fool you: it can easily open any bottle, and could even tow a trailer full of […]