Today marks the publication of Fantagraphics' magnificent archaeological comicsology, The Sincerest Form of Parody: The Best 1950s MAD Inspired Satirical Comics. This volume collects the rare, nearly unheard-of parody comics that sprang up in the early 1950s to jump on the bandwagon that MAD magazine set in motion. Many of the same artists who made MAD such a success (Jack Davis, Will Elder, Norman Maurer, Carl Hubbell, William Overgard, Jack Kirby, Dick Ayers, Bill Everett, Al Hartley, Ross Andru & Mike Esposito, Hy Fleischman, Jay Disbrow, Howard Nostrand, and Bob Powell) were represented in long-lost tiles like FLIP, WHACK, NUTS, CRAZY, WILD, RIOT, EH, UNSANE, BUGHOUSE, and GET LOST. Many of these are racier, grosser, and meaner than even MAD dared. There's also an engrossing appendix of annotations from editor John Benson, a MAD expert who wrote the additional text for the first run of MAD reprints.
I grew up on Cracked and Crazy, but these were late, late, latecomers to the MAD knockoff party, and never went as far as these lost titles.
The Sincerest Form of Parody: The Best 1950s MAD Inspired Satirical Comics
Amsterdam's Bibliotheca Philosophica Hermetica (AKA "The Ritman Library) houses more ths 25,000 occult texts, covering "Hermetics, Rosicrucians, Theosophy, alchemy, mysticism, Gnosis and Western Esotericism, Sufism, Kabbalah, Anthroposophy, Catharism, Freemasonry, Manichaeism, Judaica, the Grail, Esotericism, and comparative religion."
The queue area at the Haunted Mansion at Disneyland features a row of changing portraits wherein paintings everyday scenes are revealed as sinister and haunted (originally the effect was done with crossfading slide-projectors; now it's done with an amazing, crisp electroluminiscent effect).
This is my last day at my desk until Labor Day: tomorrow, we're driving to Burning Man to get our annual dirtrave fix! If you're heading to the playa, here's three places and times you can find me:
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