WATCH: Film colorist's craft in before and after

No Film School cites this excellent example of a film colorist's craft. Digital films often shoot in RAW format, giving more flexibility in post for dramatic color shifts.

RAW has a very washed out look as unretouched tootage, but it captures more information. Taylre Jones at Grade in Kansas City put together this reel of finished shots from The House on Pine Street.



Grade Color