BBC got to be the first to tour Intel Studios, a state of the art greenscreen facility, with no suits, no motion capture, just a live performance captured in a green dome by hundreds of cameras. Read the rest
In the course of my work as a documentary filmmaker, I sometimes find hidden gems. Samuel Fuller’s “The Naked Kiss” is one of them. Read the rest
Bill McGovern worked as a second assistant camera on a lot of shows, which is why he seems pretty unfazed to have handled the clapper and slating duties on some iconic Star Trek episodes. Read the rest
Many of the world's most iconic movies have problematic themes or plots, but the romanticization of kidnapping and false imprisonment ranks among the worst. Read the rest
This isn't a review, but I'd regret not giving you a heads up about Sorry to Bother You, Boots Riley's first feature film. It's an absurd black sci-fi satire shot in Oakland and it's the off-the-wall dystopian summer indie flick we all deserve.
At the last minute last Friday, I put my hands on some tickets for its sold-out nationwide opening night at the Grand Lake Theatre in Oakland. And wow, am I glad I did.
It was a real happening. People cheered and laughed. Plus, the movie was simply fantastic. After the show, folks with tickets for the late show (which had the bonus of an after-show Q&A with Boots himself) were already lining up. Lots of people posed with the shitty Tercel featured in the film, which was parked right in front of the theatre.
Hilariously, you can buy that shitty Tercel for a mere $23,999.40 on the STBU website:
(I got my eye on that Mr. Bobo collectible plate myself.)
If you want to read what reviewers are saying, here's a good start:
Review: ‘Sorry to Bother You,’ but Can I Interest You in a Wild Dystopian Satire? by A.O. Scott of The New York Times:
"If Mike Judge’s “Office Space” and Robert Downey Sr.’s “Putney Swope” hooked up after a night of bingeing on hallucinogens, Marxist theory and the novels of Paul Beatty and Colson Whitehead, the offspring might look something like this."
Film Review: ‘Sorry to Bother You’ by Peter Debruge of Variety:
"Nearly as deranged as it is politically engaged, Boots Riley’s sui generis “Sorry to Bother You” is the kind of debut feature that knocks your socks off, tickles your bare tootsies with goose feathers for a while, then goes all Kathy Bates in the final stretch, ultimately taking a sledgehammer to your kneecaps."
This one might make more sense AFTER you've seen the movie:
In 'Sorry To Bother You,' an Alternate-Universe Oakland Rings True by Janelle Hessig of KQED Arts:
"The “don’t sell out” moral of the story is delivered with all of the subtlety of a circus clown with an erection, but appropriately so—there’s nothing subtle in being a person of color fighting to survive capitalism."
Go see it. Read the rest
It's easy to forget that even now-legendary directors had to start somewhere. Doodlebug is an early effort by Christopher Nolan, about a man trying to kill an annoying pest in his squalid home.
In addition to being in black and white, several of the shots are reminiscent of Memento's noirish vibe, especially the phone receiver in the water. There's also a clear connection to Eraserhead and other Lynchian horrors, with a touch of Rod Serling thrown in for good measure. And the effect looks as if it was made from hand-cut celluloid, a time-consuming effort that might make someone appreciate having the kinds of digital tools that enhanced Interstellar.
In 2004, Paul Bush released When Darwin Sleeps, 3,000 digital stills of insects in the Walter Linsenmaier in the Lucerne Nature Museum. They flash by so quickly they feel animated, or as if evolution itself is happening on screen. Now he's released a better quality copy than has been previously available online. Read the rest