PACER (previoulsy) is the controversial US system for publishing court records; although the records themselves are in the public domain (US government documents are not copyrightable), you have to pay $0.10/page to read them, which is supposed to pay for the cost of serving them. Read the rest
Lisa Rein writes, "there is a big event going on tonight at the DNA Lounge in San Francisco on this Sixth Anniversary of Aaron’s tragic death; with a Q & A, followed by DJs, history and art till 2am." Read the rest
PACER (previously) is a paywall that charges you every time you look up the US's public domain Federal court records; for years, activists have railed against its existence, liberating key documents from it and putting them online for free, calling on Congress to eliminate it altogether. Read the rest
US court records are not copyrighted, but the US court system operates a paywall called "PACER" that is supposed to recoup the costs of serving text files on the internet; charging $0.10/page for access to the public domain, and illegally profiting to the tune of $80,000,000/year. Read the rest
Remember when the idea for Better Call Saul first floated around in television production gossip, and it was conceived as a half-hour comedy? There has been a lot of controversy over the new rules for category eligibility at the Emmys, with Shameless making it into Comedy despite its hour-long runtime and decidedly serious worldview, and Orange Is The New Black finally shifting over to compete in its rightful category as a Drama. I had a screenwriting professor who worked in Los Angeles throughout the 90s and 00s, and was still livid that Ally McBeal got to compete as a comedy when it was an hour-long dramedy that had no business going up against sitcoms.
Those are all semantic arguments about categorizing shows when there’s a lot of mutability. But imagining a world where Better Call Saul isn’t 45 minutes of deliberate, enthralling dramatic irony, holding a hopeful carrot out in front of Jimmy when the audience knows there’s a banana peel waiting to catch his foot, makes me shudder with would’ve been lost.
The cold open to “RICO” is one of my favorites so far this season, because it succinctly encapsulates the futile tragedy of James McGill. Better Call Saul eluded to the fact that Jimmy worked in the HHM mailroom, but here it’s on full display, as he cheerfully delivers mail to everyone around the office, with the added bonus that he knows pretty much everyone’s name. But the reason the show ventures to this moment in McGill history is because it’s the day Jimmy believed his life would change: when he passes the bar and becomes a lawyer in the state of New Mexico. Read the rest
