Late last year, the nonprofit Internet Society abruptly announced a deal to sell control over the Public Interest Registry (which manages all .ORG domain registrations) to Ethos, a newly created private equity fund capitalized by three politically connected families of Republican billionaires. Under the deal, ISOC would get $1.135B to spend on various projects, and PIR would have to return a profit to their private equity investors.
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Aestetix writes, "HOPE 2020 [ed: Hackers on Planet Earth, the triennial, astoundingly great hacker con put on by 2600 Magazine] is in a brand new location and will be bigger and better than ever with lots more activities and space - all without leaving New York City! It will be held from July 31st to August 2nd at St. John's University in Queens. Get your tickets now for only $200, while supplies lasts.
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Every year, veteran sex-advice columnist mounts (ahem) HUMP, an amateur, pornographic short film festival, which tours around Canada and the USA for a dazzling evening of smut, humor, tenderness, weirdness and delight. HUMP is now in its 15th year, and none of the videos from the festival have ever leaked online, which is a testament to the kinds of audiences it draws.
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Next month, I'm giving a keynote talk at The Future of the Future: The Ethics and Implications of AI, an event at UC Irvine that features Bruce Sterling, Rose Eveleth, David Kaye, and many others!
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Heather sends us a notice of "a screening of Charlie Chaplin's masterpiece The Gold Rush, with live musical accompaniment at Hollywood's stunning new venue: The American Legion Theater on Highland Avenue."
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Share (previously) is an annual festival held in Turin and Belgrade and curated by Bruce Sterling and Jasmina Tesanovic; the 2020 Share Festival call for entries just went live, along with this year's theme, "Riots: Here we are."
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Aestetix writes, "Our 13th conference is taking place next summer in a brand new location as you've probably heard. We expect it to be bigger and better than ever with lots more activities and space - all without leaving New York City! Since this is #13, we figured we'd make an initial batch of tickets available on November 13th at precisely 13:13 Eastern Time (that's 1:13 pm for those who don't do 24 hour clocks)."
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Image: Forest Casey
If you’re hankering for an unusual outing in Los Angeles, look no further than the Velaslavasay Panorama. Home to the only panorama west of the Mississippi and the only one painted since the nineteenth century, the Velaslavasay is the art form’s newest entry in its long and illustrious history. Panorama paintings were antiquity’s preferred immersive medium, predating film, VR and a much cheaper sightseeing trip than hopping aboard a train.
From the Velaslavasay Panorama website:
The Velaslavasay Panorama panoramic exhibition encircles the spectator within a fully enveloping atmosphere; a vast painting of a continuous surrounding landscape, accompanied by sound stimulation and three-dimensional elements, affords the viewer an opportunity to experience a complete sensory phenomenon. Historically, the panorama was an immersive 360-degree painted environment, often including a three-dimensional faux terrain in the foreground of the painting to enhance the illusion of depth and simulated reality. An early ancestor of the motion picture, the captivated public would visit these paintings-in-the-round as an entertainment or novelty, much along the same lines as the cinema is seen today.
Panoramas were widely accessible, extremely popular (and were lambasted for being so by art critics) and immensely entertaining. The decline in the proliferation of panoramas came about following the spread of cinema and became largely forgotten about, at least in the United States. Enter the Velaslavasay Panorama, first founded by Sara Velas in Hollywood and now located in West Adams. The Velaslavasay has both preserved and updated the medium, incorporating light and sound for a completely immersive panoramic experience. Read the rest
Lisa Rein writes, "Today, Saturday November 9th is Aaron Swartz Day all over the world. We have events going on all over the world here - with a Zoom channel and
Gitters set up for questions that will be monitored from San Francisco all day (The San Francisco event details are here for FOIAPALOOZA).
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This Sunday, November 10th, see the wonderful science fiction writers Charlie Jane Anders (previously) and Annalee Newitz (previously) in conversation with Terry Bisson at the always-great SF in SF lecture series; doors open at 6PM at the American Bookbinders Museum (366 Clementina Alley) ($10/$8 students) with a post-show podcast from Somafm, and books on sale from our friends at Borderlands Books.
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The Japan Cuts Hollywood film festival takes places this weekend at the Chinese Theatres in Hollywood. Carla and I will be there. Japan House Los Angeles is curating three movies on Saturday:
37 SECONDS | Director HIKARI is an award-winning writer, producer and director.
TEN YEARS JAPAN | The executive producer is Hirokazu Kore-eda. The screening will be followed by a Q&A with three female Japanese directors.
NO LONGER HUMAN | The US Premiere of director Mika Ninagawa.
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Next week, the Association for Computing Machinery (ACM) will host its inaugural Symposium on Computer Science and Law, whose sponsors include Palantir, Peter Thiel's notorious surveillance-tech company, which just renewed a $49m contract with ICE to provide technological aid for ICE's ethnic cleansing program, which has included mass family separations and the deaths of children in custody.
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Aestetix writes, "We have good news. There will be a HOPE [ed: Hackers on Planet Earth, a beloved, NYC-based hacker con put on by 2600 Magazine] in 2020. And we expect it to be better than ever. For several months, we have been looking for a venue that would have the needed space and flexibility for HOPE. Thanks to the efforts of many - and the massive amount of suggestions and support from attendees - we've found a new location for the conference that's much, much better than what we had before. HOPE will take place at St. John's University in Queens from July 31st to August 2nd, 2020. It's still in New York City, easily accessible by mass transit, and well positioned to do everything we've done in the past."
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On November 11, the Edgeryders nonprofit assocation is bringing me to Brussels for a day-long event called The Science Fiction Economics Lab, where I'll be jointly keynoting with Edgeryders economist Alberto Cottica, a lifelong science fiction fan, about radical futuristic economic ideas for a more cooperative, sustainable future.
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I'm coming to Maine to keynote the Maine Library Association conference in Newry tomorrow (Sept 30); later that day, I'm appearing with James Patrick Kelly at the Portland, Maine Main Library, from 6:30PM-8PM (it's free and open to the public) This is the first time I've been to Maine, and I can't wait!
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I'm in the midst of couple of weeks' worth of lectures, public events and teaching, and you can catch me in Toronto (for Seeding Utopias and Resisting Dystopias and 6 Degrees); Newry, ME (Maine Library Association) and Portland, ME (in conversation with James Patrick Kelly).
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