Novelist Gabriel García Márquez, whose One Hundred Years of Solitude "established him as a giant of 20th-century literature," died today at his home in Mexico City. He was 87.
From the New York Times obituary:
“Each new work of his is received by expectant critics and readers as an event of world importance,” the Swedish Academy of Letters said in awarding him the Nobel.
Mr. García Márquez was considered the supreme exponent, if not the creator, of the literary genre known as magic realism, in which the miraculous and the real converge. In his novels and stories, storms rage for years, flowers drift from the skies, tyrants survive for centuries, priests levitate, and corpses fail to decompose. And, more plausibly, lovers rekindle their passion after a half century apart.
Magic realism, he said, sprang from Latin America’s history of vicious dictators and romantic revolutionaries, of long years of hunger, illness and violence. In accepting his Nobel, Mr. García Márquez said: “Poets and beggars, musicians and prophets, warriors and scoundrels, all creatures of that unbridled reality, we have had to ask but little of imagination. For our crucial problem has been a lack of conventional means to render our lives believable.”
“Be calm. God awaits you at the door.” — Gabriel García Márquez, Love in the Time of Cholera
The Library of America has just published String Theory: David Foster Wallace on Tennis, a slim volume of beautifully written, never collected essays by one of the great tragic figures of American literature, David Foster Wallace, a self-described “near-great junior tennis player” during his own boyhood.
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