Millennials are killing Poe's Raven

From Ross Wolinsky's "The Millennial Raven" in McSweeney's: Once upon a midnight dreary, Tinder swiping, buzzed and weary/I asked Siri about my sushi ordered one hour before/ While I chewed some pretzels, snacking, suddenly there came a tapping/As of some one gently rapping, rapping at my apartment door/“’Tis my roommate,” I muttered, “walking ‘cross the hardwood floor/Only this and nothing more.” (via Kottke) Read the rest

You can read beautifully illustrated novels in the New York Public Library's Instagram account

In an effort to get more people reading, the New York Public Library set out to take advantage of Instagram's huge user base.  Mother New York designed "Insta Novels" as a way to read entire novels in Instagram Stories.  The books feature carefully selected fonts, beautiful animations, and some clever hacks to allow such an unorthodox use of the Instagram app:

one challenge was that the pages would turn themselves after 10 seconds. But the solution of the Thumb Rest gave us a simple way-finding element and let us add illustrations to every page for a more engaging reading experience.

...

Knowing the active story would only be live for 24-hours, we also launched a teaser post with each title to let readers know they could find a new title in our highlights. These posts served as mini-movie trailers for each book to bring the audience to the title.

You can read Alice in Wonderland, A Christmas Carol, The Raven, and more now.

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Deluxe edition of Philip K. Dick’s Ubik

Folio Society has produced a special illustrated edition of Philip K. Dick's novel Ubik, featuring several illustrations and a foreword by Kim Stanley Robinson:

This video describes the creation of the edition, including hiding a secret in the slipcase:

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Tolkien’s Lobelia Sackville-Baggins is probably a misogynist satire of women's rights campaigner Victoria Sackville-West

Lobelia Sackville-Baggins is a Lord of the Rings Hobbit, one of the few, rare female characters in that series, and she's a nasty piece of work: a bitter enemy of Frodo and Bilbo, she is mostly depicted trying to either steal their stuff or buy it at deep discounts from them: she ends her days first imprisoned and starved, and then dead shortly after she's sprung. Read the rest

Science fiction and the law: beyond mere courtroom drama

Christopher Brown is a lawyer and science fiction writer; his debut, 2017's Tropic of Kansas, was an outstanding novel of authoritarianism and resistance, and his next book, Rule of Capture (out on Monday, watch for my review!) is a legal thriller about disaster capitalism, climate catastrophe, and hard-fought political change. Read the rest

An annotated bibliography of anarchism in science fiction

Ben Beck has relaunched his 30+ year-old AnarchySF site, with new contributions from Eden Kupermintz and Yanai Sened; it's billed as "an open-source repository of anarchist or anarchy-adjacent science fiction" and the relaunch incorporates "modern content management frameworks to allow a community to form around the archive and help maintain it." My cursory examination confirms that the site is an excellent resource already, but still really use work, especially on non-English sources. Read the rest

New Yorker calls a Sylvia Plath story "lost," but it is easy to find

Here's a tidbit I came across in the excellent Book Curious newsletter:

The Lilly Library Twitter account had some excellent words for the New Yorker headline describing the recent publication of a new Sylvia Plath story as "lost." In subsequent tweets, the Lilly's own Rebecca Baumann deftly navigated the line between pointing out erasures of the labor involved in libraries and archives, while encouraging researchers to continue looking for real discoveries.

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Argentine hacker mods Furby so it quotes Borges, creates a "Borgy"

Argentine hacker [Roni Bandini] modded a 1998 Furby so that it responds to stimulus by rattling off a random quote from Jorge Luis Borges. He calls it "Borgy." Read the rest

Tips for overcoming reader's block

I have a lot of trouble reading anything longer than a tweet, these days, so I wrapped duct tape around my head and monitor to force myself to get through Emily Petsko's tips for overcoming reader's block.

2. TRY A COLLECTION OF SHORT STORIES ...

Compared to a 300-page novel, short stories won’t seem like such an insurmountable task. Ginni Chen, Barnes and Noble’s “Literary Lady,” suggests trying a collection of stories written by different authors. That way, you’ll have the chance to figure out which styles and subjects you enjoy most. In an advice column addressed to someone with reader’s block, Chen recommended the Best American Short Stories and the Best American Nonrequired Reading collection. And if you want to start really small, there’s an app called Serial Box that will send you 150-character stories as push notifications.

Other good ones include "4. READ PAGE 69 BEFORE COMMITTING TO A BOOK." and "7. THROW ALL YOUR GADGETS IN A LAKE."

Photo: Shutterstock. Read the rest

Former Archbishop of Canterbury on Tolkien as a warning against fascism

Here's former Archbishop of Canterbury Rowan Williams on J.R.R. Tolkien, often seen as a reactionary but also the creator of a myth of Englishness completely opposed to fascism and other rotten boughs of capitalism.

So, how do we now respond to Tolkien’s imagined world, a world that is hierarchical, notoriously short on female agents, and which was accused by the poet Edwin Muir of being populated exclusively by different-sized schoolboys? As with Lewis, the complaint about implied misogyny is regularly coupled with worries about racial stereotyping, the romanticising of violence and the reduction of moral issues to cosmic battles between absolutes.

It is worth noting that Peter Jackson’s superbly visualised film versions of Tolkien’s novels if anything intensify some of these problems. But things are not quite that simple. ...

...he ends up writing, despite himself, a story that is more of a novel than a myth. Myths have no authors, it has been said. Even with the apparatus of invented language and ethnography, Tolkien’s history and “legendary” are haunted by the self-awareness of a particular type of 20th-century author: English, Catholic, academic, intensely aware of the devastation of a very specific England by industrialisation and urbanisation, more stoical than optimistic, yearning for a shared social narrative that would reaffirm certain solidarities of faith and mutual respect; deeply conservative but just as deeply opposed to unexamined power and the tyranny of profit.

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New York Public Library making it easier to See Dickens' desk, Woolf's cane, and Kerouac’s boots

NYPL's Berg Collection ranks among the greatest collections of literary ephemera and artifacts, but it's been very hard to see these items until recently. Read the rest

Slow reading is better than speed reading

Context, contemplation, careful study: things all but lost in the modern rush to shovel information into our eyeballs. Here's The Indy on slow reading, the antithesis of speed reading.

By default, most people read as quickly as they’re comfortable with – this happens without any conscious effort. To start slow reading, you read as slowly as you’re comfortable with – it should feel comfortable, not labored. The goal is to achieve an enjoyable experience – slow reading should never be stressful.

There's nothing new here, not even the term, found in Nietzsche ("perhaps one is a philologist still, that is to say, a teacher of slow reading") more than a hundred years ago. But the Slow movement is recent, dating to Roman irritation at the opening of a McDonalds there in the 1980s. Read the rest

Frankenbook: collective annotations on Mary Shelley's 200 year old novel "Frankenstein"

Joey from Arizona State University’s Center for Science and the Imagination writes, "Frankenbook is a collective reading experience of the original 1818 text of Mary Wollstonecraft Shelley’s Frankenstein. The project is hosted by Arizona State University’s Center for Science and the Imagination, The MIT Press, and MIT Media Lab. It features annotations from over 80 experts in disciplines ranging from philosophy and literature to astrobiology and neuroscience; essays by science fiction authors, scientists, and ethicists; audio journalism; and original animations and interactives. Readers can contribute their own text and rich-media annotations to the book and customize their reading experience by turning on and off a variety of themes that filter annotations by topic; themes range from literary history and political theory to health, technology, and equity and inclusion. Frankenbook is free to use, open to everyone, and built using the open-source PubPub platform for collaborative community publishing." Read the rest

Man angry at famous woman's appointment to literary society

Lily Cole is a famous actress, model, and recipient of a double-first class degree in Art History from Cambridge University. How dare they appoint her a partner of the Brontë Society, formed to honor the creative heritage of the Brontë sisters, rants Nick Holland.

If you don’t know Lily Cole, and you’d be in the majority, she is described as ‘a model and social entrepreneur’ (whatever that is). I am unfortunate enough to have encountered Lily before as a few years ago I had a front row seat of a new play about Helen of Troy at Manchester’s Royal Exchange Theatre. Lily had the title role, and the play was so bad that it is the only one I have ever walked out of at the interval. If the acting was bad, and believe me it was, the dialogue was even worse – one line in particular was of such clunking ineptitude that it has remained with me forever: ‘women smell my power, men smell like sex’. It was when Lily delivered this line with all the passion of the announcer at Piccadilly station that I began longing for the train home. This was, quite simply, the worst play I have ever seen, and the writer of it? Simon Armitage, the incumbent creative partner at the Brontë Parsonage Museum

Holland, declaring his intention to leave the society, was slammed as a snob.

“I’m sorry that some people have felt angry about it or against it,” Brontë scholar Samantha Ellis told the Guardian.

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Cool interactive map of Rome's landmarks and related literary musings

Walks in Rome is an interactive map project that updates and modernizies a famous 1870 guidebook of Rome by August Hare. Read the rest

Umberto Eco on unread books

I haven't read a novel in ages and the internet, in its succession of increasingly short content forms, reduced my attention span to the first sentence of a tweet. But what more do I need to read in order to know what I have felt? From beyond the semiotic grave claws Umberto Eco, offering (via a review of Pierre Bayard's How to Talk About Books You Haven't Read ) barbed comfort to those of us who suffer reference anxiety. On Unread Books.

... critical context is Bayard’s crucial point. He declares without shame that he has never read James Joyce’s Ulysses, but that he can talk about it by alluding to the fact that it’s a retelling of the Odyssey, which he also admits never having read in its entirety, that it is based on an internal monologue, that the action unfolds in Dublin during a single day, et cetera. “As a result,” he writes, “I often find myself alluding to Joyce without the slightest anxiety.” Knowing a book’s relationship to other books often means you know more about it than you do on actually reading it. ... An intriguing aspect of this book, which is less paradoxical than it might seem, is that we also forget a very large percentage of the books we have actually read, and indeed we build a sort of virtual picture of them that consists not so much of what they say but what they have conjured up in our mind.

And now we do this with the news, too. Read the rest

Kazuo Ishiguro wins Nobel Prize for Literature

Japan-born British writer Kazuo Ishiguro, author of The Remains of the Day, Never Let Me Go and A Pale View of Hills, is 2017's winner of the Nobel Prize for Literature.

The novelist was praised by the Swedish Academy as a writer "who, in novels of great emotional force, has uncovered the abyss beneath our illusory sense of connection with the world".

On living on cultural peripheries:

Ishiguro left Japan in 1960 at the age of 5 and did not return to visit until 1989, nearly 30 years later, as a participant in the Japan Foundation Short-Term Visitors Program. In an interview with Kenzaburō Ōe, Ishiguro acknowledged that the Japanese settings of his first two novels were imaginary: "I grew up with a very strong image in my head of this other country, a very important other country to which I had a strong emotional tie ... In England I was all the time building up this picture in my head, an imaginary Japan."

When discussing his Japanese heritage and its influence on his upbringing, the author has stated, "I'm not entirely like English people because I've been brought up by Japanese parents in a Japanese-speaking home. My parents didn't realize that we were going to stay in this country for so long, they felt responsible for keeping me in touch with Japanese values. I do have a distinct background. I think differently, my perspectives are slightly different." When asked to what extent he identifies as either Japanese or English the author insists, "People are not two-thirds one thing and the remainder something else.

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