The Twelve-Fingered Boy is John Hornor Jacobs's debut young adult novel and it's amazing. It's a horror novel about Shreve, a kid from a tough background who is stuck in juvie and makes the most of it by running a black-market candy dealership; and his new roommate Jack, a quiet kid with twelve fingers and twelve toes. Jack is not the kind of kid who thrives in juvie, and Shreve takes him under his wing, trying to teach him how to get along on the inside -- but he's not very successful. Jack's extra fingers mark him out among the kids, and the worst of them smell blood when they see him and begin to circle.

But that's the least of Jack's problems. Far more worrisome is Mr Quincrux, a strange man from an unnamed government agency who seems to have the power to make the omnisuspicious guards and wardens go into a trancelike state. He's very, very interested in Jack, and particularly in how Jack landed in juvie -- an unexplained attack on his foster siblings that we quickly learn had something to do with telekinesis. Shreve quickly discovers that Mr Quincrux is an emissary for something much darker than any mere government agency, and as things escalate and Jack's powers come to the fore, it quickly becomes necessary for the pair to break out and hit the road.

Great horror novels demand likable characters -- people whose danger we can't help buy empathize with -- and Twelve-Fingered Boy has a pair of two of the most likable characters I can remember meeting. Shreve is fast-talking, tough-as-nails, thoughtful and honorable; Jack is quiet, gentle, scarred but indomitable. Their adventures hopping trains and sneaking across the country to unravel the mysteries of the plot are part Huck Finn, part X-Men. The scary stuff in this book -- and there's some really scary stuff here -- goes beyond the usual scares of kids' horror, and is truly the stuff of nightmares. This is a book that mesmerizes like a venomous snake, and while it comes to something of a conclusion at the end of 264 too-short pages, I was delighted to learn that it is only book one of a trilogy. I'll be on the watch for the next two volumes.

The Twelve-Fingered Boy

I reviewed Ronald Diebert's new book Black Code in this weekend's edition of the Globe and Mail. Diebert runs the Citizen Lab at the University of Toronto and has been instrumental in several high-profile reports that outed government spying (like Chinese hackers who compromised the Dalai Lama's computer and turned it into a covert CCTV) and massive criminal hacks (like the Koobface extortion racket). His book is an amazing account of how cops, spies and crooks all treat the Internet as the same kind of thing: a tool for getting information out of people without their knowledge or consent, and how they end up in a kind of emergent conspiracy to erode the net's security to further their own ends. It's an absolutely brilliant and important book:

Ronald Deibert’s new book, Black Code, is a gripping and absolutely terrifying blow-by-blow account of the way that companies, governments, cops and crooks have entered into an accidental conspiracy to poison our collective digital water supply in ways small and large, treating the Internet as a way to make a quick and dirty buck or as a snoopy spy’s best friend. The book is so thoroughly disheartening for its first 14 chapters that I found myself growing impatient with it, worrying that it was a mere counsel of despair.

But the final chapter of Black Code is an incandescent call to arms demanding that states and their agents cease their depraved indifference to the unintended consequences of their online war games and join with civil society groups that work to make the networked society into a freer, better place than the world it has overwritten.

Deibert is the founder and director of The Citizen Lab, a unique institution at the University of Toronto’s Munk School of Global Affairs. It is one part X-Files hacker clubhouse, one part computer science lab and one part international relations observatory. The Citizen Lab’s researchers have scored a string of international coups: Uncovering GhostNet, the group of Chinese hackers taking over sensitive diplomatic computers around the world and eavesdropping on the private lives of governments; cracking Koobface, a group of Russian petty crooks who extorted millions from random people on the Internet, a few hundred dollars at a time; exposing another Chinese attack directed at the Tibetan government in exile and the Dalai Lama. Each of these exploits is beautifully recounted in Black Code and used to frame a larger, vivid narrative of a network that is global, vital and terribly fragile.

Yes, fragile. The value of the Internet to us as a species is incalculable, but there are plenty of parties for whom the Internet’s value increases when it is selectively broken.

How to make cyberspace safe for human habitation

Black Code: Inside the Battle for Cyberspace

Kristen sez, "The DoomBuggies website has released a version of the Haunted Mansion Corridor of Doors wallpaper in fabric, wallpaper and gift wrap, and according to the DoomBuggies facebook page, it's the same graphic that has been used by Disney. 'This is created from the same artwork that we created for Disney's official Haunted Mansion 40th Anniversary CD box set and CD insert,' according to Jeff Baham, the owner of DoomBuggies.com."

DoomBuggies Eye Fabric

Kaja and Phil Foglio have launched a Kickstarter to fund the printing of volume 12 of the wonderful Girl Genius webcomic, and to reprint the older books. These are multi-award-winning, independent steampunk delights, and $30 gets you "an actual, dead-tree, SOFTCOVER copy of Girl Genius Volume 12: Agatha Heterodyne and the Siege of Mechanicsburg. 192 pages in full color. Shipped to you by means of one of the largest government agencies on Earth!"

Printing the actual books is our biggest single expense. The first print run of a typical volume costs in excess of US$25,000. If that seems high, you must remember that we print eight thousand of them, and they usually run to around 120 pages. Our latest volume, number 12, will be even more expensive, as it comes in at 192 pages, and we’ll be printing nine thousand of them, because eight thousand wasn’t enough last time. Exciting? Yes, but one can’t pay the printer with excitement.

We also have to ship the books. Actually, we have to ship them twice. Once from the printer to the fulfillment center, and once again from the fulfillment center to the customer. And whether a book is shrink–wrapped with thousands of its friends onto a pallet and loaded into a truck, or carefully packaged for individual shipping, several thousand pounds of books cost serious money to transport.

It's got a short fuse on it because they want to get the books in hand in time for San Diego Comic-Con. Act now!

Girl Genius Volume 12 Printing and Reprint Frenzy! (Thanks, Phil!)

Read the rest

The good people at London's Nobrow Press have done an 8" vinyl toy for the outstanding kids' comic Hilda, created by Luke Pearson (reviews: Book 0, Book 1; Book 2). The Hilda toy is grownup-collector-expensive, but it's also a very nice piece -- I saw one in person last night when I brought my daughter and her friend to the Nobrow store on the way to our weekly daddy-daughter pizza dinner.

Hilda Toy

Artist Ed Fairburn selective colors in maps, revealing faces lurking in potentia in their many lines, contours and shapes. He sells prints. These are gorgeous. Shown here: Paris.

Ed Fairburn (via Neatorama)