Meet Stephanie Laursen. She's a letterpress printer, who wants to set up her own shop one day. She's already apprenticed at three locations. She's practical about what she needs to make it work. As far as I can tell, she didn't fall through a wormhole from 1930. Stephanie is fully rooted in 2010.
Stephanie was assisting in the letterpress shop today at the School of Visual Concepts (SVC) in Seattle, where I'm attending the two-day Type Americana conference and seminar. The event is one day of history and one day of hands-on sessions. This isn't a tech conference: half the attendees and speakers are women, only two people have laptops out (I'm one of them), and everyone is paying attention. The subject matter requires a reasonably intimate knowledge of the last 140 years of type design to follow the speakers; I'm stunned by how many young people, SVC and other students, are nodding along.
Today, I've heard about Frederic Goudy, the Bentons (père et fils), and W.A. Dwiggins, as well as the life of Beatrice Warde, the collapse of a preeminent type foundry after a hundred years, and a wood-type museum's resurgence. Sumner Stone (Adobe's first type design chief) reminisced about the history of fonts before and at Adobe.
The school has a beautiful letterpress shop, the cleanest one I believe I've ever stepped foot in, with a full panoply of flatbed and platen presses, metal type, wooden furniture (the blocks used to space elements in a locked-up page), leading (mmm....delicious lead), and the like. Read the rest