With track titles such as "Max Decides On Vengeance" and "Max Enters the Compound," the first two Mad Max soundtracks embody the movies' stark and ironic dystopia. Disc 3, of course, has "We Don't Need Another Hero." I have embedded the instrumental version here as a taster of
the forthcoming vinyl set, with Brian May, Maurice Jarre and Tina together at last.
For the first time ever, the original Mad Max trilogy of soundtracks have been combined into a stellar deluxe package designed by Marvel comic artist Tim Bradstreet (The Punisher, Blade). The outside three panels consist of all new original artwork while the inner panels display minis of the original jackets and the tracklisting. The color of the vinyl is Gray, Sand and Black respectively in keeping with the central colors of the new art panels. No more than 2000 units will be made and the trilogy will not be duplicated in another package.
It's up for preorders at $70 and will ship in April. I wonder: why doesn't it include Mad Max 4?
Mad Max Trilogy [3 LP] Soundtrack [Amazon] Read the rest
A new study suggests that the ominous background music often heard in shark documentaries correlates with viewers' fearful and negative opinions of sharks. (For the source of this musical cliche, see the 1975 trailer for Jaws above.) From the Scripps Institution of Oceanography researchers paper in the scientific journal PLOS One:
Using three experiments, we show that participants rated sharks more negatively and less positively after viewing a 60-second video clip of swimming sharks set to ominous background music, compared to participants who watched the same video clip set to uplifting background music, or silence. This finding was not an artifact of soundtrack alone because attitudes toward sharks did not differ among participants assigned to audio-only control treatments. This is the first study to demonstrate empirically that the connotative attributes of background music accompanying shark footage affect viewers’ attitudes toward sharks. Given that nature documentaries are often regarded as objective and authoritative sources of information, it is critical that documentary filmmakers and viewers are aware of how the soundtrack can affect the interpretation of the educational content.
"The Effect of Background Music in Shark Documentaries on Viewers' Perceptions of Sharks" (PLOS One via Dangerous Minds)
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Celebrated film composer John Williams, 84, who scored Star Wars, the Indiana Jones films, E.T., and so many more, says that he will be writing the music for Steven Spielberg's "Ready Player One," based on the marvelous 2011 novel by Ernest Cline. After that, it'll be time to return to a galaxy far, far away to score the next Star Wars film.
“If I can do it, I certainly will. I told (producer) Kathy Kennedy I’m happy to do it, but the real reason is, I didn’t want anybody else writing music for Daisy Ridley,” he told Variety.
Last night, Williams received the American Film Institute’s Life Achievement Award, the first given to a film composer in the award's 44 years.
Here's classic video of John Williams conducting the Boston Pops performing the Star Wars Main Theme:
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Disasterpiece's remarkable soundtrack for Fez has been released on beautiful pollen-colored vinyl, alongside a striking red-and-gold physical release for the game itself.
Alan Bishop, bassist/vocalist of Sun City Girls and global music collector, wrote an excellent post about his favorite film scores by legendary Italian composer Ennio Morricone. Read the rest
My two favorite soundtrack reissue labels, Death Waltz Records and Mondo, have united, and the vinyl gods are pleased. Read the rest
The Hired Hand is a 1971 western directed by and starring Peter Fonda. I've never seen the film but today I heard the score and it is absolutely fantastic. The composer is Bruce Langhorne, a veteran of the 1960s Greenwich Village folk scene, and the inspiration behind Bob Dylan's "Mr. Tambourine Man." Also of note, Langhorne lost two fingers on his right hand as a child but clearly that doesn't impair his playing. The Hired Hand OST is a beautiful collection of atmospheric ghostly banjo, lapsteel, violin, and piano. Dig the cinematic blues:
The Hired Hand by Bruce Langhorne
Recently released by Scissor Tail Editions, the music has been compared to contemporary electronic experimentalists like Black Dice and Boards of Canada! Along with a digital download, Scissor Tail Editions sold 1,000 copies on 180-gram vinyl. I teared up when I realized they are completely, utterly sold out.
Have a listen and buy the digital album for $10 here: "The Hired Hand"
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Death Waltz Recording Company deals in exquisitely-curated horror/cult movie soundtracks reissued on vinyl in gorgeous packaging with newly-commissioned cover art.