Ken MacLeod's new novel Intrusion is a new kind of dystopian novel: a vision of a near future "benevolent dictatorship" run by Tony Blair-style technocrats who believe freedom isn't the right to choose, it's the right to have the government decide what you would choose, if only you knew what they knew.
Set in North London, Intrusion begins with the story of Hope, a mother who has become a pariah because she won't take "the fix," a pill that repairs known defects in a gestating fetus's genome. Hope has a "natural" toddler and is pregnant with her second, and England is in the midst of a transition from the fix being optional to being mandatory for anyone who doesn't have a "faith-based" objection. Hope's objection isn't based on religion, and she refuses to profess a belief she doesn't have, and so the net of social services and laws begins to close around her.
MacLeod widens the story from Hope, and her husband Hugh (a carpenter working with carbon-sequestering, self-forming "New Wood") who has moved to London from an independent Scotland, and whose childhood hides a series of vivid hallucinations of ancient people from the Ice Age-locked past. Soon we're learning about the bioscientists who toil to improve the world's genomes, the academics who study their work, the refuseniks who defy the system in small and large ways, and the Naxals, city-burning wreckers who would obliterate all of society. The Naxals, along with a newly belligerent India and Russia, are a ready-made excuse for a war-on-terror style crackdown on every corner of human activity that includes ubiquitous CCTV, algorithmic behavior monitors, and drones in every corner of the sky.
With Intrusion, MacLeod pays homage to Orwell, showing us how a society besotted with paternalistic, Cass Sunstein-style "nudging" of behavior can come to the same torturing, authoritarian totalitarianism of brutal Stalinism. MacLeod himself is a Marxist who is lauded by libertarians, and his unique perspective, combined with a flair for storytelling, yields up a haunting, gripping story of resistance, terror, and an all-consuming state that commits its atrocities with the best of intentions.