Jeff writes, "Chinese historian Maggie Greene has recently written about one of the strangest treasures in her collection: a Chinese comic book version of Star Wars from 1980, which she aptly describes (with scans to prove it!) as 'a fascinating document' that includes images she thinks may reveal 'a fanciful imagining' of life in a then dimly understood America or generalized West. She notes, for example, a 'dinner scene where a duck (?) is being stuck into a toaster oven (!) & the table has not only a little hot plate, but a crockpot (or rice cooker) there, too.' Whoever drew the pictures, she also points out, 'makes some amusing flubs -- Chewbacca appears in some scenes in a relatively credible way, in others looking like an outtake from Planet of the Apes. It also often looks like something out of a Cold War-era propaganda poster, at least where the details are concerned. Were the actors really garbed in Soviet looking space suits? Was Darth Vader really pacing before a map bearing the location of the Kennedy Space Center?'
[For those who can't get enough of this topic, there are related tweets by both @mcgreenesd Greene herself and Chinese literary translator and now Chinese studies grad student @bokane Brendan O'Kane"
A Long Time Ago in a China Far, Far Away …
The next installment in the SFinSF reading series features Kim Stanley Robinson, Howard Hendrix, and Cecelia Holland; it's this Sunday, Jan 20, doors at 6, event at 6:30, $10 (no one turned away for lack of funds), at the The American Bookbinders Museum (355 Clementina).
On March 19, Tor Books will release my next book, Radicalized, whose four novellas are the angry, hopeful stories I wrote as part of my attempt to make sense of life in our current moment.
My most recent essay film, Visual Disturbances, premiered in the open access journal [in]Transition yesterday. This open access journal features peer reviewed academic video essays and showcases a wide variety of film and media analysis. Visual Disturbances uses some cutting-edge eye tracking visualizations to explore how film audiences both perceive and mis-perceive movies.
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