CGI artist Jim Kazanjian's work is both surreal and hyper-real, looking for all the world like photos of true, improbable things.
He's just completed four new pieces that fit comfortably in his canon of Lovecraftian, fanciful, dark pictures of a world that doesn't exist, where belching smokestacks and decrepit buildings sit on lonely landscapes. He uses found photos and digital compositing techniques to make what he calls "hyper-collage."
Through a palimpsest-like layering process of adding and subtracting, I gradually blend the various parts together. I am basically manipulating and assembling a disparate array of multiple photographic elements (sometimes more than 50) to produce a single homogenized image. I do not use a camera at any stage in the process.
My method of construction has an improvisational and random quality to it, since it is largely driven by the source material I have available. I wade through my archive constantly and search for interesting combinations and relationships. Each new piece I bring to the composition informs the image's potential direction. It is an iterative and organic process where the end result is many times removed from its origin. I think of the work as a type of mutation which can haphazardly spawn in numerous and unpredictable directions.
The latest Humble Bundle features up to 26 DRM-free ebooks (including In Real Life, the graphic novel Jen Wang and I created) at prices ranging from $1 (for 8 titles) to $18 (for all 26), with all proceeds to the ACLU to benefit voting rights litigation and action.
Isotopium is a "remote reality" game that challenges players to pilot real miniature tank-drones around a massive, super-detailed scale model of Pripyat, the Ukrainian ghost-town created by the meltdown of the nearby Chernobyl reactor.
I have been collaborating with science fiction writer, singer, librettist and Renaissance scholar Ada Palmer and science historian and piracy expert Adrian Johns to put on a seminar series at the University of Chicago called Censorship & Information Control In Information Revolutions: every Friday, we gather a panel of interdisciplinary scholars to talk about parallels […]
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