As Japanese musician Masami Akita (aka Merzbow) performs live in Taipei in 2013, one concertgoer demonstrates that enjoying noise music does not preclude you from practicing good dental hygiene. Full clip below.
The great Japanese composer Ryuichi Sakamoto—whose work has spanned the electronic pop of Yellow Magic Orchestra and numerous film scores to experimental ambient and contemporary classical—has released this magnificent live performance: "Playing the Piano for the Isolated." His special guest is Shamisen master Hidejiro Honjoh.
“Music, work, and life all have a beginning and an ending,” Sakamoto has said. “What I want to make now is music freed from the constraints of time.”
Composer Janek Schaefer drew from the work of John Cage, DJ Shadow, The Orb, Marina Abramović, Steve Reich, Chris Watson, and so many other greats to create this powerfully evocative and weird 90 minute mix. A former architect, Scahefer has masterfully designed a haunting, expansive environment of found sound. This is the way, step inside...
Schaefer also prepared a complementary essay and annotated tracklist for the mix. From The Vinyl Factory:
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I loved how sound creates images that you cannot see, capturing an impression of spaces and places that can only be revealed again thought playback over time...
This C-90 style mixtape, entitled ‘New Dimensions In Time, Space and Place’, is a meander through my physical collection of works that have inspired me over the last 36 years, and I still enjoy. The loosely connecting themes explore found sound, ready-mades, collage, samples, sound design, sculpture, performance, field recordings, sonic art, appropriation, alteration, and accidents. The context of these sounds brings meaning to the works, and our understanding of that context brings the work to life when listening to it.
Yutaka Hirose is a Japanese composer who was a key figure in that country's ambient/environmental music scene of the 1980s that in recent years has been rediscovered by crate-diggers around the world. Hirose's "NOVA" (1986) is a classic of the genre, a soundscape that Misawa Home Corporation commissioned as a "soundtrack" for the prefabricated houses. While original LPs have sold for hundreds of dollars, WRWTFWW Records have recently reissued the record as an expanded double LP and double CD. (For a further exploration of Japanese environmental music of the 1980s, Light in the Attic Records' "Kankyō Ongaku: Japanese Ambient, Environmental & New Age Music 1980-1990" is a perfect portal.)
To celebrate the NOVA reissue, The Vinyl Factory asked Hirose to create a mix of music he was listening to and inspired by in the 1980s Listen above. It's a beautiful, sometimes-jarring, and totally compelling journey through avant-garde sounds of the time. Here's the tracklist:
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1. Jan Steele – All Day 2. David Toop – Do The Bathosphere 3. Gavin Bryars – 1, 2, 1-2-3-4 4. Joan La Barbara – Poems 43, 44, 45 5. Meredith Monk – Waltz 6. Karlheinz Stockhausen – Stimmung 7. John Cage – Seven Haiku 8. Throbbing Gristle – Almost A Kiss 9. Robert Ashley – Yellow Man With Heart With Wings 10. The Flying Lizards – The Window 11. Henry Cow Little Red Riding Hood Hit The Road 12. Faust – Faust 13. CAN – Future Days 14. Tangerine Dream：Rubycon 15. Michael Nyman – Decay Music 16.
Joan and Peter Foldes directed this incredible animation, titled "A Short Vision," in 1956. The couple created the film -- based on a poem by Peter -- in their kitchen. It was funded by a grant from the British Film Institute's Experimental Film Fund. From Wikipedia:
Ed Sullivan saw A Short Vision in England, and promised an American showing. He said his motive was a "plea for peace" However, he may have shown it because of his relationship with George K. Arthur, A Short Vision's distributor. Ten days after he saw it, Sullivan showed A Short Vision on his popular Sunday night show The Ed Sullivan Show on 27 May 1956. Sullivan told the audience to tell their children in the room to not be alarmed, because of its animated nature. The film was very popular, and it was shown again on 10 June; Sullivan told parents to take children out of the room.
In the 1980s, Stuart Swezey was at the epicenter of Southern California's underground culture. The co-founder of Amok Books, Swezey was also known for organizing extreme industrial and avant-garde outdoor happenings in remote locations like the Mojave Desert that featured performances by Sonic Youth, Einstürzende Neubauten, Survival Research Laboratories, Minutemen, and many other experimental and transgressive artists. Now, Swezey has made a documentary about those extreme experiences. Above is the trailer for Desolation Center.
In 1982, Japanese avant-garde filmmaker Toshio Matsumoto used video cut-up techniques to deconstruct a single residential building into a disorienting architectural puzzle. The short film is titled Shift (シフト 断層). Music by Yasuke Inagaki.
From a 1996 interview with Matsumoto:
We have to do more to irritate and disturb modes of perception, thinking, or feeling that have become automatized in this way. I did several kinds of experiments from the 1970s to the 1980s that de-automatized the visual field. But when image technology progresses such that you can make any kind of image, people become visually used to that. That's why there's not much left today with a fresh impact. In this way, the problem is that the interpretive structure of narrating, giving meaning to, or interpreting the world has become so thoroughly systematized that one cannot conceive of anything else that is largely untouched. We have to de-systematize that.
San Francisco: It's time again for the always-outstanding annual Kronos Festival, several days of fantastic global and experimental music curated by the seminal avant/classical/global Kronos Quartet. Every Kronos Festival I've attended has turned me on to a spectrum of new sounds, artists, scenes, and regions. From KQED:
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At SFJAZZ on June 1, singer-composer Hawa Kassé Mady Diabaté of Malian group Trio Da Kali performs her new Fifty for the Future piece inspired by tegere tulon, the impromptu hand-clapping songs and dances Malian girls create in the countryside. Ethnomusicologist Lucy Duran, who specializes in African music, will give a pre-show talk contextualizing Diabaté's performance.
On May 30, the quartet will also premiere a Fifty for the Future piece by Stanford professor Mark Applebaum, whose playful compositions have been known to include junk-as-instruments, non-musical players such as florists and even a piece for three conductors and no musicians. Plus, there's a new work Fifty for the Future work by Missy Mazzoli, a boundary-pushing rising star of the classical world and the Chicago Symphony's current composer-in-residence.
Also on May 30, Kronos Quartet pays homage to the work of left-wing historian Howard Zinn. Ethio-jazz singer-songwriter Meklit, cultural critic Rebecca Solnit, folk musician Lee Knight and poet/actor Michael Wayne Turner III will accompany the musicians with readings from works by Zinn and Martin Luther King, Jr. (Zinn's A People's History of the United States highlights how abolitionists, labor organizers, feminists, civil rights leaders and other dissenters shaped American history.) Meklit performs with Kronos once again on June 1.
June Chikuma is the Japanese composer behind the beloved soundtracks to Nintendo’s Bomberman series and countless other videogame, TV, and film scores. Now, Chikuma's 1986 album "Divertimento" has been expanded into a new edition titled Les Archives, available from the Freedom To Spend label. The vinyl edition of Les Archives also includes a limited 7" with tunes from the era that didn't make the original Divertimento release. The above video, "June Rebuilds," was directed by Amanda Kramer and features the track "Broadcast Profanity Delay" from Les Archives. From the release announcement:
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While Freedom To Spend’s reinvented edition bares little visual evidence of its origins in the composer’s name, title, or sleeve design, the album, a whooping gonzo of synthesizers, samplers, drum machines, and a mysterious string quartet, remains as vibrant now as it did when released on Toru Hatano’s Picture Label as Divertimento in 1986. In fact, the music of Les Archives now glows with a different purpose; one that revises the past while maintaining, and finally elevating, its hidden influence.
A woman of multiple disciplines and identities, June Chikuma (竹間 淳, Chikuma Jun) has composed for TV, film, and video games over the past thirty plus years. Her proto-techno and drum and bass soundtracks for Nintendo’s Bomberman franchise in the 80s and 90s is an oeuvre unto itself. In more recent years her musical focus has turned toward classic Arabic and Egyptian music. Chikuma studies Arabic nay, playing and performing with Le Club Bachraf ensemble. In a melding of June’s contrasting, colorful worlds, Le Club Bachraf composed part of the original score for the 2007 video game Sonic and The Secret Rings.
Magnetic tape maestro Randall Taylor, aka Amulets, takes an old Mannheim Steamroller Christmas cassette in a totally different direction... a totally different dimension.
Just when you thought you were going to listen to some sweet christmas music it turns into a weird 7 minute ambient drone rework that no one wants to hear at your family/work/friendmas/holiday party! Give the gift of your obscure musical taste and Mannheim Steamroll your loved ones today!
GEAR USED: - Custom Tape Loops - Tascam Porta 02 - Library of Congress Tape Player - Memorex Walkman - Behringer Micromix - AC Noises AMA - Strymon Blue Sky
Support and follow Amulets on Patreon.
Rully Shabara and Wukir Suryadi are Jogjakarta, Indonesia-based musicians melding the ancient, traditional sounds of their region with a very contemporary mode of heavy experimentalism. The duo, known as Senyawa, have just released a new album, Sujud, on the always-compelling Sublime Frequencies label, distributed by Forced Exposure. This is music that is best enjoyed at night, in the darkness, where the expansive, transgenre magick can wash over and through you. Listen below. From Sublime Frequencies:
The basic theme of the record can be summed up with one extremely powerful Bahasa Indonesian word, Tanah, which translates to "soil-ground-land-earth". Shabara's vocals are an expressive force, conjuring spirits from the soil with a deep humility and respect for the land and their existence in the universe. Suryadi has built a new guitar for these tracks and pushes the Senyawa sound into new territory, utilizing delay, loops, and other effects creating grounded backdrops of folk metal, punk attitudinal, and droning earthscapes - providing Shabara the perfect context to explore his whispering poetry and jagged, sharp-as-a-kris animistic powers.
Matt Werth of record label RVNG Intl. asks: "Do you agree that a spoken word track about a mythical being sucking out the insides of someone and turning them into a skin balloon" is appropriate for Boing Boing?
Yes, Matt. Yes it is.
Please enjoy "Edge" by Colombian experimental musician Lucrecia Dalt from her forthcoming LP Anticlines.
Video by Charlotte Collin & Jonathan Martin. Read the rest
Brandon Hocura of the excellent Seance Centre record label mined his (and his friends') rare and vintage cassette archive to create this sublime guest mix for the Noise In My Head show on NTS Radio. Listen below, preferably with headphones. Turn on, tune in.
Claire Thomas & Susan Vezey - Bright Waves Pablo's Eye - Blind And Quiet Mo Boma - Jijimuge Two (Rebounders / Nanga Ningi) Robert Haigh - Andante (For Strings, Piano, Percussion) Sebastian Gandera - Chienne De Viel The Field Mice - Let's Kiss And Make Up Richard Truhlar - Portrait Of An Interview Hearn Gadbois - Gaht Mayh Moh8joh3 Woykihn John Celono - Instrument Flying Bruce Russell - Indigo Pool Joanne Forman - Codex Antonio Zepeda - Cuando Los Dioses Juegan A La Pelota Roberto Mazza - Artigli Arguti Peter Griggs - Fragments John Di Stefano - Nuage Philip Sanderson & Michael Denton - Maps (Love In A Cold Climate) Short Term Memory - Words Houari Benchenet - Katrouli El Mhaine Jack Charles - Traverse John J Lafia - Life Is Short Short Term Memory - Hysteria John Di Stefano - Culture Schlock Smith & Erickson - Blue Skies Tony Wells - End Collage Pauline Oliveros - Earth Ellen Zweig & Gregory Jones - Sensitive Bones
Kronos Quartet, my favorite avant-garde classical group, is holding its Kronos Festival 2018 at San Francisco's SF JAZZ Center next week, April 26-28. I've attended multiple Kronos Festivals and they are always wonderful performances, each one an enchanting introduction to global (and local) sounds that are wonderfully unfamiliar to me yet open my ears and mind to new artists and perspectives. This year, the festival features artist-in-residence David Coulter and guests San Francisco Girls Chorus, Vân-Ánh Võ, Zakir Hussain, Mahsa Vahdat, Trio Da Kali, Jolie Holland, and avant-folk duo CocoRosie!
Special note: The Saturday matinee concert, "Around the World with Kronos," is meant for families with children ages 3 and up!
Here's the full schedule: Kronos Festival 2018
***PHOTOSENSITIVE SEIZURE WARNING***
"Thunder" (1982), a 16mm short directed by Japanese experimental filmmaker Takashi Ito, with sound by Yosuke Inagaki.
"Film is capable of presenting unrealistic world as a vivid reality and creating a strange space peculiar to the media," Ito said in a 1984 interview with Image Forum. "My major intention is to change the ordinary every day life scenes and draw the audience (myself) into a vortex of supernatural illusion by exercising the magic of films."