Mr. Know-It-All: The Tarnished Wisdom of a Filth Elder, John Waters' new book, sounds like a demented must-have:
It “serves it up raw: how to fail upward in Hollywood; how to develop musical taste from Nervous Norvus to Maria Callas; how to build a home so ugly and trendy that no one but you would dare live in it; more important, how to tell someone you love them without emotional risk; and yes, how to cheat death itself. Through it all, Waters swears by one undeniable truth: ‘Whatever you might have heard, there is absolutely no downside to being famous. None at all.'”
He devotes an entire chapter in the book to dropping acid at age 70, which he describes in a recent interview with the Washington Blade:
That’s something that I did that I thoroughly enjoyed. I think if there’s a sentimental chapter in the book about friendship, then maybe that is that. If I had known how strong the LSD was that I took, I probably would have been uptight. But I didn’t and it was great. I spent eight months getting the right acid from the purest source I could find, practically from Timothy Leary’s asshole... But the provenance of it was high and it was great. I don’t have to ever do it again. Just like I don’t have to ever hitchhike across the country again. Why would I? I did it...
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There is a major retrospective of John Waters' visual art that's just opened in his hometown of Baltimore. It's called Indecent Exposure and it pulls pieces from his entire career. In this PBS NewsHour video, we get to see a glimpse of it guided by Waters himself. In the interview that follows, the filth elder himself gives young people some advice on how to look for opportunities to break into the contemporary art world:
"It's a secret biker club that hates you. I even have a piece that says, 'Contemporary Art Hates You.' because it does if you hate it first. It's a thin line. You can't have contempt about it and go in. You have to learn. You have to study a little. You have to figure it out... and suddenly this whole world opens up to you. You can see it in a completely different way. It was like you were blind before."
There's more, watch.
You can catch Waters' exhibition at the Baltimore Museum of Art until January 6, 2019.
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Exhibition highlights include a photographic installation in which Waters explores the absurdities of famous films and a suite of photographs and sculpture that propose humor as a way to humanize dark moments in history from the Kennedy assassination to 9/11. Waters also appropriates and manipulates images of less-than sacred, low-brow cultural references—Elizabeth Taylor’s hairstyles, Justin Bieber’s preening poses, his own self-portraits—and pictures of individuals brought into the limelight through his films, including his counterculture muse, Divine.