For half a century Los Angeles's Stoughton Printing Company has been considered one of the highest-quality printers of vinyl record packaging in the world, manufacturing album art for the likes of The Doors, Led Zeppelin, Neil Young, Jack White, Blue Note, and countless other artists and labels who value exquisite quality. Indeed, that's where my partners and I intend to produce the lavish packaging for our “Voyager Golden Record: 40th Anniversary Edition” vinyl box set! Our pal Ben Marks writes about the artisans at Stoughton for Collectors Weekly:
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If there’s a secret sauce to Stoughton, one of the ingredients is certainly its people, many of whom have been with the company for a long time, which means the institutional memory at Stoughton runs deep. “Some of our employees have been with us for decades,” Jack (Stoughton) Jr. says. “They’ve seen it all.” Just as important is the fact that for every Led Zeppelin or Jack White, there have been countless other musicians of lesser acclaim who have turned to Stoughton to print their album art and design the packaging encasing their vinyl.
“When we started out,” Jack Jr. says, “we appealed to independent labels and artists. That was our niche. We had one customer, way back when, who sold his car to help pay for his record pressing. We had printed his jackets, so he came out here on the bus from Hollywood to City of Industry, which was about 25 miles eastbound. He probably made five or six bus transfers to get here.
High-end printers began decorating the edges of books as the craft developed, including dyeing and gilding the edges, but in the 17th century, artisans began creating fore-edge paintings that could only be seen when books were fanned. Below is another example: Read the rest
Hey, it's your ol' pal Joel! Used to write a gadget blog that wasn't about gadgets? Man, great to see you. No, no, have a seat. Can we get a couple of...yeah, no ice, thanks.
So let's get business out of the way before we eat: One of my clients is launching a Kickstarter today and I hope you'll check it out.
(I have clients now! I started a company. It isn't a media company or even a gadget blog. Just a regular, ol' fashioned intragalactic-HUMINT-and-covert-ops-themed strategic comms company, where people hire me to help them solve problems. I like it.)
The Kickstarter is set at $500k, which is a lot of money; it's also how much is needed to build a dedicated printing facility under one roof that can provide 20 museum-quality, ad-supported prints to tens of thousands of customers for free each month. That's what they need to increase production, in both volume and speed. Bear in mind this is a company that took an initial $160k Kickstarter success and 1) made a functional iPhone app 2) established a printing process that exceeds all other consumer printing quality, and 3) spun up production that is putting out 80-100k prints a month. There were many pitfalls along the way—screwed up batches of prints that had to be reprinted before delivery, equipment that was promised that didn't work, greater-than-expected software delays—but they didn't walk away from it. They pushed through it and have built a company. They've got major advertisers lined up to start sponsoring prints. Read the rest
Daniel Martin Diaz teamed up with the fine artisans at Pressure Printing to create this stunning new limited edition print, titled Eternal Universe. It's printed on 29″ × 37 ½″ paper, hand-stained, and signed and numbered in a limited edition of 25. Far fucking out.
More about the printing process on the Pressure Printing blog.
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Today we travel to a fully digital world, a world where paper is a thing of the past.
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In this episode we talk about how likely it is that we might get rid of paper (not very) and what might happen to our reading habits, memories, and environment if we do.
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A must-have for the with-it cyberpunk, and it's appropriately hard to get ahold of, being sold only through a Japanese website that uses translation-software-resistant graphics of Japanese text set against an animated background that made mincemeat of all the Japanese-English OCR software I tried it on (I think this is the orders page, but couldn't get more than one word in four out of Google Translate's photo-text converter).
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From our pal COOP and the fine artisans at Pressure Printing, this new "Devil Girl Odalisque" large-scale relief print. Read the rest
Barbara Bernát designed a series of fanciful Hungarian euro notes for her MA project at the University of West Hungary.
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The Folio Society interviewed master printer Stan Lane about the classic craft of letterpress printing. "Feeling print in paper... you know someone's actually been there." Read the rest
Take a picture and put it under glass, but not quite the way you think. The folks at Fracture have a built a business that connects several different technologies into one new way to make large-format photos printed on glass suitable for hanging. Today I talk to Abhi Lokesh, one of Fracture's founders, about the journey from a small village in Africa to a whizz-bang printing and distribution company.
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This episode is sponsored by Media Temple: Web hosting for artists, designers, and Web developers since 1998. World-class support available 24x7 through phone and chat—and even Twitter. Media Temple hosts beautiful Web sites and great ideas. Sign up with coupon code "tnd" to get 25% off your first month of hosting. Read the rest
Last night, my husband and I went to the Minnesota State Fair and stumbled upon a demonstration of a linotype machine, a semi-automated, mechanical printing system that was used by newspapers and magazines (and basically everything else) from the end of the 19th century through the 1970s. It's a completely mesmerizing piece of equipment. An operator types out a line of text and the machine responds by collecting molds that match each letter and fitting them together. Then, it fills the mold with molten metal and dumps out the freshly minted block, ready for the printer ... before automatically re-racking all the letter molds so they're ready for the next line of text. Read the rest