When I was in Berlin last month, I stopped into the offices of Netzpolitik (previously), the outstanding German digital rights activist group, where I recorded an interview for their podcast (MP3), talking about science fiction, utopianism, dystopianism, how we can change the world, and why my kid has so many names.
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The late, lamented Scottish writer Iain Banks (previously) was several kinds of writer, but one of his main claims to fame is his role in developing the idea of fully automated luxury communism, in his beloved Culture novels, a series of wildly original space operas about a post-singularity, post-scarcity cooperative galactic civilization devoted to games, leisure, and artistic pursuits, populated by AIs, city-sized space cruisers, spy networks, and weird bureaucracies.
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Alex Steffen writes, "Our culture is full of dire predictions, disaster scenarios and post-apocalyptic tales. It’s astonishing, though, how few stories we tell about futures where humanity succeeds.
That’s a problem. I believe it’s literally true that we can’t build what we can’t imagine. The fact that we haven’t compellingly imagined a thriving, dynamic, sustainable world is a major reason we don’t already live in one." Read the rest
Paolo Soleri's Arcology: The City in the Image of Man
is a techo-hippie dream of deep mid-century modern futurism.