The Electronic Frontier Foundation has announced the winners of this year's Pioneer Award (rechristened the "Barlow" in honor of EFF co-founder John Perry Barlow: sf writer William Gibson, anthropologist danah boyd, and activists Oakland Privacy. Read the rest
At Chemistry Blog, Nick Uhlig explores the chemistry of William Gibson's classic novel Neuromancer.
Apart from inventing the term “cyberspace” and predicting virtual reality long before it became commonplace, Neuromancer also contains some interesting tidbits of chemistry. Being a chemist myself, specifically one in the pharma industry, these little nuggets of scientific prose jump out at me, and quite pleasantly Gibson (for the most part) does a good job of using them appropriately. I wanted to examine the pharmaceutical elements of the book, which are almost entirely used by Case and Peter Riviera, its two biggest junkies.
Only the finest Brazilian Dex for me.
Photo: Cory Doctorow (CC BY-SA 2.0) | Artist: James Warhola Read the rest
NSFW: Tomorrow Calling (1993) is a short film adaptation for television of William Gibson's 1981 short story "The Gernsback Continuum," from the seminal cyberpunk anthology Mirrorshades (1986), edited by Bruce Sterling, and Gibson's own Burning Chrome (1986) collection. Directed by Tim Leandro, Tomorrow Calling was first shown on Channel 4 in the UK.
In a thoughtful New York Times editorial, science fiction giant William Gibson mediates on the difference between the privacy that individuals have and deserve, the privacy that governments assert ("What does it mean, in an ostensible democracy, for the state to keep secrets from its citizens?"), and what this will mean for the historians of the future. Read the rest
In The Guardian, William Gibson describes his experience writing his first novel, Neuromancer.
Read the restI was 34, a first-time parent, married, a recent university graduate with a BA in English literature. I had published a few (very few) short stories in Omni, a glossy magazine from the publisher of Penthouse. Omni paid around $(removed),000 for a short story, a princely sum (particularly when compared with science fiction magazines – digest-sized, the traditional pulps – which paid perhaps a 10th, if that). Omni left me no choice but to write more.
Their first cheque cashed, I’d purchased the cheapest possible ticket to New York, intent on meeting the mysterious human whose editorial decision had resulted in such a windfall. The late Robert Sheckley, a droll and affable man, and a writer whose fiction I admired, took me out to lunch on the Omni tab and gave me two pieces of sage advice: I should never, under any circumstances, sign a multi-book contract, and neither should I “buy that big old house”. I have managed to follow the first to the letter.
Illo: Rob Beschizza. Photo: Frederic Poirot
Author William Gibson discusses Victorians, John Shirley and the early days of his career. A longer version of this interview appeared in the 197th issue of Paris Review Read the rest
