Do Androids Dream of Electric Sheep – A graphic novel of Philip K. Dick’s original story that inspired Blade Runner
This will take some ‘splaining. This is a series of 6 graphic novels based on the novel by Philip K. Dick that became the seminal movie Blade Runner. But the hit movie, weird as it was, was so different from Dick’s even weirder novel that it is usually said that his book “inspired” the movie. They are two different beings. There are far more currents and strange inventions in Dick’s story, and it is far more out of balance. But that offset between book and movie is nothing extraordinary. What’s extraordinary about these graphic novels is that they include *every word* of Dick’s book!
Graphic novels are usually cinematic and not literary. The only words are dialog, not descriptions. This weird graphic novel about a strange world has almost as many words as pictures. You are reading a novel and watching a movie at the same time. It is a great experience and I don’t know why there aren’t more novel-ish graphic novels like it. The story contains the original genius premise of a bounty hunter tracking down sociopathic robots nearly indistinguishable from humans, but there are other disturbing subtexts and sub stories. The art is great, too. The one downside: Regrettably, the graphic novel is divided into 6 slim booklets instead of bound into a single volume, forcing you to purchase all six for the full story.
Do Androids Dream of Electric Sheep: Volume One, by Philip K. Dick (author), Tony Parker (illustrator) and Bill Sienkiewicz (illustrator)
In The Peripheral, William Gibson’s first futuristic novel since 1999’s All Tomorrow’s Parties, we experience the fantastic synthesis of a 20th century writer — the Gibson of Neuromancer, eyeball-kicks of flash and noir; and the Gibson of Pattern Recognition, arch and sly and dry and keen. Cory Doctorow reviews.Read the rest
Carl Hiaasen’s novels are treasures of hilarity, violence, comeuppance and ardent love for Florida wilderness. The very best of them feature “Skink,” a wild man of the woods with a fantastic history and a twisted sense of justice. With Skink No Surrender, Hiaasen brings his greatest character to a new generation by transforming the violent, profane anti-hero into the star of a young adult novel.Read the rest
A large group of writers, including Stephen Fry, Jeffrey Archer, Katharine Norbury, Will Self, and others (include me!) have signed onto an open letter condemning a UK court decision that banned publication of a memoir because it felt that the child might be psychologically harmed by learning about their parent's life.
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RD Harless' They Tell Me I'm The Bad Guy is a fantastic story of a pre-Apocalyptic Earth barely managing its mutant menace.
Don Guillory wants nothing more than to be left alone. For 10 years he's worked in a factory, not even practicing his awesome extra-human power of fire and heat control. Once ran with the baddest bunch of bad ass super criminals in Europe, but now he is leading a quiet life in middle America. Rapidly Don loses his anonymity, his best friend and any hope for a normal life.
Nano technology, quantum physics and plain old violence fill the pages of They Tell Me I'm The Bad Guy. If you are looking for a great anti-hero gets dragged back in but makes good story, RD Harless' first novel is a winner.
Back in August, I blogged the announcement of the forthcoming Discovering Scarfolk, a book-length adaptation of the brilliantly creepy Scarfolk Council blog, which chronicles the government publications of a English town that is forever trapped in a loop from 1969-1979, a town that's like Nightvale crossed with Liartown USA, written by John Wyndham. Today, it's out!
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Name your price for great Star Wars comics in Dark Horse's first-ever DRM-free foray, and support the Comic Book Legal Defense Fund!
For anyone learning how to speak Japanese, this is a fun illustrated “picture dictionary” with over 1500 words that will help build up your Japanese vocabulary. Designed like some of Richard Scarry’s classic books (What Do People Do All Day, Best Word Book Ever…) Let’s Learn Japanese is filled with colorful scenes, each with a theme such as the doctor’s office, the supermarket, colors, the zoo, clothing, etc, and each theme offers dozens of related, illustrated words.
At the end of the book there is an English-Japanese and a Japanese-English glossary and index so that you can look up a specific word when needed. I originally bought this for my husband and I to brush up on our vocabulary before making a trip to Japan, but now my daughter, who is interested in Japanese, pores over the pages as if she’s reading one of her favorite comic books.
Style and design, as in music and food, is idiosyncratic and personal. What inspires one person is merely a shrug for another. My preference is for a minimal style, but designer Marian Bantjes goes for the maximal – maximum decoration, and ornamentation. Ornate is not my style but I find her designs to be utterly inspiring and endlessly ingenious. I’ve spent days studying this large-format monograph of her work, exploring each and every flourish for hours because there is so much to explore. Her productivity is astonishing, the amount of work required for each item is mind-boggling, and the result of all this attention is spirit lifting. She is visually witty. Her flourishes and swirls have meaning. And she has grown her own distinctive style that few can imitate. Besides all this, she is a fantastic writer. This is one of the very few design books you can spend as much time reading as looking. Bantjes has the uncommon ability to be self-aware and critical of her own work, and seems eager to teach others by publishing her dead-ends and failures. I love it when artists “show their work” on the way to the final version. Bantjes discloses everything, and that honesty is the best teacher, and has won me as her fan. Her ceaseless inventiveness in calligraphy and design will delight anyone who inspects it closely.