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Great free reading of Robert E Howard's "Conan and the Queen of the Black Coast"

I often listen to audiobooks when I'm falling asleep, and my favorite go-to for these is Librivox, the incredible collection of volunteer-read public-domain texts (I used to buy a lot of Audible titles, but the fact that they use DRM even when publishers and authors beg them not to has meant that I no longer use the service). Last night, I stumbled on Phil Chenevert's reading of the Robert E Howard classic "The Queen of the Black Coast," one of the great Conan stories, available on Project Gutenberg, in the anthology The Coming of Conan the Cimmerian: The Original Adventures of the Greatest Sword and Sorcery Hero of All Time!, and in a smashing graphic novel adaptation by Brian Wood (!).

This is the Ur-stuff, the sword-and-sorcery material that turned me into a stone Conan freak when I was 12 years old. It's all mighty thews and straining jaws and blood-drenched swords -- and pirates and sinuous dances and so on. Chenevert gives a great reading of the material, sounding like the voice that I heard in my head when I was falling in love with that stuff. I was reminded of the revelation I experienced when I read John Clute's marvellous Robert E Howard book, that the young Howard used to shout the words aloud as he typed them, in his small-town Texas home, while his mother lay dying of TB in the bedroom above him; and the fact that Howard wrote all this incredible material between the age of 22 and 29 (he killed himself at 29, after his mother finally died). The idea of a 22-year-old Howard producing this amazing, mythic stuff makes it all the cooler.

Queen of the Black Coast by Robert E. Howard

Blog full of fantastic (and often NSFW) medieval illustrations

Here's a 15th century illustration of an English surgical procedure. Fun!

See the full blog — Discarded Image | Discarding Images.

Goodnight Moon as a horror movie

David sez, "Did the children's book "Goodnight Moon" help put you to sleep as a little kid? Not anymore. Especially after watching its dark reimagining in this gritty movie trailer. I'm afraid the family-friendly search results for this children's book are going to be ruined as this video makes its rounds. Made by the Gritty Reboots team who most recently brought you Calvin and Hobbes as a dark Hollywood blockbuster."

Goodnight Moon: The Movie (Trailer) (Thanks, David!)

How Ophira Eisenberg slept her way to monogamy

Photo: Matt Bresler

Whatever you do, don't call Ophira Eisenberg a comedienne. That's an outdated, patronizing term from an era when men patted women on the head (or, unsolicited, on the ass) and called Amelia Earhart an aviatrix.

If only her fiancé, now husband, had known that before he compiled a spreadsheet of every woman he had slept with before meeting Eisenberg, a list she discovered by accident and couldn't resist examining, and which listed her as the latest entry with the unfortunate label comedienne in the cell next to her name. She was furious. But Jonathan is a remarkable man, and, in one of the best parts of her new memoir, manages to explain himself credibly. (Spoiler: She marries him.)

Eisenberg is a professional comedian, thank you very much. She tours, she hosts the NPR quiz show Ask Me Another (with the Internet's Jonathan Coulton as the regular musical sidekick), and recently came out with a memoir: Screw Everyone: Sleeping My Way to Monogamy. You can hear a half-hour conversation she and I had about the book, her life, and her husband's beautiful, piercing eyes in the podcast in this post.

It's a Bildungsroman, like many memoirs, dealing largely with the period from when she came of age and sexual maturity as a teenager through moves from her hometown of Calgary to Toronto and then New York, and her shift from IT support to full-time funny lady.

Read the rest

Welcome to your Awesome Robot: instructional robot-making comic now out in the US


Last month, I blogged a review of the kids' instructional comic book Welcome to Your Awesome Robot:

Welcome to Your Awesome Robot is a fantastic book for maker-kids and their grownups. It consists of a charming series of instructional comics showing a little girl and her mom converting a cardboard box into an awesome robot -- basically a robot suit that the kid can wear. It builds in complexity, adding dials, gears, internal chutes and storage, brightly colored warning labels and instructional sheets for attachment to the robot's chassis.

More than that, it encourages you to "think outside the box" (ahem), by adding everything from typewriter keys to vacuum hoses to shoulder-straps to your robot, giving the kinds of cues that will set your imagination reeling. For master robot builders, it includes a tear-out set of workshop rules for respectfully sharing robot-building space with other young makers, and certificates of robot achievement. I read this one to Poesy last night at bedtime, and today we're on the lookout for cardboard boxes to robotify. It's a fantastic, inspiring read! You can get a great preview of the book at NoBrow.

As of today, it's available in the US!

Welcome to your Awesome Robot by Viviane Schwarz [NoBrow]

Welcome to your Awesome Robot [Amazon]

Read the rest

"Radium Age" science fiction novel with new intro by Erik Davis: The Night Land

Our friend Joshua Glenn, publisher of HiLoBooks says, "I'm thrilled to announce that the HiLoBooks edition of William Hope Hodgson's 1912 dying-earth novel The Night Land, with an introduction by Erik Davis, is available in bookstores and via Amazon. 'One of the most potent pieces of macabre imagination ever written,' claimed H.P. Lovecraft, in 1927; China Miéville agrees, in his 2013 blurb for HiLoBooks: 'A mutant vision like nothing else there has ever been.'"

In the far future, an unnamed narrator, who along with what remains of the human race, dwells uneasily in an underground fortress-city surrounded by brooding, chaotic, relentless Watching Things, Silent Ones, Hounds, Giants, "Ab-humans," Brutes, and enormous slugs and spiders, follows a telepathic distress signal into the unfathomable darkness.

The Earth's surface is frozen, and what's worse — at some point in the distant past, overreaching scientists breached "the Barrier of Life" that separates our dimension from one populated by "monstrosities and Forces" who have sought humankind's destruction ever since. Armed only with a lightsaber-esque weapon called a Diskos, and fortified only by his sense of Honor, our hero braves every sort of terror en route to rescue a woman he loves but has never met.

Hodgson wrote in an archaic style that adds to the story's ever-mounting sense of uncanny anxiety. HiLoBooks' edition of his novel omits two sections which have until now prevented it from reaching a wider audience: the tale's romantic prefatory conceit and its lengthy, relatively uneventful dénouement. Our otherwise unabridged version begins and ends with the most dramatic moments in this epic tale: chapters Two and Eleven.

The Night Land

Austin Grossman's YOU: brilliant novel plumbs the heroic and mystical depths of gaming and simulation


YOU is the second novel from Austin Grossman, whose 2008 debut Soon I Will be Invincible marked him out as a talent to watch. Now, with his second novel, he confirms his status as a major talent.

You is the story of Russell, who tries to leave behind his nerdy, computer-game-programming high-school life to get a law degree, but by the end of the 90s, he's dropped out and come to work at Black Arts, a game studio founded by three of his school buddies -- the three who stayed true to their nerdy roots. Black Arts is famous for its brilliant simulation engine, which was written by Simon, Russell's old school buddy, who has just died under mysterious circumstances, leaving the company he founded in uncertain shape.

Russell's story weaves in the fascinating fictional canon of the Black Arts games, his history as a teenager encountering the first generation of PCs, and the white-hot fever of a game studio whose existence depends on shipping a game to beat all the other games ever made. As a piece of fiction about life in a high-tech company, You ranks with Microserfs for its portrayal of the romance and heroism of wresting life from endless lines of code, and with JPOD for its pitiless depiction of the alienation and loneliness of a life inside a machine.

But Grossman isn't just chronicling the rise and fall of a company, or of a character, or even an industry. Rather, he uses YOU as a tool to prise open the mystical center of what art is, what games are, what fun is, and how they all mix together. Some of YOU reads as pure poetry, others like a fascinating treatise on the unplumbed depths of the ludic urge, and taken as a whole, it is a novel that both uplifts and entertains, and reframes the world we live in and the things we do in it. It is easily one of the best books I've read this year.

Incidentally, Austin Grossman comes from quite an exceptional family. His identical twin brother is Lev Grossman (author of the fantastic novel The Magicians), while his sister, Bathsheba Grossman, is a justly renowned sculptor who produces 3D printed mathematical solids. I am pleased to say I have many works from all three siblings in my office.

YOU

The Grifters, by Jim Thompson

I've read a number of Jim Thompson's excellent crime noir novels, but for some reason I'd never gotten around to reading The Grifters. I saw the movie when it came out (screenplay by Donald Westlake!) and enjoyed it, so when I found the book at a free book exchange in Rio Verde, Arizona a couple of weeks ago, I grabbed it. It's an extremely bleak story, but it's also enthralling.

The story focuses on Roy Dillon, a short con artist in Los Angeles. He's in his early 20s and maintains an impeccable appearance. People like him. He keeps a pair of loaded dice in his pocket to rip off drunk sailors, and he knows how to trick bartenders and shopkeepers into giving him $20 in change instead of the dime he's owed. He's amassed a small fortune this way, and he keeps a straight job as a door-to-door salesman so no one can get suspicious.

Roy's mother, Lilly, is only about 15 years older than her son, and she works for a creepy mobster who keeps her on a short leash. Roy hasn't seen his mother for years, because she was a rotten mother and Roy doesn't want anything to do with her. But when a dimestore clerk punches Roy in the gut with a sawed off baseball bat and sends him to the hospital, mother and son are reunited and the relationship takes a new turn.

That's just the beginning of this hardboiled, noir story. I was fascinated by Roy's life -- Thompson does a great job of following Roy around as he goes about his daily business, struggling with urges to drop the grifter life and become an honest man, but always falling back into his role as a short con artist. Roy's sort-of girlfriend, Moira Langrty, is just as interesting. She's a former long con artist who relies on her stunning good looks and rapidly-shrinking treasure to pay the bills. She's becoming increasingly aware that her beauty is fading, and that she needs to come up with a plan to set herself up for the rest of her life. Lilly takes an immediate dislike to Moira, and cooks up a scheme to drive her and Roy apart.

If you've seen the movie, you know how it ends, but don't let it stop you from reading the novel, because Thompson's writing is terrific.

The Grifters

Blowing up Morozov's "To Save Everything, Click Here"

Tim Wu has written an admirably economical and restrained review of Evgeny Morozov's new book, "To Save Everything, Click Here." I wrote a long critique of Morozov's first book in 2011, and back then, I found myself unable to restrain myself from enumerating the many, many flaws in the book and its fundamental dishonesty, pandering and laziness. Wu has more discipline than I do, and limits himself to a much shorter, sharper and better critique of Morozov's new one. It's a must-read:

“To Save Everything, Click Here” is rife with such bullying and unfair attacks that seem mainly designed to build Morozov’s particular brand of trollism; one suspects he aspires to be a Bill O’Reilly for intellectuals. How else to explain the savaging of thinkers whom you might think of as his natural allies? Consider Nicholas Carr, another critic of Silicon Valley, who wrote a book, “The Shallows: What the Internet Is Doing to Our Brains,” detailing the malicious effect of Web apps on our minds. He commits the unforgivable sin of discussing “the Internet” and is therefore guilty of what Morozov calls “McLuhanesque medium-centrism.” (Morozov is evidently licensed to use concepts, even if his targets are not). Similarly, although most of my work is an effort to put the Internet in historical or legal context, I, too, am an “Internet-centrist” (but at least I’m in good company).

Too much assault and battery creates a more serious problem: wrongful appropriation, as Morozov tends to borrow heavily, without attribution, from those he attacks. His critique of Google and other firms engaged in “algorithmic gatekeeping”is basically taken from Lessig’s first book, “Code and Other Laws of Cyberspace,” in which Lessig argued that technology is necessarily ideological and that choices embodied in code, unlike law, are dangerously insulated from political debate. Morozov presents these ideas as his own and, instead of crediting Lessig, bludgeons him repeatedly. Similarly, Morozov warns readers of the dangers of excessively perfect technologies as if Jonathan Zittrain hadn’t been saying the same thing for the past 10 years. His failure to credit his targets gives the misimpression that Morozov figured it all out himself and that everyone else is an idiot.

Does Morozov have an alternative vision of technology’s future? Generally, he decries the search for perfect, efficient solutions and admires an inefficient, organic chaos of the kind favored by Jane Jacobs in urban design. Funny, that’s exactly what the Internet’s protocols brought to communications, as a response to the big TV networks and AT&T’s “perfect” network. The ideology behind the Internet’s protocols accepts greater inefficiency to allow for the organic life and death of applications and firms. Hence, if you had to name one technology that best serves the principles Morozov believes in, it would be easy: It is called the Internet.

Apart from Morozov's tendency to ad hominem (he likes to call people he disagrees with "morons" and "idiots" in print) and his reliance on straw-men, Wu hits on the two critical flaws with Morozov's work:

1. He never offers a credible vision of what technology should be like in order to promote freedom and justice. Morozov gives the strong impression that activists should just give up on using or attempting to improve the Internet, a counsel of despair that would result in an unchecked march to total surveillance, control and censorship for just about everyone, with no hope of change. In his first book, Morozov asserts that the mass demonstrations following the Iranian elections would have taken place without the net, just through word of mouth -- as someone who spent about a decade helping with phone-trees, mass-mailouts and wheatpasted poster campaigns for demonstrations, I was dubious on this score.

2. He is fundamentally pandering to censors, surveillors, and repressors. All of the former are cheerful about their attempts to lock down and spy upon the net, because, they assert, nothing of much importance happens there (I wrote about this at length earlier). Morozov's biggest boosters are the copyright thugs, the spyware vendors, and the data retention snoops who argue that ripping up the Internet's fabric does no particular harm because the Internet isn't even a thing. "There is no such thing as the Internet" is the 21st century version of Maggie Thatcher's "There is no such thing as society" -- a dangerous, reductionist self-fulfilling prophecy.

Book review: ‘To Save Everything, Click Here’ by Evgeny Morozov

Read this before you read another story on epigenetics

At Download the Universe, i09 editor Annalee Newitz critiques a new e-book about epigenetics — the science of how environmental factors can influence genetic expression — and violence. The book makes some pretty terrible (and non-scientific) insinuations about the idea of an inherent propensity towards violence and Newitz does a good job of both taking down the specific book and explaining the nuance behind a complicated topic. Maggie

Exclusive video for Bob Staake's new book, Bluebird

As I've said before, I've been a fan of Bob Staake's illustration ever since David and I stumbled across his ABC and 123 books at SF Moma in 1998. Bob's art is appealing in its simplicity, but it's also sophisticated and wry. No surprise that he has illustrated quite a few New Yorker covers. He does all of his illustration work using a pre-OS X version of the Macintosh operating system and Photoshop 3. He doesn't use a stylus, and instead does everything with a mouse.

It's with great pleasure that Boing Boing gets to premiere the trailer for Bob's new book, Bluebird. He's been working on it for 10 years, and it's a mind-blowing story aimed at 4-8 year olds. It's told without words, and it's about a boy, a bird, and some bullies. I don't want to spoil the story so I'll stop there. I agree with Kirkus Reviews assessment: "Like nothing you have seen before." Is it Bob's magnum opus? I'd say "yes.. so far." Who knows what he'll do next?

Bluebird

Pirate Cinema nominated for the Prometheus Award

I was delighted today to discover that my novel Pirate Cinema had been nominated for the Libertarian Futurist Society's annual Prometheus Award, amid a slate of absolutely wonderful books:

Arctic Rising, Tobias Buckell (Tor)
The Unincorporated Future, Dani & Eytan Kollin (Tor)
Pirate Cinema, Cory Doctorow (Tor)
Darkship Renegades, Sarah Hoyt (Baen)
Kill Decision, Daniel Suarez (Penguin)

I was proud as punch to win the award for my novel Little Brother, and I'm very excited to be back on the roster. Many thanks to the jurors.

2013 PROMETHEUS AWARD FINALISTS ANNOUNCED

Excellent 1970 jewel heist novel: The Hot Rock

A few years ago I read the graphic novel adaptation of Donald Westlake's The Hunter, and loved it. It was my introduction to the prolific crime novelist's work. When I recently picked up his 1970 novel, The Hot Rock, I expected it to have the same grim tone as The Hunter. But the first scene set me straight: the anti-hero of the story, John Archibald Dortmunder, is getting out of prison after serving time for a failed caper. The prison warden, pleased at Dortmunder's good behavior while being incarcerated, extends his hand to shake Dortmunder's. Dortmunder lets go of the mucus-drenched tissue paper he'd been holding in his right hand and shakes the warden's hand, smearing it with his snot.

This perverse style of humor permeates the story, which is about Dortmunder and his team of oddball professional thieves' multiple attempts to steal the Balaboma Emerald, a valuable jewel that two African countries are fighting over. Dortmunder's gang is hired by a representative from one of the countries to steal the gem from a museum while it's on display at a museum in New York's Central Park. The gang is promised $30,000 per man for the safe delivery of the gem (which is a lot of money in 1970 dollars). When the meticulously planned heist is botched,

Dortmunder and his partners must try again, and again, and again.

The smart dialogue, clever heist planning, and offbeat characters (the gang's lock picking expert is a mild-mannered, married model train enthusiast without a shred of conscience about the multiple felonies he commits) made this a snappy and enjoyable read. Westlake went on to write a 14 novels and 11 short stories featuring the hapless John Dortmunder, and I plan to read the next in the series (Bank Shot) soon.

The Hot Rock

Trial of the Clone: great choose-your-own-adventure from Saturday Morning Breakfast Cereal creator


Last summer, Zach Weiner (creator the most excellent Saturday Morning Breakfast Cereal webcomic) ran a monumentally successful Kickstarter for a CC-licensed Choose-Your-Own-Adventure title called Trial of the Clone: An Interactive Adventure!.

I've finally gotten around to reading my copy and it's an absolute delight. Not only is it witty and often laugh-aloud funny -- it's also got a novel and well-thought-through game mechanic that introduces an element of tabletop RPG-playing to the system (instead of rolling dice, you flip randomly through the book and get your roll-value from the number at the bottom corner of the page).

The premise is a fun spoof of the Star Wars trilogy. You're an orphaned clone (they decanted you in order to fill a hot market wherein rich people competed to adopt orphans, quickly exhausting the existing pool of orphans and giving rise to the practice of cloning; alas you were decanted just as the market crashed) and you're sent to live with a mystic cult of warriors who train you and enlist you in an intergalactic war. The humor is trenchant, never too on-the-nose, and never gets in the way of what turns out to be rather a good story. As an added bonus, "nearly all the proper names in the book are dirty words in Czech."

Profits from this book are donated to Fight for the Future, one of the activist groups that led the charge that killed SOPA last year.

Trial of the Clone [Amazon]

Trial of the Clone [SMBC]

Paleo author reviews anti-paleo book

The new book, Paleofantasy: What Evolution Really Tells Us about Sex, Diet, and How We Live, is billed as an "exposé of pseudoscientific myths about our evolutionary past and how we should live today." It was written by Marlene Zuk, a professor of ecology, evolution, and behavior at the University of Minnesota.

Many people who follow the paleo regimen have reviewed the book on their blogs, but my favorite review so far is by Mark Sisson, author of The Primal Blueprint (my favorite paleo book). He says the problem with the book is that no one who follows paleo believes any of the straw man premises she sets up. In other words, Zuk's idea of Paleo is the real paleofantasy and her arguments against her own straw man version of paleo were explored and accepted years ago by the Paleo community.

After reading the book, John Durant tweeted “Paleofantasy shouldn’t have been a book in 2013, it should have been a blog post in 2010,” and that’s as good a description as I can think of.

It’s all very uncontroversial:

There is no one paleo diet.

Who’s saying that? Humans have spanned the globe for millennia, surviving and even thriving in environments ranging from tropical to temperate, from arctic to near-aquatic, all the while subsisting on the wild foods available to those regions. Same basic diet of animals and plants, different configurations.

Evolution doesn’t just stop and humans didn’t just reach a state of perfect adaptation back before agriculture from which we’ve never progressed.

Sure. I talked about how we’re still “evolving” last year, even mentioning Zuk’s favorite topics – lactase persistence (35% worldwide, which is far from 100%) and amylase production. She discusses a few more recent changes, like malaria resistance, adaptation to high altitude, and earwax differentiation, but that’s it. If she wanted to, I’m sure she “could keep adding to the list” and mount an overwhelming case for widespread genetic adaptations to grain consumption, chronic stress tolerance, and sedentary living, but she’s saving up material for the next book. Or something. Either way, I’m not very convinced by her “list” of rapid evolutionary changes, especially considering most of them have little to do with the mismatches we discuss in this community and none of them are even present in a majority of humans.

Zuk is also quick to misrepresent “our” arguments so she can swoop in and take the sensible position – positions the ancestral health community has long occupied!

Is It All Just a “Paleofantasy”

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