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My guide for the evening had accepted my 400 dollars, the price for my journey, in tie-dyed pants. It was my own fault I wasn’t tripping very hard—I’d told her, out of nervousness, I didn’t want to travel to other planets—though I suspected she knew less about the “sacraments” she was prescribing to us than she purported to. (“Do you know that Peruvians drip ayahuasca into the eyes of their newborns?” she’d told me earlier. “All Peruvians?” I’d asked, and she’d blushed.) Still, I liked her, partly because there was something in her eyes that made me think of the Wordsworth line from “Elegiac Stanzas”: “A deep distress hath humanized my soul.” I sensed there’d been some suffering in her past. Many of the participants, I noticed, had the same benignly haunted look. An ex-physician told us that ten years ago she’d been diagnosed with advanced-stage cancer; she’d recovered, but couldn’t shake the feeling that it would return any second to finish her off. To allay her lingering fear of death, she’d enrolled in a psilocybin trial, and her “whole reality changed.” She divorced her husband and began to juggle motherhood and what full-time psychonauts call “The Work,” traveling the world to partake in aya ceremonies.
I washed my hands of the establishment and the lamestream media, and they were imbued with broiling geometry and unutterable colours.— Erowid Sarah Palin (@SarowidPalinUSA) January 25, 2016
My vision began to vibrate. It’s part of the Senate, through air waves, he was in control of this compound and a Trump supporter.— Erowid Sarah Palin (@SarowidPalinUSA) January 29, 2016
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I was on stage nominated for VP, and I felt nothing much at first, other than the joint, you betcha— Erowid Sarah Palin (@SarowidPalinUSA) January 28, 2016
Dig these covers and spreads from OZ, the psychedelic magazine launched in Australia in 1963 and reborn in the UK in 1967 under the visionary editorship of Richard Neville, Martin Sharp, and Richard Walsh. Far fucking out. From Wikipedia:
The original Australian OZ took the form of a satirical magazine published between 1963 and 1969, while the British incarnation was a "psychedelic hippy" magazine which appeared from 1967 to 1973. Strongly identified as part of the underground press, it was the subject of two celebrated obscenity trials, one in Australia in 1964 and the other in the United Kingdom in 1971. On both occasions the magazine's editors were acquitted on appeal after initially being found guilty and sentenced to harsh jail terms. An earlier, 1963 obscenity charge was dealt with expeditiously when, upon the advice of a solicitor, the three editors pleaded guilty...
Several editions of Oz included dazzling psychedelic wrap-around or pull-out posters by Sharp, London design duo Hapshash and the Coloured Coat and others; these instantly became sought-after collectors' items and now command high prices. Another innovation was the cover of Oz No.11, which included a collection of detachable adhesive labels, printed in either red, yellow or green. The all-graphic "Magic Theatre" edition (OZ No.16, November 1968), overseen by Sharp and (filmmaker Philippe) Mora, has been described by British author Jonathon Green as "arguably the greatest achievement of the entire British underground press."
Thomas Blanchard created this deeply trip video, "The Colors of Feelings," using paint, oil, milk, honey, and cinnamon. Read the rest
When famed 1960s LSD cook and live soundman Owsley "Bear" Stanley died in 2011, he left behind 1,000 reels of high-quality concert recordings of The Grateful Dead, Johnny Cash, Miles Davis, Fleetwood Mac, Janis Joplin, and many more. The Owsley Stanley Foundation has launched an Indiegogo campaign to save those deteriorating tapes. Read the rest
Hubble Ultra Deep Field Cat. So many galaxies! Read the rest
[Shoop: XJ] Read the rest
shoop: XJ Read the rest
'shoop: XJ. Read the rest