Student Deena Herr, 22, has recently become a very unlikely superstar in the East African nation of Uganda.

Ned Sublette's ongoing series about the rich musical and cultural heritage of Angola. Listen and learn about "the simbi, the spirits that Martínez Ruiz describes as “the multiple power of god”; hear Antonio Madiata play the lungoyi-ngoyi, the two-stringed viola of the Kongo court; attend a session of the lumbu, the traditional tribunal of elders; listen to the voice of a deceased singer who took 500 years of genealogical knowledge with him when he departed; talk to traditional healer Pedro Lópes; and with the help of historian C. Daniel Dawson and with Angolan composer and musicologist Victor Gama, we’ll examine Kongo-Ngola culture in the diaspora – in Brasil, Haiti, Cuba, and more."

(Updated with additions, March 10, 2012. Here's a Twitter list, so you can follow all of the African writers mentioned in this post who are on Twitter.)

The internets are all a-flutter with reactions to Kony 2012, a high-velocity viral fundraising campaign created by the "rebel soul dream evangelists" at Invisible Children to "raise awareness" about Ugandan warlord Joseph Kony and child soldiers. As noted in my previous post here on Boing Boing, the project has many critics. There is a drinking game, there are epic lolpictorials, and a chorus of idiots on Facebook.

There are indications the project may be about stealth-evangelizing Christianity. The Invisible Children filmmakers have responded to some of the criticism. Media personalities and celebrities are duking it out as the campaign (and now, backlash) spreads.

But in that flood of attention, one set of voices has gone largely ignored: Africans themselves. Writers, journalists, activists; people of African descent who live and work and think about life on the continent. In this post, we'll round up some of their replies to #Kony2012.

• Above, a video by Rosebell Kagumire, a Ugandan multimedia journalist who works on "media, women, peace and conflict issues." She writes, "This is me talking about the danger of portraying people with one single story and using old footage to cause hysteria when it could have been possible to get to DRC and other affected countries get a fresh perspective and also include other actors."

• Ethiopian writer and activist Solome Lemma writes that she is disturbed by the "dis-empowering and reductive narrative" evidenced in Invisible Children's promotional videos: "[It] paints the people as victims, lacking agency, voice, will, or power. Read the rest