Ard Gelinck poses celebrities with their younger selves. Fantastic. More on Instagram at: photo_time_traveling
In central Kenya, biologists and wildlife photographer Will Burrard-Lucas captured footage of a fantastically rare melanistic leopard, sometimes known as an African "black panther." There are only two known prior photos of an African black leopard, from 1909 and 2007. From National Geographic:
"Almost everyone has a story about seeing one, it's such a mythical thing," says Pilfold, of San Diego Zoo Global's Institute for Conservation Research.
"Even when you talk to the older guys that were guides in Kenya many years ago, back when hunting was legal [in the 1950s and ‘60s], there was a known thing that you didn't hunt black leopards. If you saw them, you didn't take it..."
Pilfold adds it’s curious that the fictional country of Wakanda, home of the superhero Black Panther, is located in East Africa, fairly close to Kenya.
"It's a unique coincidence," says Pilfold. "The only place where we have black leopards is where this place in the Marvel Universe appears to exist."
"Black leopard spotted in Africa for first time in 100 years" (National Geographic)
[Editor's note: I was utterly taken with the gorgeous photos in the new edition of Core Memory, photographer Mark Richards and writer John Alderman's lavish survey of the vintage computing hardware in Silicon Valley's gem, the Computer History Museum; below is senior curator Dag Spicer's introduction to the book, along with some photos, which the publisher was kind enough to supply -Cory]
What computers mean to us depends largely on what we bring to them. Our expectations, our past experience, the dreams and myths that surround them, their physical characteristics—all these aspects resonate on multiple, often overlapping levels. Read the rest
Fifty years ago, San Francisco's DeYoung Museum exhibited Ruth-Marion Baruch and Pirkle Jones's striking photo essay depicting Oakland's Black Panther Party at the peak of their community activism and political activity. Starting this week, those powerful images will be displayed again as part of the Vanguard Revisited: Poetic Politics & Black Futures exhibition at the San Francisco Art Institute.
The work is still pertinent today and will serve as a platform to discuss issues of documentary photography, social activism, and how the Black Liberation Movement of the 1960s in many ways manifests itself in the social context of today...
Black Futures is not delivered with a passive voice, but a voice steeped in deft poetics and sharp politics that continue to accumulate power from its own rich history.
See more of the images at Juxtapoz.
To learn about the Black Panthers's inspiring, polarizing, and ultimately tragic history, I recommend the fantastic documentary "The Black Panthers: Vanguard of the Revolution."
Samsung's latest phones have a "portrait" mode that cleverly fakes the look of a shot taken with a fancy lens on a full-frame sensor. But a picture they used as an example in an ad turns out to be a stock photo taken with a high-end DLSR. Moreover, the photographer, Dunja Djudjic, has a blog and is currently murdering Samsung.
My first reaction was to burst out into laughter. Just look at the Photoshop job they did on my face and hair! I’ve always liked my natural hair color (even though it’s turning gray black and white), but I guess the creator of this franken-image prefers reddish tones. Except in the eyes though, where they removed all of the blood vessels.
Whoever created this image, they also cut me out of the original background and pasted me onto a random photo of a park. I mean, the original photo was taken at f/2.0 if I remember well, and they needed the “before” and “after” – a photo with a sharp background, and another one where the almighty “portrait mode” blurred it out. So Samsung’s Photoshop master resolved it by using a different background.
Huawei did exactly the same thing a while back. We wonder at the sheer stupidity of it, but I wonder if that's just confirmation bias, in that the stupid ones get caught.
Just think of all the plagiarism that's going to be exposed virtually overnight when someone turns the AIs loose on the problem. But also the false charges of such, generated by the normal and natural lines of influence and fair use it will also reveal. Read the rest
Tumblr will ban 'female-presenting nipples' and other content beginning December 17, 2018. Photographer and writer Nate 'Igor' Smith is a longtime Tumblr user whose work straddles the boundaries of art, editorial, and adult. Here, Nate explains why Tumblr's decision to censor is devastating for the Tumblr's longtime users, and the rest of us. — XJ
THERE WAS A TIME when Tumblr was my favorite place to post photos. It was a social network that you could customize in so many ways that you could create a blog or a mood board or hide a secret project behind a password protected gate. It was used by so many people in so many different ways. You could posts .gifs on Tumblr before they worked on Twitter and you could post uncompressed images that looked good on desktop or smartphone without having to know any code.
I used it as a great place to post images that I could then send to Twitter to get around Twitter’s terrible compression and constantly flowing feed. I used it as a place to organize my images because of Tumblr’s tagging system. I could search for a person or subject or send someone a link to just a specific tag so they could see all my favorite photos of juggalos for example. It was a fantastic tool and my most popular social network until Instagram really exploded. Read the rest
Jeffrey Martin (previously) writes, "I shot this gigapixel image last year in mid November. It's made of 8000 photos, shot with a fullframe SLR and a 600mm lens. It was shot from the top of Prague's 'Orloj', the clock tower on Old Town Square, built in 1410. The tower had a scaffolding all over it at the time, going all the way up past the top of the roof: a perfect platform for a high resolution 360º photo, if only I could get up there! I actually didn't even consider trying, as the answer to such questions is usually 'no'. My colleague, a rather more enterprising Marketing guy, was able to smooth talk them into saying 'yes'. Wow! Read the rest
In the 18th and 19th centuries, mudlarks were people who sifted through the mud on the banks of the River Thames to find things of value. Ted Sandling keeps the dream alive. He compiled his curious collection in a book, London in Fragments: A Mudlark's Treasures, and you can also follow his finds on Instagram. If you're inspired to dig yourself, new laws require mudlarkers (and metal detector users) to apply for a permit first and then report any treasures you uncover to the authorities.
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A couple of days ago I found this spoon, standing straight up in the gravel like a very small and shapely monolith. There was a symbolic significance to its position, as if it had been placed with deliberate purpose, probably to do with britishness, and tea. I picked it up (how could one not?) and brought it home for someone who is six and a half years old and likes spoons. The reverse tells all manner of stories to those who can decode the hallmarks (I can’t, but I know a google who can). It’s silver plate, made by James Deakin & Sons in the late nineteenth century and has what sophisticates know as ‘rather a lot of dings’ in the bowl. Also, for some ceremonial reason, most of the silver has come unplated. It’s their Sidney Silver brand, so called because it was made at the Sidney Works on Sidney Street, quite possibly by a man named Sidney.
On this day in 1966, Buzz Aldrin took the first selfie in space while standing on his seat and hanging out of an open hatch as part of the Gemini XII mission. From NASA:
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This “stand up” EVA (the first of three during the mission) was conducted with the hatch off while Aldrin stood on his seat, his upper body clear of the spacecraft. He completed his tasks with ease, including setting up an ultraviolet camera to image star fields, installing a movie camera, fixing a handrail, and retrieving a micrometeorite experiment. The flawless EVA lasted two hours and twenty minutes.
The second EVA, on November 13, was the real test of Aldrin’s extensive training. Attached to the spacecraft by an “umbilical” cord, he stepped out into space and began his work. The combination of underwater training, multiple restraints and handholds on both vehicles, and a new waist tether paid off: he was able to perform the needed tasks on both the Gemini XII and the GATV without a struggle. He rested periodically, which allowed him to recover between activities, and used the new restraints to position his body in diverse ways that weren’t possible on previous missions. The EVA was a resounding success.
For the final EVA, like the first one, Aldrin stood in his seat on the spacecraft. He discarded unneeded equipment and food containers, knowing they would eventually reenter Earth’s atmosphere and burn up, and took pictures of stars. Altogether, Aldrin spent five and a half hours conducting the Gemini XII spacewalks.
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A multitude of magnificent, swirling clouds in Jupiter's dynamic North North Temperate Belt is captured in this image... Appearing in the scene are several bright-white “pop-up” clouds as well as an anticyclonic storm, known as a white oval.
Citizen scientists Gerald Eichstädt and Seán Doran created this image using data from the spacecraft's JunoCam imager.
JunoCam's raw images are available for the public to peruse and to process into image products at: http://missionjuno.swri.edu/junocam.
To exhibit his photography at large scale, Chris Engman builds rooms with interiors wrapped with his stunning photos of forests, deserts, and other landscapes. They beckon the viewer inside where, of course, the perspectives warp and shift. From Colossal:
Engman explains that once one enters the work its believability as a singular landscape becomes penetrated. Each step deeper inside the work makes the photographed landscape appear increasingly warped and unreal.
“Even so,” says Engman, “compared to a singular framed photograph the experience of this installation for the viewer is much more physical and immersive. The structure is a room, not an image of a room. The photograph is an object, in addition to being an illusion. It has weight, and volume, and changes as you walk around it. Making this installation has been a thrilling process, and this new way of working seems to afford many new possibilities.”
(photos by Tony Walsh, courtesy of the artist, and Luis De Jesus Los Angeles) Read the rest
Jason Antic's DeOldify is a Self-Attention Generative Adversarial Network-based machine learning system that colorizes and restores old images. It's only in the early stages but it's already producing really impressive results, and the pipeline includes a "defade" model that is "just training the same model to reconstruct images that augmented with ridiculous contrast/brightness adjustments, as a simulation of fading photos and photos taken with old/bad equipment." Read the rest