Film theorist Laura Mulvey coined the term "male gaze" to describe the "masculine, heterosexual perspective that presents and represents women as sexual objects for the pleasure of the male viewer": in a paper for the Harvard Journal of Law and Gender, Southwestern Law School professor John Tehranian applies Mulvey's idea to the complex and often nonsensical way that copyright determines who is an "author" of a work and thus entitled to control it, and shows how the notion of authorship reflects and amplifies the power imbalances already present in the world. Read the rest

Denuvo bills itself as the best-of-breed in games DRM, the most uncrackable, tamper-proof wrapper for games companies; but its reputation tells a different story: the company's products are infamous for falling quickly to DRM crackers and for interfering with game-play until you crack the DRM off the products you buy. Read the rest

In 2015, Australia created the most aggressive copyright censorship system in the world, which allowed the country's two major movie studios (Village Roadshow and Fox) along with an assortment of smaller companies and trolls to get court orders forcing the country's ISPs to censor sites that had the "primary purpose" of infringing copyright. Read the rest

For years we have chronicled the tireless fight of rogue archivist Carl Malamud (previously) whose Public.Resource.org has devoted itself to publishing the world's laws, for free, where anyone can see and share them. Read the rest

To Whom It May Concern: Read the rest

Australia is about to radically expand its copyright and the publishing industry has forged an unholy alliance with authors' groups to rail against fair use being formalised in Australia, rallying under the banner of "Free is not fair." Read the rest

Christopher Sadowski is, his lawyers submit, a most accomplished photographer of... Hitler admirer Heath Campbell? The New York-based shooter is threatening to sue the website Something Awful over a photo of the nazi spotted in its forums unless they pay $6750.

The unauthorized use of my client's work threatens my client's livelihood. While Christopher Sadowski,[sic] does have the right to bring a lawsuit for damages, my client is willing to settle this in an amicable way, out of court and without a lawsuit. I was asked to contact you and see if we can negotiate a settlement and save everyone the stress and costs of going to court.

It turns out, however, that the image isn't actually posted on Something Awful. It's hotlinked from another website, Imgur, which is the image's actual host and the one providing the embedding snippet. It's still there. Sadowski's lawyers, Higbee & Associates, haven't figured it out—or maybe they have, but removing the image isn't the business plan.

Rich Kyanka (pictured above) explains:

This garbage dicked law firm generates nearly $5 million a year by encouraging photographers to sign up with their company, then performing a reverse image search for anything matching their client's submitted photos. An automated system then flags the suspected offending site, spits out a super scary legal threat based off a template, and delivers it to the site owner. Upon receiving the notice of possible legal action, many victims freak out and pay these idiots the stated arbitrary amount of cash, under the looming threat of being taken to court for $150,000.

Ada Palmer is a University of Chicago Renaissance historian (and so much more: librettist, science fiction novelist, and all-round polymath); she has convened a series of seminars at the University in collaboration with science and piracy historian Adrian Johns, and me! Read the rest

A new trial will be held in a copyright dispute over Led Zeppelin's hit song 'Stairway to Heaven.' An earlier trial ruled in the band's favor, but an appeals court has now ruled the judge in that trial gave misleading information to jurors. Read the rest

Donald Trump has wrung many concessions out of Justin Trudeau on the NAFTA renegotiation, but none is more nonsensical and potentially damaging than a 20 year copyright term extension that will bring copyright in line with the US's extreme copyright system, where copyright endures for the life of the author plus 70 years, meaning that nearly every work created in US history will disappear due to commercial irrelevance, rather than being made available for scholars and other users by libraries and other nonprofits. Read the rest

Copyright markets are -- and always have been -- broken. People make art because they have to, and there's always a middle-man ready to take advantage of the oversupply of willing creators to grab our rights and pay us peanuts. Read the rest

Last year, 8th-grader and cartoonist Sasha Matthews discovered that the Scholastic Awards had a nasty rule buried in the fine print: all the childrens' work submitted for consideration became the property of Scholastic. This year, Scholastic fixed the rules, only taking a license to publish the entries. It's a big victory for the kids and a smart decision by the company.

Nicole Brown reports:

A 14-year-old Manhattan girl has learned firsthand the power of speaking up.

Months after Sasha Matthews, of the Upper West Side, tweeted about the copyright policy of the Scholastic Art & Writing Awards, the organization behind the national teen competition, which gets hundreds of thousands of submissions, announced new participation terms.

Matthews, a cartoonist known for her “Everyday Superheroes” comic book that raises money for the American Civil Liberties Union, questioned why winners of the contest would have to grant the Alliance for Young Artists & Writers Inc. the copyright to their work for two years.

On this International Day Against DRM, I've published an editorial for EFF Deeplinks setting out a theory of change for getting us to a world without Digital Rights Management, where all our devices obey us instead of betraying us. Read the rest

Robert Kyncl, Youtube's Chief Business Officer, writes about Article 13, the EU proposal to force all online services to evaluate all user-generated content with a copyright enforcement algorithm and censor anything that looks like a known copyrighted work (anyone can add anything to the databases of known copyrighted works and prevent it from being posted). Read the rest

Paul Hansmeier pleaded guilty to of wire fraud and money laundering today for his role in the Prenda Law copyright scam. Prenda uploaded porn movies to download sites, got the IP addresses of users accessing the files, then shook them down for settlements with the threat of exposing them to their families and the public through court action.

Later on, it made its own pornographic films and put these on pirate sites so it could gather more cash. The documents suggest Prenda set up shell companies to gather the "settlement" fees and hide its involvement. The settlement scheme was uncovered by an investigation into Prenda Law, which saw both Hansmeier and Steele charged with fraud in 2016. Steele pleaded guilty in early 2017 to seven charges including mail and wire fraud. He also agreed to help prosecutors investigating the case.

He lost his law license in 2016. Cory:

For more than four years, we've chronicled the sleazy story of Prenda Law, a copyright troll whose extortion racket included genuinely bizarre acts of identity theft, even weirder random homophobic dog-whistles, and uploading their own porn movies to entrap new victims, and, naturally, an FBI investigation into the firm's partners' illegal conduct.

Here's some refreshing news: the pending reform to South African copyright is really excellent, with a fair use definition that futureproofs itself with the key phrase "such as" -- so naturally, giant entertainment companies are doing everything they can to kill it. Read the rest

In a 318 to 278 vote, the European Parliament today shot down proposals that would have made online publishers liable for users' copyright infringement and made even linking to other websites fraught with legal risk. The bill, widely reviled for its service to legacy media interests and general ignorance of the internet itself, now goes back to committee.

Julia Reda, a Pirate Party MEP who had campaigned against the legislation tweeted: "Great success: Your protests have worked! The European Parliament has sent the copyright law back to the drawing board."

BPI Music, which represents UK record labels, had supported the bill and tweeted: "We respect the decision... we will work with MEPs over the next weeks to explain how the proposed directive will benefit not just European creativity, but also internet users and the technology sector." ...

The Copyright Directive is intended to bring rules around content in line with the digital age. The two most controversial parts of it are Article 11 and Article 13. The first of these is intended to provide fair remuneration for publishers and prevent online content-sharing platforms and news aggregators sharing links without paying for them. But it has been called the "link tax" by opponents and raised questions about who will have to pay and how much. Article 13 puts more onus on websites to enforce copyright laws and could mean that any online platform that allows users to post text, images, sounds or code will need a way to assess and filter content.