For years, I've been covering the career of Patrick Costello (previously) a deaf, copyfighting, open access banjo player and teacher who is responsible for a bounty of instructional books, videos, and meetups for would-be banjo players. Now, Patrick has finished a new book called Just This Banjo and made it open access, in the name of fighting the malaise and terror of our precarious moment. As Steve Martin has proved: you can't be sad while playing the banjo. Read the rest

After Suzanne Forbes graduated from art school, she worked as a penciller for DC and a courtroom artist for CBS and CNN; today, she lives in Berlin, where she is a prolific "documentary artist," rendering scenes from the U-bahn, sex parties, and other scenes around town. They're Creative Commons (NC-ND) licensed, and supported by donors on her Patreon. (Thanks, Pat Ketchum!) Read the rest

Ben writes, "First featured on Boing Boing in 2010, the fan-supported TV series JourneyQuest has continued for nine years(!) and is now Kickstarting a fourth season. It's an open world with a copyleft license, proving that encouraging sharing, remixing, allowing commercial derivatives, and not treating fans like criminals can still lead to success." Read the rest

I'm a volunteer on the board of The Metabrainz Foundation, the nonprofit that maintains the Metabrainz service that produces accurate metadata on music that helps listeners locate the music they love and musicians and services accurately allocate revenues from online services. Metabrainz's material is strictly Creative Commons, including the art its users include in their updates to the database. Read the rest

I am totally, utterly reliant on Creative Commons images for Boing Boing, and mostly I use Google Image's mediocre search tool for this purpose, but no more! Creative Commons's new search engine is out of beta, and contains more than 300,000,000 images, along with tools to make attribution easier! (via Kottke) Read the rest

On Friday, hundreds of us gathered at the Internet Archive, at the invitation of Creative Commons, to celebrate the Grand Re-Opening of the Public Domain, just weeks after the first works entered the American public domain in twenty years. Read the rest

Jack Berberette's Dots RPG project creates free, CC-licensed shapefiles for RPG dice with Braille faces (you can order readymades from Shapeways); they're part of a larger project to produce accessible RPG materials of all kinds for people with visual disabilities. (via the-a-r-t-i-s-t) Read the rest

Timothy from Creative Commons writes, "In the US beginning Jan 1, 2019–after a devastating 20 year drought brought on by the infamous 1998 'Mickey Mouse Protection Act.' Creators, commons advocates, librarians, legal activists and others are celebrating in San Francisco at the Internet Archive on January 25, 2019 to mark the 'Grand Re-Opening of the Public Domain.' There will be keynotes (including from Cory Doctorow and Larry Lessig), panels with legal experts like Pam Samuelson and EFF, and lightning talks to showcase the important, weird, and wonderful public domain." Read the rest

One of the most controversial elements of the EU's new Copyright Directive is Article 11, the "link tax," which requires paid licenses for links to news stories that contain "excerpts" (more than a single word from the story or its headline, depending on which draft you're reading). Read the rest

In just five days, a key EU vote could visit untold harm on the whole world's internet by subjecting all public communications to algorithmic censorship: the proposed Article 13 of the new Copyright Directive will force sites to build vast databases of known copyrighted works, and then block any user submissions (text, audio, video, code, stills) that seems to match a copyrighted work, and anyone can add anything to the blacklist of unpublishable works, without any proof of copyright and without any regard to fair dealing and other vital protections for free expression. Read the rest

The EU is mooting a new copyright regime for the largest market in the world, and the Commissioners who are drafting the new rules are completely captured by the entertainment industry, to the extent that they have ignored their own experts and produced a farcical Big Content wishlist that includes the most extensive internet censorship regime the world has ever seen, perpetual monopolies for the biggest players, and a ban on European creators using Creative Commons licenses to share their works. Read the rest

Under US copyright law, creators who have signed away their copyrights for the "full duration of copyright" can still get their rights back from publishers under something called the "Termination of Transfer," which is a hellishly complex and technical copyright provision that is almost never used, since it requires that creators wait decades and then successfully navigate all that complexity (even knowing how many years you have to wait is complicated!). Read the rest

Syrian Creative Commons lead Bassel Khartabil disappeared in 2012, snatched off the Damascus streets by Syrian authorities; in 2015, he was secretly executed by the Assad regime, a fact that has only just come to light. Read the rest

The Met's collection contains over 375,000 images of art in the public domain; they've made these directly searchable and browseable, there's a Github repo of metadata, integration with the Creative Commons search tool, and extensive collaboration with Wikimedia and GLAM Wiki. Read the rest

The fine folks at Small Business Web Designs in Australia put together a very helpful list of 50 Top Rated Websites for Royalty Free Stock Images, like Path to the Sea by Paul Jarvis on Life of Pix. Read the rest

Shiv Integer is a bot created by artists Matthew Plummer-Fernandez and Julien Deswaef; it downloads Creative Commons-licensed models from Thingiverse, mashes them up into weird and often amazing new shapes, adds machine-generated titles and descriptions to them, and posts them. Read the rest

Rocket Lee writes, "In Bloc by Bloc: The Insurrection Game, players struggle together to overthrow a repressive government and liberate a randomized city that changes with each game. To win, players must build barricades, loot shopping centers, occupy strategic locations, clash with riot cops and defend liberated zones before time runs out and the military arrives. Each player is also dealt an individual faction agenda and those with Vanguardist or Nihilist agendas are secretly playing to win the game alone." Read the rest