San Antonio artist Michael Esparza's oil paintings put Texas-based fast food restaurants in the center of bucolic landscapes. It's hard not to compare his work to Thomas Kinkade's but that's the point. (The main difference, imo, is that Esparza's pieces are actually palatable.)
Read the rest
The idea for the series, which Esparza describes as “a little bit Bob Ross and a little bit Thomas Kinkade,” came to him 2012, just after he came back to Texas from a year of studying art in Italy. In Italy, nothing was built taller than a church, so it was a shock when Esparza returned to San Antonio, the size of roadside signs were particularly jarring. “I was just seeing how iconic they are, but also from the Italian perspective, how ridiculous they are. From that point of view, it’s like, ‘What are you doing, Texas? What’s going on with these big signs that you have on the side of the road?'” he says. “But the first thing I did when I got back from Italy was I went to Whataburger, and then right after that, I went to Bill Miller’s. I just needed a burger, and I needed a po’ boy. I was already full after Whataburger, but I didn’t care.” Esparza says he wants the paintings to evoke the sense of homecoming you feel when you see those signs after spending time in a place where they don’t exist—be it Italy or elsewhere. “They become your own little beacons for where you live,” he explains.
This is one of those genius "I can't believe this hasn't been done already" kind of things.
An architect from Indiana has photoshopped recognizable modernist homes into the overly sentimental, idyllic world of a Thomas Kinkade painting, making for a funny mashup series.
It all started with this tweet from another architect, Donna Sink, where she instigates, "Does anyone do paintings of Modern buildings in the style of Thomas Kincade?"
Indianapolis-based @robyniko answered her call, writing, "I'm in. Let's start off easy with one of Kahn's beautiful boxes (eg the Fisher house)..."
Then he worked on others, like the Eames house (the wishing well is a nice touch!):
Then someone requested he do architect Philip Johnson's historic Glass House next. He calls his creation "Philip Johnson's Glass Cottage," (emphasis mine) a nod to Kinkade's use of cottages in his paintings:
On this one, he writes, "Ok i really have to stop now. Merry Corbsmas:"
But he didn't stop. He then tackled the Farnsworth House (which I included as the lead image above).
A couple days later he was still at it. On this one, he writes, "Pack your bags for a rocky seaside getaway at the Gehryhaus! You'll love the *squints at copy* homey chain link fence & softly weathered *checks notes* corrugated steel siding while you eat a homemade breakfast in the soft glow of the *deep sigh* aggressively geometric sun room." Read the rest