Spare a thought for poor Matt Furie, a wonderful indie comics creator whose Boys' Club comics featured a lovable frog called Pepe that was adopted by the neofascist movement (the so-called "alt-right") as a symbol for racism, xenophobia, homophobia, transphobia and misogyny.
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In Soupy Leaves Home
, writer Cecil Castellucci and artist Jose Pimienta expand the borders of young adult graphic novels, telling a moving, inspiring tale of Depression-era hobos, identity, gender, suspicion, solidarity, and the complicated business of being true to yourself while living up to your obligations to others.
In Spill Zone
, YA superstar Scott "Uglies
" Westerfeld and artist Alex Puvilland tell the spooky, action-packed tale of Addison, one of the few survivors of the mysterious events that destroyed Poughkeepsie, New York, turning it into a spooky, Night-Vale-ish place where mutant animals, floating living corpses, and people trapped in two-dimensional planes live amid strange permanent winds that create funnels of old electronics and medical waste.
On the heels of the Daily Grail's new essay anthology Spirits of Place -- featuring Alan Moore, Maria J. Warren Ellis, Gazelle Amber Valentine, and many more writers and thinkers -- the Grail's Greg Taylor conducted a deep interview with Moore about populism, time, language, science, and other heady topics. From the Daily Grail:
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What are your thoughts on the importance, or non-importance, of including consciousness, imagination and subjective experience in any theory of what 'reality' is?
AM: Is it helpful to observe that subjectivity is the only thing that we know is objectively real, or does that just muddy the waters even further, as with so many of the well-intentioned things I say? I mean, we do not experience the universe directly: we experience it only through our limited senses, with our sensory impressions arranged moment by moment into this immersive psychic movie that we agree to call reality. From this point of view, our entire universe can only ever be a subjective neurological phenomenon, at least to us, and a quick glance around will confirm that it’s only us who seem to be much bothered either way about this ontology business. I think Nagel is correct in his criticism of the materialist worldview, and I would further state that even should science ever accomplish its goal of unifying classical and quantum physics, of achieving a grand ‘Theory of Everything’, then if it only describes the physical universe and does not take account of the marvellous, supernatural phenomenon – consciousness – that has arrived at this theory, it is nowhere near a theory of everything, is it?
Briggs Land is a complex, intelligent crime drama that is so American at its core, but a slice of America we rarely get to see. It would be topical at any time, but in our current political climate, it's frighteningly relevant.
Saga is Brian K Vaughan and Fiona Staples' magnificent, visually stunning, adventurous, funny, raunchy, complex and provocative graphic novel; the first six volumes of collected comics moved from strength to strength, fleshing out a universe that was simultaneously surreal and deadly serious, where cute characters could have deadly-serious lives: now, with volume 7
, Staples and Vaughan continue their unbroken streak of brilliance.
Jonathan Coulton is known for a myriad of distinct accomplishments. The tech professional-turned-musician once conducted a Thing a Week experiment, in which he recorded and published a new song every Friday for a year, produced a cover of Sir Mix-a-Lot's "Baby Got Back
" infamously adopted by the Fox series Glee, regularly contributes to the NPR quiz show "Ask Me Another" as its very own one-man band, and runs his own fan cruise aptly called the JoCo Cruise
Fundamentalist cartoonist Jack Chick wrote to J. Edgar Hoover in 1971 seeking the FBI's help with his bizarre religious comics. Today we publish that correspondence in its entirety for the first time, after obtaining it through a Freedom of Information Act request.
Back in 2015, cartoonist Robert Sikoryak started publishing single pages
from his upcoming graphic novel Terms and Conditions
, in which he would recount every word of the current Apple iTunes Terms and Conditions as a series of mashup pages from various comics old and new, in which Steve Jobsean characters stalked across the panels, declaiming the weird, stilted legalese that "everyone agrees to and no one reads."
The fabulous Shelly Bond, former DC Vertigo editor and head honcho, just launched a kickstarter for an anthology called Femme Magnifique that she’s doing in conjunction with Kristy and Brian Miller at HiFi Color.
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When you meet someone new, do you know what to say but still say the wrong thing? How much do you overanalyze everything that’s happening in your relationships? What do your brain, your heart, and your uterus think when their expectations of you are too high? Adulthood is a Myth explores these questions and more in over 100 comic strips.
Writer and artist Sarah Anderson compiled the best of her work from the online “Sarah’s Scribbles” collection and created plenty more comic strips to explain the insecurities and set back introverts face as they come into adulthood. These crisp black-and-white comic strips cover stressful situations like trying on clothes, being in crowds of people, obsessing over your flaws, and making the inevitable but always ill-advised comparisons to people who have figured out more than you have. Other comic strips show the unnamed main character having fun with her body fat, embracing her imperfections, and finding pleasure in little things like lying on warm laundry, wearing men’s hoodies, and embracing holiday costumes.
If the title doesn’t make you want to pick it up, the fuzzy sweater on the cover might convince you. Read it all in one sitting or start wherever you’d like as you linger over the expressive drawings, wonder about the talking rabbit, and generally relax with the knowledge that the things that made you think you were weird and alone are universal among introverts.
– Megan Hippler
Adulthood is a Myth: A Sarah's Scribbles Collection
by Sarah Andersen
Andrews McMeel Publishing
2016, 112 pages, 6.5 x 0.3 x 8.0 inches, Paperback
$12 Buy on Amazon
See sample pages from this book at Wink. Read the rest
is a new dystopian science fiction YA graphic novel from Adam Rapp and Mike Cavallaro that tells the story of Angela Swiff, a teen who refuses to go along with the "Guarantee," a totalitarian philosophy that demands that everyone work, play and (especially) shop as quickly as is humanly possible.
Jen Wang, the incredible comics creator who adapted my award-winning story Anda's Game for the bestselling graphic novel In Real Life is selling original, 9" x 12" art from the book, and the painting above these words, for $250 each -- all proceeds divided equally between the American Civil Liberties Union and the Council on American Islamic Relations.
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Lucy Bellwood, an adventure cartoonist of the beloved (to me, at least) ligne claire school of illustration, created this webcomic about spending time aboard the R/V Falkor, "a state-of-the-art oceanographic research vessel." It's available as a PDF, or get read it here.
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Octavia Butler is a name to conjure with: the first African-American woman to rise to prominence in science fiction, Butler's fiction inspired generations of writers by mixing rousing adventure stories with nuanced, razor-sharp parables about race and gender in America; she was the first science fiction writer to be awarded the MacArthur Genius Grant, and her sudden and untimely death
left a hole in the hearts of her readers, proteges and admirers.
After dismissing civil rights icon John Lewis as "all talk," Donald Trump catapulted Lewis' March
trilogy comic on the civil rights movement back to the best-seller charts, where it has stayed all month. This week, it won four American Library Association Awards. Read the rest
Fletcher Hanks comics are incredibly violent, incredibly stupid, and incredibly beautiful. His first published work appeared in 1939, only months after the first Superman story ran, and his last work appeared in 1941. Then he disappeared.
All 53 of his batshit crazy tales have been reprinted in “Turn Loose Our Death Rays And Kill Them All!: The Complete Works Of Fletcher Hanks
.” They are likely to pop your eyes, blow your mind, and leave you speechless. Shortly before his death, Kurt Vonnegut wrote that, “The recovery of these treasures is in itself a major work of art.”