For decades, the WELL has rung in the new year with a weeks-long public discussion led by Jon Lebkowsky and Bruce Sterling (2018, 2017, 2016, 2014, 2012, 2010, 2007, 2005, etc).
This year's contributors include Tiffany Lee Brown and James "New Aesthetic" Bridle (previously).
As you might expect from such an august panel, they're off to quite a start. Sterling has continued his tradition of declaring different countries to epitomize the year: this year, it's Ukraine, in "the EU-Russia shatterbelt where the elderly village grannies, the last ones too poor to flee, are harvesting their turnips while getting randomly pounded by mortar fire" … it's "typical of our times. It's the patient zero for the actual trouble. The prospects for real peace there are very slim. The prospects of that kind of offshored Violence Lite appearing elsewhere, those are high."
Bridle, meanwhile, thinks the boasts of an upcoming "dark enlightenment" (or any other kind of enlightenment) are overblown, briefing instead for an upcoming entanglement: "weird, niche communities – antisocial media, distributed and federated services, truly decentralised ones as well as real urban anarchists – and they feel like different places to
talk about power and agency, and formulate strategy."
I do have one self-set task for the SoTW this year. What is
the forthcoming shape of the 2020s> Moore's Law is dead, there's
no Singularity, the fix is in tech oligarchs of (take a breath)
Google Apple Facebook Amazon Microsoft Baidu Alibaba Tencent Netflix
Samsung. They're in charge, but they're sitting on heaps of cash
with nothing much to do with it.
So what does post-disruption, post-Moore's Law,
tech-industry consolidation look and feel like? What kind of world
is that, what matters to people who live then? What happens when
there's no Next Big Thing, and you live in a New-Dark Hot-Peace?
What do people do with their time, their ambitions — just tremble
at the Greenhouse thunderstorms? They're bound to be up to
State of the World 2019 [The WELL/Inkvue]
(Images: Andreas Dantz, CC-BY; Bruce Sterling)